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Need help putting together a Neumann System for Desktop PC Audio.

matisse

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TL,DR: How can this non-technical person best hook up a Neumann 2.1 system to get audio transparently from PC to Neumann KH 750 sub, KH120 II’s (with M 1 Calibration Mic); plus some sort of volume control added in… (with the fewest number of DAC/ADC ADC/DAC conversions?, IF that would help maintain the best audio signal).

Greetings! I’m a long-time lurker here at ASR; with little technical audio expertise or knowledge of the equipment, except for the little I’ve picked up here. As such, I’m probably not very well able to judge whether I’m going “overboard” with my spending on equipment (i.e., something that could be solved, just as well, at a cheaper price), so please feel free to pull me back in!...

So, I’d like to do the “ultimate” upgrade for my 2.1 PC audio. And, I’ve decided on the Neumann’s KH 120 II’s, KH 750 subwoofer, M-1 Calibration Mic, and KH 65 adjustable speaker stands. ((I realize the KH 80s would be sufficient for near-field, but I frequently turn up the music volume when I’m away from my desk.)) Unfortunately, this Neumann system leaves me a bit frustrated as how to best physically connect everything together for the most transparent transfer of a regular PC audio signal (YouTube, etc.), and more importantly, PC streaming audio (Amazon Music HD/UltraHD) AND somehow also include a physical (digital?) volume control (with no noticeable latency and, hopefully, with no decrease in dynamic range, increase in SINAD, etc.?).

From what I’ve read here (and I could easily be mistaken!), it seems like the best path from PC to the Neumann’s would be all digital (or at least with the fewest number of DAC/ADC ADC/DAC conversions). Anyway, as mentioned, I’d really like a physical desktop volume control, so I’m not sure if that is even possible along with a completely digital path to the KH 750 sub. Any suggestions? Or, am I way overthinking this all-digital path?

In the past day, I spoke with a sales engineer at a popular large audio company. His immediate thought, in keeping with the all-digital path, was the RME UCX II ($1,600), which has USB digital in and AES/EBU digital out (expensive, but doable). However, he is not quite certain, as yet, how to connect the digital AES/EBU output to the KH750 sub’s digital AES3 input (and is checking on that). But he also thought I was over-thinking the complete digital path and recommended going analog into the KH750 with something a little cheaper, like the RME Babyface Pro ($1,000). Both RMEs conveniently have USB inputs, so that helps me. (As best I can see, neither of these RME’s have 48V phantom power, so was thinking of maybe the Motu 2 [$200] for calibration?)

And while I’ve been researching this for way too long, I just learned yesterday of the NRC 1 Neumann Remote Control (~$325); A simple hardware remote used to control the system volume, LFE gain, and bass management bypass.(https://www.neumann.com/en-us/products/monitor-accessories/nrc-1). (Manual: https://www.neumann.com/en-us/serviceundsupport/file-finder?productName=NRC+1) While the manual (p. 7) indicates this is only to be used with subs “equipped with a 7.1 High Definition Bass Manager” (therefore, not the 750!), the sales engineer thought the NRC 1 may still be possible with the AES67 (Ethernet connected/controlled) versions of the KH 750 and KH 120 II’s using a network switch and Ethernet cables. He’s checking into this. Before any possible discounts, this adds ~$1,325 cost. So, a tiny bit cheaper than the $1,600 RME UCX II (but also possibly way more complex than the UCX II, for me). And, as the RME UCX II has a PC driver (?) to control the sound from the PC, I’m not sure how this would work with the NRC 1 or even how the how to connect to the PC to the Neuman 750 (perhaps a cheap USB to BNC adapter?). Also, p7 of the manual states that when the NRC 1 is turned off, “the sub is again controlled via the subwoofer electronics”, which sounds a little like the NRC 1 may be circumventing the calibration(?), which I definitely would not want, if that were the case.

Anyway, I feel like I’ve been “going down a rabbit hole” with all these (and other) potential variations. Any thoughts/suggestions that could help simplify this for me would be greatly appreciated. Thanks!
 
A USB interface with analog output such as MOTU M2 is the most practical advice. There's no evidence I'm aware of that the ADC stage in equipment like KH 750 is anything but audibly transparent, so you can save some money and simplify using an analog connection. Going up in price from there is mostly about DSP features, which I don't think you need if using Neumann's MA-1.
 
A USB interface with analog output such as MOTU M2 is the most practical advice. There's no evidence I'm aware of that the ADC stage in equipment like KH 750 is anything but audibly transparent, so you can save some money and simplify using an analog connection. Going up in price from there is mostly about DSP features, which I don't think you need if using Neumann's MA-1.
Thanks @dshreter! I saw somewhere here where at least one other person here is also using the Motu M2 in a similar or exact same Neumann configuration and is happy with that. So, that is a good option. I was looking at Amir's review of the Motu 2 where the dynamic range was rated as "good" (116dB/+19 bits): Motu M2 Review. While the Motu 2 is a great price point at $200, I was hoping for an interface that might transfer a slightly higher dynamic range. As best I can tell, the KH 120 II has a dynamic range of at least 118dB(?) (Dynamic Range: "A-D=121dB, A-D-A Converter=118dB, D-A=121dB"; Neumann KH 120 II, under Data & Diagrams tab), so, I think???, it might be good to have an interface of at least 118db or higher. Anyway, I could always start with that Motu 2 as that solves both the calibration and volume control issues I'm struggling with. Thanks!
 
That's going to be a kickass desktop setup.

A couple years ago I upgraded mine to a pair of Genelec active monitors. The interface I chose was a Topping DX7 Pro. Obviously the Gens only use it in pre-amp mode but I wanted to try a Topping product, needed the headphone amp, and wanted both physical volume knob + remote control.
 
TL,DR: How can this non-technical person best hook up a Neumann 2.1 system to get audio transparently from PC to Neumann KH 750 sub, KH120 II’s (with M 1 Calibration Mic); plus some sort of volume control added in… (with the fewest number of DAC/ADC ADC/DAC conversions?
Interfaces for MA1 correction: Komplete 6 MKII, E2X2 OTG

DDC with volume control: PO100 2024

Then connect everything via SPDIF.

To add a physical volume knob to the PO100, you can purchase a generic USB volume knob.

This will send volume up/down commands to your PC, which will forward them as UAC2 Hardware volume commands to the PO100, which finally applies digital signal attention on its Xmos chip.
 
Thanks @dshreter! I saw somewhere here where at least one other person here is also using the Motu M2 in a similar or exact same Neumann configuration and is happy with that. So, that is a good option. I was looking at Amir's review of the Motu 2 where the dynamic range was rated as "good" (116dB/+19 bits): Motu M2 Review. While the Motu 2 is a great price point at $200, I was hoping for an interface that might transfer a slightly higher dynamic range. As best I can tell, the KH 120 II has a dynamic range of at least 118dB(?) (Dynamic Range: "A-D=121dB, A-D-A Converter=118dB, D-A=121dB"; Neumann KH 120 II, under Data & Diagrams tab), so, I think???, it might be good to have an interface of at least 118db or higher. Anyway, I could always start with that Motu 2 as that solves both the calibration and volume control issues I'm struggling with. Thanks!
In my opinion, you are very much over-thinking things. The AD/DA in the monitors and most interfaces is so good now, you could make 50 round-trips with no degradation to the audio signal. You would fail an ABX test listening for it, I guarantee it.

There is no commercially available recorded music that requires even 97dB dynamic range, much less 118dB. You are not missing anything with the M2's 116dB limitation. The amps and drivers are capable of far less. Many amps struggle to reach 14 bit resolution, for example.

What is far more important is the placement of the speakers in your room and in relation to the desk and to your ears. FAR more important.

Full disclosure: I have a pair of KH120 II driven by a MOTU M4 and could not be happier. (I eventually will be happier, I presume, when I get around to running the calibration, but for now, the DIP switches have tuned them well-enough.)

I very much like RME and MOTU interfaces for their rock-solid drivers. They just work.
 
Hi @staticV3 ! Thanks for the advice. Was really hoping might weigh in as I've really enjoyed/respected all the advise you (and others) have provided at ASR.

I had seen Amir's review of the E2X2, but didn't know about the OTG. That looks like a great option to connect to my PC via USB, to use as a volume control, and have a digital Optical output to connect(?see below) to the KH 750 (and for calibration). Thanks!
DDC with volume control: PO100 2024
You've simplified this greatly although, but I'm confused by "DDC with volume control: PO100 2024" suggestion. I wasn't familar with that, but found it at SMSL-audio. Please tell me what am connecting this from and to? I read where it has a USB input and 2 digital outputs: Optical and Coaxial. So, I'm confused.
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I see where the KH750 uses a BNC plug for a AES3 digital input. Are you suggesting to use the digital optical out from the E2X2 OTG to connect to the digital in of the KH 750? If so, would have any suggestion(s) for a good/premium optical to BNC converter?
 
A USB interface with analog output such as MOTU M2 is the most practical advice. There's no evidence I'm aware of that the ADC stage in equipment like KH 750 is anything but audibly transparent, so you can save some money and simplify using an analog connection.
I can second this. I use an RME ADI-2 PRO fs to feed a KH750DSP which then feeds a pair of Genelec 8020a via its analog outputs. First I used the analog output of the RME to the KH750 and then switched to SPDIF and there is no change in sound quality at all, at least not to my ears.
 
PC->USB->PO100->RCA to BNC->KH750->BNC to RCA->KH120 II->RCA->KH120II

Edit: Another interface with SPDIF out: Focusrite Scarlett 8i6 3rd Gen

Does the 8i6 volume knob control the SPDIF out? Or is a software solution required?
 
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In my opinion, you are very much over-thinking things. The AD/DA in the monitors and most interfaces is so good now, you could make 50 round-trips with no degradation to the audio signal. You would fail an ABX test listening for it, I guarantee it.
Hi Steve. Thanks! And, your 100% right about me over-thinking this :) I really need you guys to simplify it for me! Fortunately, I wasn't concerned about the AD/DA conversions in the Neumann's, but am concerned about connections between everything, the volume control, and the AD/DA conversions (if any) in between the PC and monitors.
here is no commercially available recorded music that requires even 97dB dynamic range, much less 118dB. You are not missing anything with the M2's 116dB limitation. The amps and drivers are capable of far less. Many amps struggle to reach 14 bit resolution, for example.
I definitely wasn't aware of this. This is good to know. Thanks!
 
PC->USB->PO100->RCA to BNC->KH750->BNC to RCA->KH120 II->RCA->KH120II

Edit: Another interface with SPDIF out: Focusrite Scarlett 8i6 3rd Gen
Thanks for supplying into that connection detail! It's very helpful... but, where would the volume control (E2X2 OTG?) fit in here? Or is the E2X2 OTG just for calibration?
 
I believe it costs a bit more than the other suggestions but the Minidsp Flex digital has volume knob and remote. You need a 75ohm coax RCA to BNC adaptor to connect to the subwoofer.
 
Thanks for supplying into that connection detail! It's very helpful... but, where would the volume control (E2X2 OTG?) fit in here? Or is the E2X2 OTG just for calibration?
The PO100 is the cheapest way to get all-digital playback with volume control.

You could buy the MA1 mic and an interface, run the calibration, then sell them both and use just the PO100 for playback.

Or you could keep them to recalibrate whenever.
 
I can second this. I use an RME ADI-2 PRO fs to feed a KH750DSP which then feeds a pair of Genelec 8020a via its analog outputs. First I used the analog output of the RME to the KH750 and then switched to SPDIF and there is no change in sound quality at all, at least not to my ears.
I'm chuckling to myself because I've been told that a lot of audio engineers use the analog inputs into their monitors and I am very likely over-thinking all this... knowing my ears would likely not be able to tell the difference either. Thanks for your advice!
 
The PO100 is the cheapest way to get all-digital playback with volume control.

You could buy the MA1 mic and an interface, run the calibration, then sell them both and use just the PO100 for playback.

Or you could keep them to recalibrate whenever.
I'm extremely sorry if I'm being difficult. It's not intentional. I'm definitely going to keep everything, like you say, especially if I need, or want, to re-calibrate. And I'm not really looking for the cheapest, though I greatly appreciate where I can save money but still have quality.

I originally thought you were suggesting to use the E2X2 OTG for calibration as well as volume control after calibration, but I guess I was wrong. And, I apologize if this sounds like a really stupid question, but where would I control the volume in the set up you're suggesting?
 
I believe it costs a bit more than the other suggestions but the Minidsp Flex digital has volume knob and remote. You need a 75ohm coax RCA to BNC adaptor to connect to the subwoofer.
Thanks for that suggestion!
 
A couple years ago I upgraded mine to a pair of Genelec active monitors. The interface I chose was a Topping DX7 Pro. Obviously the Gens only use it in pre-amp mode but I wanted to try a Topping product, needed the headphone amp, and wanted both physical volume knob + remote control.
This is another great idea. Thank you!
 
I originally thought you were suggesting to use the E2X2 OTG for calibration as well as volume control after calibration, but I guess I was wrong. And, I apologize if this sounds like a really stupid question, but where would I control the volume in the set up you're suggesting?
If you use an interface for both calibration and general playback, then you would control the volume using the interface.

If you use the PO100 for playback then you would control the volume using your mouse, keyboard volume buttons, or a USB volume knob if you want something haptic.
 
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If you use an interface for both calibration and general playback, then you would control the volume using the interface.

If you use the PO100 for playback then you would control the volume using your mouse, keyboard volume buttons, or a USB volume knob.
Thanks @staticV3 ! That really helps!
 
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