theREALdotnet
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Get off your pedestal.
Alright, when it comes to sonic signature, here’s a movie director who spits on anyone’s pedestal, from a great height: Mel Brooks!
Get off your pedestal.
Unfortunately, I fear that your behaviour on a small scale is very likely to be the same as your behaviour on a large scale -You seem to be confused. At ASR, people making science claims about subwoofers, cables, vinyl or such, can and will be asked to provide backing and evidence.
I don’t need to “substantiate” my film tastes. Not to you, not to anyone. Don’t waste your efforts on someone who is not interested in them.
As to what may interest me “as a Spaniard”… what a condescending and foolish statement.
Get off your pedestal.
What is more important for you: the form or the content?
If you allow me a guess, those rules are:films work by very simple rules that can be stretched but never broken.
Really now, Herbert, you should not get so upset that you go all ad hominem.Unfortunately, I fear that your behaviour on a small scale is very likely to be the same as your behaviour on a large scale -
that of ignorance, sorry to say.
I experienced both, getting broke because a producer did not pay my bills. Very common in the "biz".If you allow me a guess, those rules are:
- pay your bills
- don’t go broke
You were not innocent in that. Peace, eagle?Really now, Herbert, you should not get so upset that you go all ad hominem.
And you should not begrudge me my dimwitted enjoyment of movies.
Having established what you think of me, kindly stop mentioning me.
I’m no expert here, but to me some films seem to be knitted with a different set of needles. And some of those happen to be among my favourites. Do LvT films conform to the structure you mention, for example? What about Gaspar Noé?Search for "Three Act Structure". No Film or documentary I comes into my mind that broke the rule.
I read somewhere blue Danube and the docking scene was accidental. A trainee film editor was playing in the background and Kubrick liked itWill have to check Sound of Metal...
2001 was so bold in its soundtrack. I mean, Blue Danube for the space station, genius.
The scenes with HAL; sound or its lack, fundamental.
As much as I acknowledge what a brilliant film it is, I've never warmed to it.
I think Tarkovsky made Solaris out of unhappiness with 2001!
I would say both. I only watched Lux Æterna.I’m no expert here, but to me some films seem to be knitted with a different set of needles. And some of those happen to be among my favourites. Do LvT films conform to the structure you mention, for example? What about Gaspar Noé?
Legend goes the special effects team used it while screening FX-Footage to Kubrick and he took it as a temp track for editing.I read somewhere blue Danube and the docking scene was accidental. A trainee film editor was playing in the background and Kubrick liked it![]()
What is more fun: To watch the clock boringly ticking or to disassemble it?Perhaps films are meant to be watched, rather than analysed?
Don't like the movie heat much but the shoot out is coolThe Wachowskis and Nolan ... will definitely let you know you're watching their movie.
For the action mayhem, I still think the shootout in Heat is where it's at.
Almost no music during the whole scene, and gunshot has never sounded so terrifying.
Just Heat? Mann generally?Don't like the movie heat much but the shoot out is cool
Or to psycho-analyse the watchmaker?What is more fun: To watch the clock ticking or to disassemble it?
If you can be happy with not knowing,Or to psycho-analyse the watchmaker?
He did man hunter I think, that was decent not sure what he's done since heat thoughHus
Just Heat? Mann generally?
Of Mann’s perhaps Collateral has more even pacing.
Not seen collateral. Miami vice was ok lol?Hus
Just Heat? Mann generally?
Of Mann’s perhaps Collateral has more even pacing.