I’m also running an analogue-free M33 as a 2.0 setup in my office/TV room, and an M66/M23 with turntable in my main listening space. I have two subs hooked up to the M66 but I turn them (and Dirac) off when listening to vinyl. I want vinyl to sound pure, and my Monitor PL100s are a perfect match for Coltrane and the like, subs totally unnecessary.
Thanks for responding - we seem to be of similar minds regarding NAD. I have the M33 but planning to upgrade to M66 plus mono Atma-Sphere power amps (already bought) or perhaps the M23 if this sounds better on side-by-side comparison.
I do recommend you give Dirac another look, you can use curtains to leave the top end untouched, and retain all that sparkle. This is what I’m doing, it helps deal with the problems in my large room while still letting me hear the details.
The M66 includes the full frequency range version of Dirac, whereas the M33 offers the version that adjusts only sub 200 Hz. The point about the top-end sparkle being slightly spoilt by Dirac can be explained (my theory anyway) but the fact that the
entire full-range signal has to pass the Dirac filter even though only the bass (in the M33) is actually adjusted. The Dirac signal processor is to blame as it is a substantial processor that the top-end has no option but to pass through - there is no "top-end bypass". So the M66's Dirac will likely do the same damage to top end as the M33's. It's very subtle, but is audibly noticeable with high-end speakers. So my preference is not to engage Dirac at all, but I'll do more tests to see if the benefits outweigh the disadvantages in my room.
On a pro-NAD note, I’ve been using NAD equipment for over 40 years, and I think their current product range is the best they’ve ever produced. In the past two years I’ve upgraded my C399 to an M33, and upgraded my C658 to an M66, and couldn’t be happier.
Well I always used to consider the NAD brand as rather mid-fi, alongside the other popular brands such as Technics, Rotel, Denon, Pioneer, etc - good, but never quite high-end! The NAD Master Series represented a big step forward quality and construction-wise and elevated the brand to a higher level. My first NAD was their M12 preamp, followed by the M50.2, M32 and now M33 - all very good products. I'm sure their C Series are also very good, but not built to the same exceptional standards as the M series.
One of the big new features of the M66 is their multi-sub handling, but I think I've discovered a fundamental snag with this. I've just written to NAD to get clarification, as this may disqualify the M66 from my shortlist. If one has full-range main speakers as I do (they include twin 12" bass drivers), the M66 processor will nobble the bass to my main speakers if I say there are Subs in the system. There is an unavoidable (as far as I can determine) crossover within Settings such that the Main output is deprived of the frequencies below the selected XO - 40 to 200 Hz.. This applies to the M33 (I tested it again yesterday) and I believe the M66 also. [If you choose No Sub in Settings, the Sub Outs in the M33 receive no signal at all, so that's not a solution.] Removing low frequencies from the Main output makes great sense for systems based on stand-mounts or other non-full-range speakers, but is positively harmful for systems that have full-range main speakers.
If you use subs with your M66 and have full-range main speakers, it would be interesting if you could do this test yourself. Unplug the subs from the M66 and listen to the bass from your main speakers alone. Does it sound truncated by the M66 built-in crossover? To verify, keep listening while you go to Settings and switch from With Subs to No Sub - does the bass extension return to your main speakers?
If I'm right, I have to conclude that the M66 will deprive the main speakers of deep bass as long as Subs are engaged within Settings. This is certainly the case with M33.
Sadly Kal's review in Stereophile doesn't help in the use of subs with the M66. He says "
Later, I added a pair of KEF KC92 subwoofers via two of the RCA sub outputs." and after than "
Before running Dirac or turning on the subwoofers, I turned on the amps and the M66 and ran through a dozen or so familiar recordings ....", but he never tells us how the Sub system works. A real pity as it's one of the big new (and unique to the M66) features of this box of tricks. So Kal - if you are reading this - is the bass to the main speakers nobbled by the M66's crossover if Subs are connected and Settings are set to say there are subs present?
Any information from other M66 users very welcome. Thanks