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Most beautiful speakers in the world ?

When Purifi drivers were first introduced, I regarded them as odd-looking and ugly. Now they look beautiful to me. I guess excellence is its own expression of beauty.
I find being able to see the Purifi woofers very disturbing. The "chaos" of the surrounds shape irritates my brain - can't explain any better, but normally woofers look cool so it's a fairly disjointed sensation.
 
Yes … phase plug. Seas also uses them. I am not an expert, and maybe someone else can chime in here, but as I understand it they help to reduce frequency cancellations due to phase shifts (radiated/direct waves occurring within the driver itself)

In the context of woofers, that rounded metal piece that sticks out where the dustcap would be is probably more accurately described as an "extended pole piece". It causes the magnetic flux to remain more linear on long excursions; it is a heat-sink for the nearby voice coil exactly where such is needed the most (the forwardmost edge); and it eliminates the possibility of dustcap break-up modes. But I think it is far too small in relation to the wavelengths woofers reproduce to have any significant effect on the radiation pattern, phase, or frequency response.

I do not know why it's called a "phase plug". My guess is that a marketing department rather than an engineering department was the first to use that term for a woofer's extended pole piece.

Imo on a woofer the function of an extended pole piece is very different from the function of a phase plug in a compression driver, which is to provide substantially equal-length pathways for the sound travelling from different areas of the concave diaphragm to the exit, such that the recombined wavefront emerges effectively "in phase".

My understanding is that, if it is well designed and the manufacturing tolerances are adhered to, there should be no significant net airflow through the annulus between the extended pole piece and the voice coil at high sound pressure levels. There would be so much flow resistance at low frequencies and high SPLs that the annulus is not in effect an opening. Along similar lines, a port is not a "bass leak" north of the tuning frequency. I once calculated the tuning frequency of the annulus on such a woofer and it was way below the audible range, and that was without taking boundary layer effects into account.

Here is a link to a discontinued Eminence prosound subwoofer which is obviously emphasizing the heat-sink function of its extended pole piece:

 
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In the context of woofers, that rounded metal piece that sticks out where the dustcap would be is probably more accurately described as an "extended pole piece". It causes the magnetic flux to remain more linear on long excursions; it is a heat-sink for the nearby voice coil exactly where such is needed the most (the forwardmost edge); and it eliminates the possibility of dustcap break-up modes. But I think it is far too small in relation to the wavelengths woofers reproduce to have any significant effect on the radiation pattern, phase, or frequency response.

I do not know why it's called a "phase plug". My guess is that a marketing department rather than an engineering department was the first to use that term for a woofer's extended pole piece.

Imo on a woofer the function of an extended pole piece is very different from the function of a phase plug in a compression driver, which is to give substantially equal-length pathways for the sound travelling from different areas of the concave diaphragm to the exit, such that the recombined wavefront emerges effectively "in phase".

My understanding is that, if it is well designed and the manufacturing tolerances are adhered to, there should be no significant net airflow through the annulus between the extended pole piece and the voice coil at high sound pressure levels. There would be so much flow resistance at low frequencies and high SPLs that the annulus is not in effect an opening. Along similar lines, a port is not a "bass leak" north of the tuning frequency. I once calculated the tuning frequency of the annulus on such a woofer and it was way below the audible range, and that was without taking boundary layer effects into account.

Here is a link to a discontinued Eminence prosound subwoofer which is obviously emphasizing the heat-sink function of its extended pole piece:

Thanks @Duke for chiming in here. I also was suspect of the use of a “phase plug” for any acoustics reasons in a sub driver. Note I do recall on my original Linkwitz Orions with the Seas Excel midrange which has the very recognizable copper phase plug it would get quite warm when being driven hard. So in that case, even if being used for acoustics reasons, was definitely in use as a heat sink.
 
Not my usual thing at all but I came across these in a Hi-Fi shop last week:

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JBL K2 9500 (iirc) for the Japanese Hi-Fi market apparently. The industrial design is unusual, and I like that kind of retro much more than the contemporary squat JBLs with wood finish. The overall integration of the stacked shapes and curved grilles is wonderful. The aluminium-finished bi-radial horn is a beautifully harmonious form, and the solid copper connecting metalwork is a delightful detail.
 
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Not my usual thing at all but I came across these in a Hi-Fi shop last week:

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JBL K2 9500 (iirc) for the Japanese Hi-Fi market apparently. The industrial design is unusual, and I like that kind of retro much more than the contemporary squat JBLs with wood finish. The overall integration of the stacked shapes and curved grilles is wonderful. The aluminium-finished bi-radial horn is a beautifully harmonious form, and the solid copper connecting metalwork is a delightful detail.

Those are beautiful speakers. The base is actually concrete!
 
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제가 2023년 겨울에 오일을 바르기 위해 밖으로 가져갔을 때, 제 소인투바 스피커는 제가 알고 있는 가장 아름다운 스피커였습니다.
 
Which speakers are these? Very nice
Mark Levinson/Daniel Hertz
 
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Good grief! The price...
 
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