Hyperlink index of this thread and some of my related posts on remote threads
This thread is still vividly alive and growing; accordingly, the same for this hyperlink index post.
- General introduction_ topics, discussions to be shared in this thread:
#001
- Rather detailed background and preceding history towards my multichannel multi-driver multi-way multi-amplifier stereo project:
#030,
#128,
#178,
#015(remote thread)
- The latest system setup of my DSP-based multichannel multi-SP-driver multi-amplifier fully active audio rig, including updated startup/ignition sequences and shutdown sequences: as of June 26, 2024: #931
- VB-Audio MATRIX (VASIO64A setup) as system-wide ASIO and other audio I/O routing center: Replacement for ASIO4ALL and VB-Audio Virtual/HiFi Cables: #851,
#854,
#858
- The latest total system configuration with DIY 12-VU-Meter Array, the best tuned time alignment and Fq response, together with further various setup info: as of May 30, 2022:
#540
- Total system configuration and the best tuned Fq response; as of January 25, 2022: #508
- Updated latest system diagrams as of January 2, 2022: #485
- Latest best tuned total frequency response of the whole system as of January 2, 2022: #485
- Latest system setup as of August 7, 2021: #416,
#636(remote thread)
- Perfect (0.1 msec precision) time alignment of all the SP drivers greatly contributes to amazing disappearance of SPs, tightness and cleanliness of the sound, and superior 3D sound stage: #520
- How to organize digital music library; sharing my policy and operation:
#004(remote thread),
#346
- My backup policy and practice of digital music library:
#60(remote thread)
- Outline and brief introduction to digital XO/EQ software EKIO:
#002
- Speaker cabling board for single-amp and multi-amplifier setups:
#004,
#137, #250
- Synchronization or not between multiple DAC units:
#003,
#074
- Passive LC crossover network in outer box before multichannel project:
#005
- Why all ASIO I/O audio routing on Windows PC?
#1,837(remote thread)
- Full ASIO I/O with digital XO/EQ software EKIO:
#006,
#297
- REW-Wavelet analysis in digital domain to check delay configuration in EKIO:
#017,
#018
- Room acoustics measurements with REW-Wavelet:
#020-
#022
- Fq response with Yamaha NS-1000 before the multichannel project:
#011,
#019,
#023,
#033
- Sony "Super Audio Check CD":
#026
- Unique super tweeter physical alignment (positioning) in the project :
#027
- VCT (vinyl Cabtyre) multicore flexible cables (AWG10, AWG12) for amplifiers into speaker drivers:
#028,
#137
- Phase issues -1-:
#031
- Phase issues -2-:
#033
- Phase issues -3-:
#034
- Phase issues -4-:
#039
- My audio sampler music tracks:
#044,
#357, #519,
#670
- Yamaha
XM4080 4-Ch PA amplifier (not tested):
#055
- Yamaha's original passive LC network in NS-1000:
#033
- Difference between Yamaha NS-1000 and NS-1000M, and a few of reference websites for these two speakers:
#084
- Where to control master volume and relative gains?
#058,
#060,
#062,
#191-
#221
- Inter-channel delay or not in software XO/EQ/DSP:
#077-
#080
- Useful web articles on Yamaha NS-1000 and NS-1000M:
#084
- OKTO DAC8PRO firmware 1.32 arrived and photos:
#092-
#094,
#131
- DIYIHNK v4.59.0 ASIO USB driver for DAC8PRO:
#095
- DAC8PRO in 2xDSD (DSD128); overall sound comparison with OPPO Sonica DAC:
#096
- DAC8PRO in 192 kHz 24 bit; overall sound comparison with OPPO Sonica DAC:
#097
- DAC8PRO in 192 kHz 24 bit; overall sound check in any pair of 8 channels:
#098,
#100
- Phase-delay discussion with
QMouse and
Kal Rubinson:
#109-
#123
- Does DAC8PRO need warming-up? no! :
#124,
#131
- "First-to-try" EKIO Configuration, policy and approach: the simpler, the better:
#129
- "Second-to-try" EKIO Configuration trusting EKIO to mimic NS-1000's attenuator settings:
#130
- Useful public domain documents and books for understandings on audio crossover:
#132-
#135
- EKIO uses IIR filters; cascade 2nd order direct form II biquad in 64 bit floating point:
#138-
#142
- EKIO (using IIR filters) gives audible post-ringing or pre-ringing, or not?:
#143
- DAC8PRO's headphone out for RCA unbalanced input to sub-woofer Yamaha YST-SW1000:
#162
- Possible use of Yamaha
MX-A5200 (class-AB) 11-Ch AV amp; specs etc.
#164-
#168,
#170-
#171
- Tests, evaluation and conclusion with Yamaha
MX-A5200 (class-AB) 11-Ch AV amp:
#175
- Invaluable discussion with
Igor Kirkwood who is using Yamaha NS-1000X in his multichannel rig:
#179-
#189
- AES/EBU Sync connection from DAC8PRO (CH1+CH2) to Onkyo DAC-1000:
#190
- Again, where to control master volume?
#191-
#221
- Completely silent audio (audio-visual) dedicated Windows PCs in this project:
#225
- Tests and evaluations of Dentech Hypex NC400
DP-NC400-4-EXP (class-D) multichannel (4-Ch) amplifiers:
#228-
#230
- Protection capacitors for Be-squawkers, Be-tweeters and metal horn super tweeters:
#245
- In depth insights on SP attenuators and their elimination in multichannel system:
#248,
#251,
#99(remote thread),
#100(remote thread),
#101(remote thread)
- Elimination of magnetic susceptible metals in SP signal handling:
#250,
#013(remote thread)
- How can I test/compare one candidate stereo amplifier in multichannel multi-amplifier project?
#249
- Phase discussion with
Lbstyling:
#254-
#257
- Benchmark
AHB2 (class-A[H]B)_
Part-1_Comparison with ACCUPHASE E-460 in Single-Amplifier + LC-Network full range reference sound system:
#253
- Benchmark
AHB2 (class-A[H]B)_
Part-2_Incorporation in multichannel multi-amplifier system and Listening sessions:
#258,
#265
- Rotel
RB-1582 MkII (class-AB)_
Part-1_Comparison with AccuphaseE-460 and Benchmark AHB2 in single-Amplifier + LC-network full range reference sound system:
#263
- Rotel
RB-1582 MkII (class-AB)_
Part-2_Incorporation in multichannel multi-amplifier system and listening Sessions:
#264,
#265
- Invaluable discussion with
tpazadpom on subjective listening impressions on amps:
#266,
#268
-
Coarch_Kaarlo's evaluations on Yamaha NS-2000:
#271,
#272
- Background and discussions on possible use of class-A amplifier(s) in multichannel multi-amplifier project:
#265,
#267,
#269,
#270,
#273,
#275,
#281
- Interesting suggestions from an amplifier engineer in Japan on amplifier exploration:
#281
- Accuphase provides repair and maintenance services for any of their past and present products (including my E-460) sold in the past 50 years:
#045(remote thread)
- Accuphase
A-36 (class-A)_
Part-1_In single-amplifier and bi-amplifier + LC-network audio system:
#282
- Accuphase
A-36 (class-A)_
Part-2_In multichannel multi-amplifier audio system:
#283
- Possible "Type" of three amplifiers in current multichannel multi-amplifier project:
#284
- Teac
AX-505 and
AP-505 (both class-D)
_Part-1_In single-amplifier and bi-amplifier + LC-network audio system:
#290
- Teac
AX-505 and
AP-505 (both class-D)
_Part-2_In multichannel multi-amplifier audio system:
#291
- Possible three plans for amplifiers in current multichannel multi-amplifier project:
#292
- Again, full ASIO I/O with digital XO/EQ software EKIO:
#297,
#006
- Possibilities of Sony
TA-A1ES (quasi class-A) and Yamaha
A-S3000 (class-AB) in multichannel multi-amplifier project:
#302,
#305
- Yamaha
A-S3000 (class-AB) and Sony
TA-A1ES (quasi class-A)_
Part-1_In single-amplifier + LC-network full range audio system:
#307
- Yamaha
A-S3000 (class-AB) and Sony
TA-A1ES (quasi class-A)_
Part-2_In In bi-amp + LC-network stereo system together with Accuphase
E-460:
#308
- Yamaha
A-S3000 (class-AB) and Sony
TA-A1ES (quasi class-A)_
Part-3_In multichannel multi-amplifier stereo system together with Accuphase
E460:
#309
- (Provisional) Decision on amplifiers selection and photos of the listening environments: #311
- Discussion on rather subjective aspects including "musicality" on amplifier selection:
#313-
#317
- L+R Frequency response at usual listening position in the listening room and environments:
#318-
#320,
#323-
#330
- Frequency response measurements in digital domain/level, in DAC8PRO's analog output level, and in amplifier's output level:
#321
- Startup (ignition) sequences and shutdown sequences of multichannel multi-amplifier system:
#322,
#426
- Interesting and intensive discussions with
mikessi and
gene_stl mainly on Yamaha NS-1000 and NS-1000M, especially on its still-amazing Be-dome midrange driver:
#322-
#342
- Introduction to my new thread
entitled "Lute Music: Stunning Recordings We Love":
#343
-
TheBatsEar's nice comments on super tweeters and Yamaha amplifiers:
#348-
#353
- Info on Danville Signal's
dspNexus 2/8 and
dspNexus 2/16, 2-in 8-out, 2-in 16-out, new one-box DSP units:
#355,
#356
- My audio sampler music tracks, updated:
#357
- "Near ultrasound - ultrasound" ultra-high frequency (UHF) noises in improperly engineered/processed HiRes music tracks, and EKIO's XO-EQ configuration to cut-off such noises:
#362-
#386,
#518,
#532
- New standard EKIO digital crossover configuration with high-cut (low-pass) -48 dB/Oct LR filters at 25 kHz:
#386
- Brief discussion and links to the remote review post/thread on Trinnov
Altitude 16:
#387
- Frequency response measurements by "cumulative pink noise averaging":
#388-
#390
- Frequency response measurements by "cumulative white noise averaging": #392,
#404,
especially the end portion of #297(remote thread) by Dr. Floyd Toole,
#315(remote thread) by Dr. Floyd Toole,
#125(remote thread)
- Where in my multichannel multi-driver (multi-way) multi-amplifier stereo system should I measure/check frequency (Fq) Responses?
#393
- Frequency (Fq) responses in the completed system measured by using “cumulative white noise averaging method” under the present standard crossover configurations and relative gains_
Part-1_Fq Responses in EKIO’s digital output level:
#394
- Frequency (Fq) responses in the completed system measured by using “cumulative white noise averaging method” under the present standard crossover configurations and relative gains_
Part-2_Fq Responses in DAC8PRO’s analog output level:
#396
- Frequency (Fq) responses in the completed system measured by using “cumulative white noise averaging method” under the present standard crossover configurations and relative gains_
Part-3_Fq Responses in amplifiers’ SP output level before protection capacitors:
#401
- Frequency (Fq) responses in the completed system measured by using “cumulative white noise averaging method” under the present standard crossover configurations and relative gains_
Part-4_Fq Responses in amplifiers’ SP output level after protection capacitors:
#402
- Frequency (Fq) responses in the completed system measured by using “cumulative white noise averaging method” under the present standard crossover configurations and relative gains_
Part-5_Fq Responses in actual SP room sound at listening position using one measurement microphone:
#403
- Frequency (Fq) responses in the completed system measured by using “cumulative white noise averaging method” under the present standard crossover configurations and relative gains_
Part-6_Summary, discussions, and a little step forward:
#404,
#405-
#409
- Frequency response in the new (latest) configuration with four amplifiers plus active sub-woofers:
#410
- Frequency response measured under subjectively best fine-tuned gain/volume settings with the four amplifiers plus active sub-woofers:
#411
- Intensive comparison of high-range sound cleanliness/clearness between Option-3 and Option-4 for driving super-tweeters:
#413
- Links to interesting and informative discussions on the two remote threads where I partly participates having my experiences in this multichannel multi-driver (multi-way) multi-amplifier project;
What makes speakers "disappear" and can it be measured? and
Midrange dome drivers banned? #412
- Updated system diagrams and photos as of August 7, 2021: #416,
#636(remote thread)
- Updated startup (ignition) sequences and shutdown sequences of multichannel multi-amplifier system:
#426
- Even
Greg Timbers uses "reasonable and budget" Pioneer
Elite A-20 for compression drivers (super tweeters) in his extraordinary expensive multichannel stereo system with JBL Everest DD67000 which he himself designed and developed:
#435
- A serious jazz fanatic friend came to my home for audio sessions using my multichannel multi-driver multi-way multi-amplifier stereo system:
#438
- An interesting
8-page web article on Yamaha speakers:
#441
- Backside wiring photos of PCs-DACs-amplifiers and also backside photos of SPs:
#442,
#636(remote thread)
- Information exchange is in progress
after this post on
this remote thread regarding
FOCUSRITE Scarlett 18i20 2nd gen (and 3rd gen) (CS4272 [x4] + CS4392) as well as
MOTU UltraLite Mk5 (two ES9026pro) ; it looks both of them support simultaneous sync 10-channel DAC processes:
#449
- Just thinking about possibility and feasibility of adding a pair of woofer (or a pair of completed SP as woofer) in present multi-channel multi-driver (multi-way) multi-amplifier stereo setup:
#451,
#167(remote thread),
#170 (remote thread),
#183(remote thread),
#455,
#459-
#461,
#462-
#466, #469,
#31(remote thread),
#470,
#471,
#473,
#474,
#476,
#477,
#495
- Again, about Yamaha Beryllium dome midrange driver JA-0801, and about DIY restoration and refreshment of NS-1000/NS-1000M:
#478-
#482,
#486-
#492
- Overhaul maintenance of super-tweeter FOSTEX T925A and further signal fine tuning thereafter:
#485
- Latest best tuned total frequency response of the whole system as of January 2, 2022:
#485
- Updated latest system diagrams as of January 2, 2022:
#485
- Precision measurement and adjustment of time alignment for speaker (SP) units:
Part-1_ Precision pulse wave matching method:
#493
- Precision measurement and adjustment of time alignment for speaker (SP) units:
Part-2_ Energy peak matching method:
#494
- Precision measurement and adjustment of time alignment for speaker (SP) units:
Part-3_ Precision single sine wave matching method in 0.1 msec accuracy:
#504,
#507
- Measurement of transient characteristics of Yamaha 30 cm woofer JA-3058 in sealed cabinet and Yamaha active sub-woofer YST-SW1000:
#495,
#497,
#503,
#507
- Identification of sound reflecting plane/wall by strong excitation of SP unit and room acoustics:
#498
- Short communication on my preference in room acoustics:
#502
- Total system configuration and the best tuned Fq response; as of January 25, 2022: #508
- Again, "Near ultrasound - ultrasound" ultra-high frequency (UHF) noises in HiRes music tracks, and EKIO's XO-EQ configuration to cut-off such noises:
#518
- Perfect (0.1 msec precision) time alignment of all the SP drivers greatly contributes to amazing disappearance of SPs, tightness and cleanliness of the sound, and superior 3D sound stage:
#520
- Summary of rationales for "on-the-fly (real-time)" conversion of all music tracks (including 1 bit DSD tracks) into 88.2 kHz or 96 kHz PCM format for DSP (XO/EQ) processing:
#532
- My nostalgia and preference for large glass-face VU meters: DIY of 12-VU-Meter Array in multichannel multi-driver multi-way multi-amplifier stereo audio system:
#535
-
Dancing video of my IEC 60268-17 compatible large glass-face DIY 12-VU-Meter Array
_____Part-1: with "High Frequency Linearity Check Track" of Sony Super Audio Check CD:
#750
_____Part-2: with typical "Full Orchestra Music"-1:
#751
_____Part-3: with typical "Full Orchestra Music"-2:
#752
_____Part-4: with typical "Jazz Piano Trio Music":
#753
- NISHIZAWA R-65 VU meter plus ATV205EXT VU amp board is compatible with IEC 60268-17 VU meter specification/standard: #545
- The latest total system configuration with DIY 12-VU-Meter Array, the best tuned time alignment and Fq response, together with further various setup info: as of May 30, 2022: #540
-
MOTU 828es Thunderbolt/USB Audio Interface can be used as 12-channel or 14-channel sync multichannel DAC together with EKIO as system-wide XO/EQ center on Windows OS:
#546 through
#556,
#558,
#559
-
Topping DM7 8-channel USB DAC launched:
#581
- Availabilities of repair, maintenance and overhaul services on my Yamaha SP drivers, Fostex SP drivers, as well as amplifiers I use in this multichannel multi-amplifier project:
#584,
#67(remote thread)
- Excellent Recording Quality Music Albums/Tracks for Subjective (and Possibly Objective) Test/Check/Tuning of Multichannel Multi-Driver Multi-Way Multi-Amplifier Time-Aligned Active Stereo Audio System and Room Acoustics; at least a Portion and/or One Track being Analyzed by Color Spectrum of Adobe Audition in Common Parameters:
[Part-00] Introduction: #587
[Part-01] Full Orchestral Music: #588
[Part-02] Solo Piano Music: #590
[Part-03] Typical(?) Smooth Jazz Music with Guitar: #591
[Part-04] Bimmel Bolle Antique Orgel; Extremely High-Energy High-Frequency Sharp Transient sound: #592
[Part-05] Color Spectrum of Tracks in CBS/Sony's "Super Audio Check CD": #593
[Part-06] Female Vocal in Jazz and Popular Music, and One Male Vocal Track for Comparison: #596
[Part-07] Female Vocal and Counter Tenor in Early Classical Music: #639
[Part-08] (Smooth?) Jazz Trio: #640
[Part-09] Organ Music: #641
[Part-10] Lute Music: #642
[Part-11] Violin Music: #643
[Part-12] Cello Music: #644
[Part-13] Harpsichord (Cembalo, Clavecin) Music: #645
[Part-14] Piano Concertos: #650
[Part-15] Again, CBS/Sony's "Super Audio Check CD": Analyzed by Adobe Audition 3.0.1 and MusicScope 2.1.0: #651
[Part-16] A Cappella Chorus and A Cappella Vocal Ensemble: #652
[Part-17] Excellent Quality Music Tracks, But Containing Unacceptably High Gain Low Frequency Air Conditioning Noises; What Counter Measures Can We Have? #658
[Part-18] An Interlude or Provisional Finale of the Post Series: #669
- Updated, the latest, Audio Sampler Playlist as of October 20, 2022:
#670
- A nice smooth-jazz album for bass (low Fq) and higher Fq tonality check and tuning:
#910,
#63(remote thread)
- Semiannual complete cleaning of all the metal-to-metal connectors:
#671
- Not only
the precision (0.1 msec level) time alignment over all the SP drivers but also
SP facing directions and
sound-deadening space behind the SPs plus behind our listening position would be critically important for effective (perfect?) disappearance of speakers:
#687
- Revival of analog LP player (MC cartridge) in my DSP multichannel multi-driver multi-amplifier fully active stereo system for real time on-the-fly vinyl LP listening (and digital recording, if needed):
#688
- Inside of Audio-Technica AT-PEQ30 phono preamplifier, and successful DIY suppression of inaudible EMF (electro-magnetic field) interference noise:
#697
-
Another comparative listening, on-the-fly vinyl LP vs. Remastered CD: analog piano solo recorded in 1967: #722
- Another comparative listening; on-the-fly remastered vinyl LP vs. remastered CD: Bill Evans jazz piano trio, analog recorded in 1977; remastered (2021) vinyl LP (45-RPM 188-gram) vs. its CD release:
#740
-
Dancing video of my IEC 60268-17 compatible large glass-face DIY 12-VU-Meter Array
_____Part-1: with "High Frequency Linearity Check Track" of Sony Super Audio Check CD:
#750
_____Part-2: with typical "Full Orchestra Music"-1:
#751
_____Part-3: with typical "Full Orchestra Music"-2:
#752
_____Part-4: with typical "Jazz Piano Trio Music":
#753
- My rather intensive investigations on objective and subjective comparison between DSD-layer and CD-layer of the specific hybrid SACD:
#42(remote thread)
- Summary of my motivations reviving vinyl TT (turntable) in DSP-based multichannel time-aligned multi-SP-driver multi-amplifier fully active stereo audio setup:
#758,
#1,262(remote thread)
- Important recent information on software DSP "EKIO": #759
- Five "real air-recorded transient-sound tracks" of
Sony Super Audio Check CD played and analyzed by MusicScope 2.1.0:
#760
- A tiny step forward: fully independent relative gain controls for tweeters and super-tweeters using an active HiFi-grade pro-use XLR line-level splitter-distributor:
#769
- The latest system setup of my DSP-based multichannel multi-SP-driver multi-amplifier fully active audio rig as of August 3, 2023: #774
- The latest "startup/ignition sequences" and "shutdown sequences" in my DSP-based multichannel multi-SP-driver multi-amplifier fully active audio rig as of August 3, 2023:
#776
- Reproduction and listening/hearing/feeling sensations to 16 Hz (organ) sound with my DSP-based multichannel multi-SP-driver multi-amplifier fully active stereo audio system having big-heavy active L&R sub-woofers:
#782
- Can I (we) temporarily synchronize outputs of multiple DAC units (each of them has own independent ASIO driver) in 10 micro second (0.01 msec) precision in DSP-based multichannel audio setup?:
#783
- Can I (we) temporarily synchronize outputs of multiple DAC units (each of them has own independent ASIO driver) in 10 micro second (0.01 msec) precision in DSP-based multichannel audio setup?
Part-2: Simplified experiments without using audio mixer:
#804
- Frequency response of my BEHRINGER ECM8000 measurement microphone (specially selected unit in 2008):
#831
- VB-Audio MATRIX (VASIO64A setup) as system-wide ASIO and other audio I/O routing center: Replacement for ASIO4ALL and VB-Audio Virtual/HiFi Cables: Part-1 #851
- VB-Audio MATRIX (VASIO64A setup) as system-wide ASIO and other audio I/O routing center: Replacement for ASIO4ALL and VB-Audio Virtual/HiFi Cables: Part-2_Further optimization in conformity with present configuration of DSP "EKIO": #854
- VB-Audio MATRIX (VASIO64A setup) as system-wide ASIO and other audio I/O routing center: Replacement for ASIO4ALL and VB-Audio Virtual/HiFi Cables: Part-3_VB Matrix VAIO4 as Windows default audio playback device feeding into system-wide DSP Center "EKIO": #858
- Semi-annual intensive cleaning of all the metal-to-metal connectors/contacts, and complete renewal of all the tin-electroplated copper terminals with heat-shrink insulators:
#895
- You should
never solder the crimped spade terminals:
#904
- Renewal of SP cabling boards beside SP systems:
#906
- Apparent power consumption of whole audio system during daily audio listening sessions: how SDGs-friendly is it?:
#907
- A nice smooth-jazz album for bass (low Fq) and higher Fq tonality check and tuning:
#910,
#63(remote thread)
- Again, summary of my rationales and pros of analog-level relative gain (tonality) controls in addition to gain controls in DSP configuration:
#911,
#317(remote thread),
#313(remote thread)
- A new series of audio experiments on reflective wide-3D dispersion of super-tweeter sound using random-surface hard-heavy material:
Part-1_ Background, experimental settings, initial preliminary listening tests:
#912
- A new series of audio experiments on reflective wide-3D dispersion of super-tweeter sound using random-surface hard-heavy material:
Part-2_ Comparison of catalogue specifications of metal horn super-tweeter (ST) FOSTEX T925A and YAMAHA Beryllium dome tweeter (TW) JA-0513; start of intensive listening sessions with wide-3D reflective dispersion of ST sound:
#921
- A new series of audio experiments on reflective wide-3D dispersion of super-tweeter sound using random-surface hard-heavy material:
Part-3_ Listening evaluation of sound stage (sound image) using excellent-recording-quality lute duet tracks:
#926
- A new series of audio experiments on reflective wide-3D dispersion of super-tweeter sound using random-surface hard-heavy material:
Part-3.1_ Listening evaluation of sound stage (sound image) using excellent-recording-quality jazz trio album:
#927
- A new series of audio experiments on reflective wide-3D dispersion of super-tweeter sound using random-surface hard-heavy material:
Part-4_Provisional conclusion to use Case-2 reverse reflective dispersion setting in default daily music listening:
#929
- The latest system setup of my DSP-based multichannel multi-SP-driver multi-amplifier fully active audio rig, including updated startup/ignition sequences and shutdown sequences: as of June 26, 2024: #931
- New video clips of dancing 12-VU-Meter Array (IEC60268-17 compatible) together with all the on-screen Peak Meters of audio software tools while playing reference/sampler music tracks by JRiver MC, ADOBE Audition 3.0.1 and MusicScope 2.1.0:
Part-1: using a typical reference/sampler music track suitable for high-Fq (treble) transient music sound:
#974
- New video clips of dancing 12-VU-Meter Array (IEC60268-17 compatible) together with all the on-screen Peak Meters of audio software tools while playing reference/sampler music tracks by JRiver MC, ADOBE Audition 3.0.1 and MusicScope 2.1.0:
Part-2: using a typical reference/sampler music track suitable for mainly checking and tuning of low Fq (bass) transient music sound as well as total tonality Fq-SPL balance all over 15 Hz to 22 kHz:
#975
- Safe accurate robust 22 Ohm(Ω) 30 W non-inductive non-polar wirewound power-type metal-clad resistor (FHN50-22OHMF, PCN Corporation, made in Japan) for renewal/replacement of so-far-used rather fragile(?) ones:
#976
- Multimeter, heat-melting glue gun, hot-air gun (heat gun); for my DIY benchwork:
#983
Further hyperlink indexes will be added in this post along with the steady growth of this thread...
