- Thread Starter
- #81
It is very expensive for massdrop audience. Also not that good of a deal for b-stock.
Well, it's a balanced tube design after all.The only reason to complain: expensive
My review in AudioXpress, December 2018. LTA was decidedly unhappy about them, but offered no contrary data.
I read this review-- actually two reviews -- one strictly of measurements on the bench and the other strictly of listening. The measurement reviewer (I'm guessing that's you?) found some problematic measurements. The listening reviewer loved how the amp sounded (particularly with well-matched speakers).
So, you would discourage someone from considering the LTA because of some measurement issues on a measurement device without mentioning that your listening review partner was delighted with the sound interacting with his ears/brain?
Measurements are of course useful and essential, particularly as a tool in the design phase, but to use them, in a vacuum, to pan an audio device (ie. meant for interaction with hearing) is pretty misleading and shallow.
Of course you're not obligated to agree with the other reviewer, but leaving out his part of the review is misleading to anyone who has not gone to the trouble to find the review and read it for themselves (available only through a $9 download fee.)
Again, my main issue of your dismissal of the LTA (and now you're characterization as "a very expensive effect box") is that it is misleading and (irresponsible?) to publicize criticisms without divulging that you have not listened to the amp. If I had not ponied up the $9 to find the review, I would not have known this.
I have listened to a Berning amp, as well as the LTA Mz3, and I would describe them as the antithesis of an "effects box." They are extraordinarily transparent and natural sounding. This is based on sound waves interacting with the human auditory system-- not by a relatively primitive and limited electronic measuring device.
I can see the point I have been trying to make is being studiously ignored.
No one is asking you to "lie or cover things up." I love seeing measurements and pretty graphs. But isn't it interesting that I've not seen a single reviewer or listening report of the Ultralinear that cites distortion as an issue. The only reservations I've heard are that they could lean toward being too transparent and clean.
I'll close with inviting you to consider listening to the gear you bench test. Don't you want to hear confirmation of the "poor performance?" I would think simple scientific curiosity would compel one to listen to find associations between measurements and the sound hitting one's ears.
My Goodness. This is out of a seven thousand-dollar amplifier!?The poor performance speaks for itself.
So, all the people who like the sound of Bernings designs are suffering from bias due to Berning's good reputation as an amp designer? I'm sorry, but that is just an amazing position to take...
I had never even heard of Berning before I heard one of his amps. It was sent to me as a temp replacement for my 300b set which was out for repair. I had no expectations regarding the clean, almost delicate, understated quality of the sound. Distortion would be the last descriptor for this amp.
My Goodness. This is out of a seven thousand-dollar amplifier!?
Man, I'd love myself a pair of AHB2s!a couple of Benchmark AHB2s
Man, I'd love myself a pair of AHB2s!
Was it this thing?Yes.