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Nearfield Decisions for Mixing - Around £1k

ChrisG

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Joined
Jun 26, 2023
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Hi all,

Context:
I've been pretty happy with the performance of my Fostex PM04 monitors (which were previously converted to passive, so I made a nice crossover for them) for a while, but have recently sold off some equipment with a view to purchasing a reasonably-nice nearfield setup. Budget is slightly-flexible, but I'd like to keep to somewhere around £1k. I'd like active monitors (right now, there's a HiFi amp sitting on my desk), and also to improve on the ~70Hz LF extension that I have at the moment.

I mostly work in live sound, but often take multi-track recordings of the shows I mix. For my own enjoyment, I'll do some mixing at home. Occasionally, this results in a live album etc etc etc. This is mostly a hobby, but sometimes I get paid for it. Obviously I'd also like to be able to use this system for general music playback etc, but that's just another input on the desk.

I mix using the outputs from my digital mixing desk, capturing the stereo mix via USB link to a DAW. So, XLR outputs from my desk. I have some EQ available:
- 6x bands of parametric EQ, maximum Q of 4.
- 30-band graphic EQ
- 12x bands of "anti-feedback" notches. They all have to have the same Q-factor, which can be set anywhere from 10-20. Negative gain only.
These EQ are all fixed-stereo. I can't process L/R individually. Fortunately, my room etc is pretty symmetrical.
NB - I capture the mix pre-EQ, so I can make full use of the processing above.


Room:
The room is tiny: 2m wide, 2.6m long. My desk (a cheap Ikea thing, reflective) faces the window on the small wall, and my current listening distance is ~0.8m from the line that joins the speakers. The speakers are currently sat on some short isolating stands on the sill, which is 1m wide and 190mm deep. The window frame adds a few cm of clearance from rear ports/connectors etc, but the flat surface is of limited depth.
Acoustic treatment is via shelves full of "chaos". Not ideal, but not much (physical) room to improve. I don't notice any big problems there - the nearfield situation probably helps.


Concerns:
- Obviously with the speakers close to a window, I'll need to block the direct sunlight from hitting the speakers so that they don't cook on a (rare) sunny day.
- When I last tried it, having a subwoofer under the desk was really really audible and obvious, despite measuring very well at my listening position with a crossover point around 70Hz. The crossover was steep, and the sub itself wasn't cheap rubbish (ie, minimal harmonic distortion to call attention to the sub's location).
- There isn't a lot of space under the desk, on account of storing a few racks under there for my PA systems. I could probably make space for a sub if necessary, though.

Priorities etc:
- Clean and accurate sound that I can mix on.
- Adequate LF extension
- Fitting where I need the speakers to go. I don't have much/any flexibility with regards to room layout.


Naturally, I've put the options I've considered so far in a spreadsheet (below). I've used the -6dB point for "LF extension", figuring these speakers will all have a highpass filter that's quickly rolling off there. ie, basically-zero useful output below the noted frequency.

1729613255288.png

The KH120II immediately has a mark against it: it'll hang ~40mm over the front of the window sill.

Each option has its pros and cons. I find the Genelec monitors look quite "cute", while the Neumanns are on the ugly side of functional. I've also read of problems communicating with the Neumann monitors via app/MA1/whatever.
Obviously, the list is non-exhaustive. I'd appreciate other suggestions. Bonus points if it's in a similar format.

The DSP-based monitors hold limited appeal: it's extra money spent, when I already have a useful amount of EQ available. Plus, I don't particularly like the idea of requiring software to make full use of the speaker. The last benefit that I can see is the FIR-based crossovers. The step/impulse responses are a bit better than the analogue counterparts. Is that worth it? I've played around with FIR-based crossovers, and it's difficult to say for sure that it's definitely an improvement. It's sometimes possible to detect a difference.


At the moment, I'm favouring the simplicity of a pair of Genelec 8030C. However, the 8010+7040 option has considerably more LF extension. On one hand, you can't mix what you can't hear (ie, get the sub!) but on the other hand, subs just don't seem to work well with me/my room/desk.

Perhaps it's worth buying 2x 8030C, 2x 8010A and 1x 7040A, trying both systems, and keeping the winner.


Apologies for the long post. If anyone has any input (even if it's just a "get a grip, Chris, buy the 8030s and be done with it!"), I'd appreciate the conversation. It's easy to chase ideas around in your head without reaching any solid conclusions.

Thanks,
Chris
 
Hey there, I’m shopping for the same thing and I think I’m going to spring for the iLoud MTM mkii. They are powered monitors that include a microphone to dial in in-room response.
 
Jesus, Chris…..get a grip and just buy the 8030 along with a Umik mic and get on with it, those mixes aren’t going to get done with you sat there dithering on bloody forums.

;)
 
The room is tiny: 2m wide, 2.6m long.

That is such a small room, practically a large closet. I wouldn't even bother with speakers in there and would just use some good headphones.
 
5m2 "room" and speakers in the window? I would spend 300€ just to have general idea what's going on and some good headphones for critical work
 
5m2 "room" and speakers in the window? I would spend 300€ just to have general idea what's going on and for editing, for the rest I would get some good headphones

My room is 3.6m wide x 4.4m long x 2,4m tall and I have what's in my sig blaring out with no issues.
 
Some interesting discussion on a product and others designed for your situation. especially if are stationary when working. If that is okay what happens in the rest of the room is not important. FYI
 
My room is 3.6m wide x 4.4m long x 2,4m tall and I have what's in my sig blaring out with no issues.
but that's more than 3 times as big, 16m2 is considered a proper room by european standards
 
Just a quick note that I have a pair of Beyerdynamic MM1 measurement mics, plus REW with the Pro upgrade.
So long as the required EQ fits within the limitations of the digital mixing desk, I'm confident I can get it dialled in nicely.


I also have a pair of Shure SRH1540 headphones, but they mostly get used at live shows.
Creating an accurate stereo mix is difficult with headphones, so I'd prefer to stick with speakers.

Thanks for the replies so far!

Chris
 
Just a quick note that I have a pair of Beyerdynamic MM1 measurement mics, plus REW with the Pro upgrade.
So long as the required EQ fits within the limitations of the digital mixing desk, I'm confident I can get it dialled in nicely.


I also have a pair of Shure SRH1540 headphones, but they mostly get used at live shows.
Creating an accurate stereo mix is difficult with headphones, so I'd prefer to stick with speakers.

Thanks for the replies so far!

Chris
I struggled with stereo field and bass on headphones for some time, but you should try some cross feed plugin for that. I use Goodhertz CanOpener Studio and it was a gamechanger in this regard. Both bass is more tactile (more mono and more massive) and stereo is not as weird as even hard panning works well. I did many live broadcasts using this setup with high success rate, also some mixes and mastering on the go with minimal revisions on speakers.
 
I would choose KH120 II still. Buy them from somewhere with an easy return policy just in case, but I doubt you will regret and return them.

And for 50 get a pair of Truthear Zero Red IEMs and you will be amazed, should work great on the go.
 
Just a quick note that I have a pair of Beyerdynamic MM1 measurement mics, plus REW with the Pro upgrade.
So long as the required EQ fits within the limitations of the digital mixing desk, I'm confident I can get it dialled in nicely.


I also have a pair of Shure SRH1540 headphones, but they mostly get used at live shows.
Creating an accurate stereo mix is difficult with headphones, so I'd prefer to stick with speakers.

Thanks for the replies so far!

Chris

The rooms so small the order of reflections is going to be really high, one of my rooms was 9'x11' and that was too small for me to get anything usable for mixing.
 
I have 8030s in a small-ish room, the room needs help but I like the speakers. They hold their value well.
 
I struggled with stereo field and bass on headphones for some time, but you should try some cross feed plugin for that. I use Goodhertz CanOpener Studio and it was a gamechanger in this regard. Both bass is more tactile (more mono and more massive) and stereo is not as weird as even hard panning works well. I did many live broadcasts using this setup with high success rate, also some mixes and mastering on the go with minimal revisions on speakers.
I was just about to suggest the same thing. The right amount of crossfeed will let your mix sound about the same over phones or speakers as far as the stereo field is concerned. Even then I find mixing over phones to be much harder vs even a moderately good pair of speakers.
 
I was just about to suggest the same thing. The right amount of crossfeed will let your mix sound about the same over phones or speakers as far as the stereo field is concerned. Even then I find mixing over phones to be much harder vs even a moderately good pair of speakers.
+1, mixing on headphones is hard, just has a different character than speakers, but crossfeed helps.
 
Thanks for the suggestions about crossfeed for headphones etc. It's something I'll investigate in parallel, but I'd like to keep this thread about speakers.

Hey there, I’m shopping for the same thing and I think I’m going to spring for the iLoud MTM mkii. They are powered monitors that include a microphone to dial in in-room response.
BB, thanks for pointing those out. They're very interesting, mostly on account of having LF extension that beats most of the options in my spreadsheet.
iLoud's Precision 5 monitors also have some appeal. They're really squeezing a lot out of the DSP - the wide-band linear phase is very cool.

My concern with iLoud is that they'll push the woofers hard to get that much LF extension, and I don't know how well-supported their products will be in, say, 10 years' time.

Genelec does well here: https://www.genelec.com/product-warranty-lifetime
With a 5-year warranty, and a guarantee that parts will be available for 5 years past the product being discontinued.

Neumann also does well: https://www.audiosciencereview.com/...g-end-of-life-and-repairs.42797/#post-1515790


Chris
 
Thanks for the suggestions about crossfeed for headphones etc. It's something I'll investigate in parallel, but I'd like to keep this thread about speakers.


BB, thanks for pointing those out. They're very interesting, mostly on account of having LF extension that beats most of the options in my spreadsheet.
iLoud's Precision 5 monitors also have some appeal. They're really squeezing a lot out of the DSP - the wide-band linear phase is very cool.

My concern with iLoud is that they'll push the woofers hard to get that much LF extension, and I don't know how well-supported their products will be in, say, 10 years' time.

Genelec does well here: https://www.genelec.com/product-warranty-lifetime
With a 5-year warranty, and a guarantee that parts will be available for 5 years past the product being discontinued.

Neumann also does well: https://www.audiosciencereview.com/...g-end-of-life-and-repairs.42797/#post-1515790


Chris
That’s an important point, and I think you’d be hard-pressed to find many alternatives that could match the industry standard-bearers neumann and genelec in product support (let alone quality and performance).
 
Jesus, Chris…..get a grip and just buy the 8030 along with a Umik mic and get on with it, those mixes aren’t going to get done with you sat there dithering on bloody forums.

;)

We have a winner. Pair of 8030s arriving today.


My decision was based around a few things:
- I don't want to rely on software to control the speakers. Different laptop/OS/support/whatever might cause unknown problems in the future.
- I wanted something reasonably portable & full-range for the odd occasion that I'm doing some on-location work and need monitoring/playback. This ruled out the 8010+7040 combination, as the 8010s just aren't full-range-enough on their own.
- At home, I have enough DSP to get them working nicely.

I'll report back once I've had some time with them.

Thanks, all, for the responses.

Chris
 
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