- Joined
- Aug 14, 2018
- Messages
- 2,769
- Likes
- 8,144
I find it amazing that in a forum where surely many would feel an Apple dongle is inadequate
Your initial premise is flawed, making the rest of your comment a bit of a strawman argument.
I find it amazing that in a forum where surely many would feel an Apple dongle is inadequate
The 1.7V is negligible because the amp isn't actually oscillating at that frequency. It is actively trying to prevent one: since you can see its feedback is rejecting the oscillation that is trying to set up.I find it amazing that in a forum where surely many would feel an Apple dongle is inadequate and worship some Topping DAC or AHB2 amp etc with S/N of 120 dB, that so many say 1.7V is irrelevant. Please note I am NOT saying it is a problem...but it seems hypocritical to diss a dongle whose performance is most likely 99% transparent to 99% of the people with 99% of the music-and then dismiss the 1.7V etc as negligible.
- Even if it's not a real world problem, wouldn't you prefer the amp NOT do this?
- The bigger question, what happens with other class D amps? Is this inherent to the class? (based on @atmasphere's post I'd think so, unless the design extends the feedback loop out past the filter as a colleague of mine was one of the first to do back in the day. Then I'd *think* this doesn't happen?)
Anyway again a big kudos to @pma for doing these investigations, it's always interesting to find odd behaviors, which sometimes lead to insight which leads to improvement.
I tried some Piezo film tweeters from Gallo. The amp (class D)I am using has been well reviewed here. It managed to heat up the film and read 4V to 6+V at idle, with a frequency (on my Fluke meter) of 350 kHz, and I shut things down when the film was getting warm. Again, with NO signal. I will try an experiment on a different Class D amp. I also read over 2v on a bullet tweeter that measurably heated the voice coil using an instant read thermometer. Maybe 4 degrees F over room temp. That time, the frequency was around 450 kHz. That is why I am wondering if an external filter could help stop these oscillations.
A lot of solid state amps from years ago would go into oscillation and blow up when presented with this sort of load. The capacitance would mess with the feedback such that it was pushed beyond the phase margin of the design. Oscillation results.
Apparently you weren't around for that fun.What specific amplifiers? You say 'a lot' from 'years ago' would 'blow up'. Present some evidence.
The switching frequency is 750-800kHz. And the CDT tweeters are piezo film tweeters, so essentially capacitors. No inductance. That’s why I was wondering if an add’l filter (inductors) on the output, after the feedback of the internal output filter, might stop the interaction of the Piezo capacitance combining with the output capacitor that IS in the feedback loop. To be clear, I am NOT a EE, just a serious hobbyist looking for the best sound from my system.The 1.7V is negligible because the amp isn't actually oscillating at that frequency. It is actively trying to prevent one: since you can see its feedback is rejecting the oscillation that is trying to set up.
This behavior is predictable with self-oscillating class D amps. Most self oscillating amps include the output filter in the loop.
A lot of solid state amps from years ago would go into oscillation and blow up when presented with this sort of load. The capacitance would mess with the feedback such that it was pushed beyond the phase margin of the design. Oscillation results.
Do you know the switching frequency of the amps you tried? 450KHz is high enough (350KHz is too) to actually be the switching frequency. I would expect the inductance of the tweeter to shut down any heating. If the amp was also high power, the residual might have been significant depending on the output filter design.
Apparently you weren't around for that fun.
Here's an example. There are many more. Around this time manufacturers learned to place ZOBEL networks at the output of their amps. That helped but wasn't 'sure fire' if you see what I did there.
It is ultrasonic noise. It is the definition of following science that says to NOT follow what is inaudible. That 120 dB dynamic range is in the audible band where we have research that shows we need almost that much for a silent channel.I find it amazing that in a forum where surely many would feel an Apple dongle is inadequate and worship some Topping DAC or AHB2 amp etc with S/N of 120 dB, that so many say 1.7V is irrelevant.
If it is free, sure. If it cost money, no, I wouldn't pay extra for it. To be sure, I want it attenuated to pass emissions standards but once there, I am good.- Even if it's not a real world problem, wouldn't you prefer the amp NOT do this?
As you say there were plenty of amps that didn't blow up with a capacitive load. But there were those that did. There was no attempt on my part to 'rewrite history'; 'a lot' isn't the same as 'all' or 'most'. Just a lot. I don't see an incentive for discussing this matter, since its pretty well known.So I'm not responding past this post; its off topic anyway.Zobel/Boucherot have been on amplifiers forever. Way before I wound my first inductor, at 11yo for a 'zobel' on my first kit build amplifier (1976)
View attachment 336401
View attachment 336403
View attachment 336402
It didn't blow up and neither did many commercial offerings of the time which also contained networks either on the main PCBs or right on the speaker terminals.
Your 'example' linked is not even an example.
Let's not try to re-invent history with blanket incorrect statements. Let's stick to facts and specifics when it comes to statements like yours in post #843 above. I can give you literally hundreds of examples of well designed amplifers from the 1970s onwards that did not oscillate, blow up or otherwise behave poorly in the presence of difficult loads (read: L, C or R). All you have to do is present a single commercially sold topology, with or without an output network as described, that regularly blew up due to oscillation and we will discuss it.
I'll name names where I had personal experience: Quatre, Rapaport, SWTP. All long gone.That's why I remember the Polk Audio Cobra cable but not the amps it upset.
Ah SWTP... I had a Tiger... yeesh!I'll name names where I had personal experience: Quatre, Rapaport, SWTP. All long gone.
Yup. And the early Infinity (?) Servo-Statik class-D amplifier IIRC, and maybe a Stax amp? Been a long time... I do remember expecting one of those ultra-wideband HK amps to self-destruct, but it actually passed with flying colors.I'll name names where I had personal experience: Quatre, Rapaport, SWTP. All long gone.
Ah SWTP... I had a Tiger... yeesh!
The design work was very state of the art for the time- full complementary, output triple with gain, very advanced. Look at it sideways or have the phase of the aether cross a threshold and you had a very nice short burst oscillator. One shot, alas.I thought SWTP had some cool stuff, but as time went on learned their reliability was (shall we say) less than desired...
Yes, it was pretty impressive. I received mine in derelict condition after a friend botched the assembly. It was a rat's nest! But I cleaned it up, found the open connections on the circuit board, replaced the damaged weirdo driver transistors, rack mounted it and used it to run the woofers in my system. It was a pretty good example of how the feedback network design was a bit too simplistic- easily affected by load, and a bit too close to comfort on the stability side of things to begin with, just as you describe. If I had connected that thing to the infamous Cobra cables it would have been Bad.The design work was very state of the art for the time- full complementary, output triple with gain, very advanced. Look at it sideways or have the phase of the aether cross a threshold and you had a very nice short burst oscillator. One shot, alas.
Sounds like an issue of "The Audio Critic"I'll name names where I had personal experience: Quatre, Rapaport, SWTP. All long gone.