I can't argue with the SPL information with live concerts and that would be relevant if we had digital source files that represent of these concerts to recreate them at home.
There may be some recording that come close but the vast majority do not. Not even close.
Perhaps, OSHA is far more applicable to popular music with highly compressed range.
Dr. Toole might disagree with the harmless of very loud music, with age comes wisdom.
There are recordings that have bass down to 20Hz but when did this become the definition of bass.
A bass guitar produces between 40Hz and 80Hz. Focusing on this frequency is not representative.
Focusing on 20Hz seems like an over emphasis. Unfortunately, it is becoming less relevant even for HT as many movies are delivered with bass limiting applied below 30Hz.
Most of us are listening to digital files, where 0 DBFS defines the maximum possible SPL.
To determine my listening levels and power requirements, I played 0 DBFS 250Hz, 440Hz, 1kHz, and 2kHz at 2.83 volts (measured with a Fluke multimeter). I used both speakers to get a better baseline and all frequencies were consistent.
Since the Salon2s are basically 4 Ohms, I based the spreadsheet where -31 produced 2.83 volts measured 86 dB at my 11 foot listening position.
The AHB2 clip indicators (bi-amping) the Salon2s confirm these findings, illuminating at -10 tracks, that like most, have no headroom.
I can't speak for others, but based on my measurements and volume settings, I can assure all here that there are no miraculous power requirements nor are there amazing SPL levels coming from these digital sources. I am in fact, listening to movies at under 100dB from the Salon2s. Subs are doing what subs do best.
- Rich