It is a shame that the poll results indicate no interest in the actual performance of the device rather a cursory look at the conclusions and this when no mc testing was performed.
When noise is the primary engineering problem to be overcome designing a mic preamp for mc is quite clever. Fully balanced circuitry, 72db gain, 1k input, -100db cmrr, xlr in/out, sounds like a mic preamp to me. Coincidentally a 48v ps, there must be a phantom power connection hiding in there someplace.

That Meanwell ps is a nice looking item.
Of course there is 50k input available (I thought not, default with 60p cap loading) and also both 100R switches parallel for 50R needed for those very low output (low impedance) mc cartridges.
Now that the eq problem was easily taken care of there is no phono preamp that can surpass this on specs, thanks to the smps 6-10db quieter than the excellent Fidler and being fully balanced no even order thd. and the commandeered 2 stage riaa circuit guarantees tracking to within 0.2db on every preamp using standard 2% tolerance caps.
For the price, your 5 figure+ snake oil preamps touted at "that other site" will prove to be even more of an embarassment.
What measurements show and realizing that same performance in use are why a balanced configuration (done right) and balanced inputs are the bare minimum for problem free vinyl playback under any conditions, rfi, ground loops, maybe even compliance related resonances if he fixed the hi pass filter.
Too bad about the Buckeye style enclosure. If you think this is excusable look at what Audio Smile can do with the LBM at half the price. Same garage, same innovative designer, one is attractive and one is butt ugly. It must be intentional. I'm not falling for the 'we spend all the money on the internals to save YOU our valued customers every precious dollar possible". Aesthetics count when I want to show off.