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Monoprice HTP-1 Home Theater Processor Review

BDWoody

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Francis Vaughan

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I guess one thing to try would be running the linearity test in the other direction. That would tell one a great deal.
I don't think this is a mute in the way that a subwoofer auto-on works. I really do suspect it is stopping some internal processing operating because at low levels the processing may become unstable and yield the equivalent of an idle tone. There would be no benefit to the user in providing a way of disabling such an action. Which is why understanding the manner of its operation is important. If there is a time constant on it, I would suggest that it is no of any importance. If any signal dropping below 15 bits is instantly silenced, that would be an issue.
The blinking PCM status is perhaps the big question. That does indicate weirdness.
It remains something of a weird issue. IMHO it isn't worthy of a headless panther unless one can show it impacts on actual use.

What does continue to bother me is the generally poor audio performance all of these AV devices produce. Internally the Monoprice and the Marantz tested recently are going to have more in common than differences. The HDMI switching is probably the same chips. The only real functional differences are in the additional channels. Economies of scale help the prices, but jumping to nearly double the price to add the extra height channels? With essentially only minor improvements in audio performance? Not good.
 
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amirm

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I see this comment posted on AVS Forum regarding my testing:
1581535059417.png


Second set of tests were absolutely run with completely different conditions per posted review:

index.php


So not only did the linearity test show the problem with its more complex makeup, but the results were confirmed in this simple test of a sine wave fed to the unit and its level simply changed resulting in output going away.

And when I failed to get video to route through from my PC, I took the time to tear up on my main system and test it there.

Any notion then that this is a hurried test, no effort was made to get to the bottom of it, etc. is not correct. The outcome and behavior of the device is very clear.
 

database

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What mute "function?" There is no such feature in the manual or specifications for the product. Nor is there any benefit to any user to have such an "auto mute" function.

And if you are going to have one, why draw the line at 15 bits/90 dB?

Why is there no indication on the display that some kind of auto mute is activated? Why is there no option to turn it off?

The only reason I know this is done is to cheat and make signal to noise ratio tests look good by muting low level signals. That is certainly not a benefit to users and is a common way to cheat in measurements.

As I indicated, there is a blinking status indicator of PCM samples. That tells me it may be having difficulty locking to input values.

Out of nearly 300 devices I have tested with DACs, only two have failed the test this way and both are AV Processors. No way this is a "measurement problem." No device that advertises at least 16 bits of resolution should auto turn off its output this way let alone 24 bits.

This problem needs to be properly identified and fixed. By defending it as a feature and not a bug, you are postponing or eliminating this opportunity. Nothing about this test is unusual or "test specific." A DAC has to be a DAC. You give it a -96 dB signal, it needs to produce a -96 dB signal.

Note that this test hugely favors manufacturers already. All noise and distortion is discarded in the capture and all it looks for is an amplitude that is correct. To fail even this test means that the unit is not working as advertised.

And no, this is not like a subwoofer auto-on. The sub will turn on and stay on. It doesn't keep turning on and off like this device does with no indication it is "muting."

I mentioned earlier that I was not able to reproduce the issue reported in your linearity test on my unit in this post (https://www.audiosciencereview.com/...ter-processor-review.11416/page-2#post-326268). Have you tried sending a simple -96 dB signal (or -120 dB) signal to see if the device produces that signal, instead of running the full linearity sweep? These low level signals seem to work as expected on my unit.
 
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amirm

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I mentioned earlier that I was not able to reproduce the issue reported in your linearity test on my unit in this post (https://www.audiosciencereview.com/...ter-processor-review.11416/page-2#post-326268). Have you tried sending a simple -96 dB signal (or -120 dB) signal to see if the device produces that signal, instead of running the full linearity sweep? These low level signals seem to work as expected on my unit.
The simple sine wave test I just showed again was not a linearity test. It was a simple test of setting the output level to one versus the other. I repeated it twice and it worked that way going from -90 dB to -96 dB.

Remember, the same thing happened with Emotiva XMC-1 and their CTO was in the thread and did not come up with any explanations such as what we are reading now.
 

database

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The simple sine wave test I just showed again was not a linearity test. It was a simple test of setting the output level to one versus the other. I repeated it twice and it worked that way going from -90 dB to -96 dB.

Thanks, I see that now. My tests which did not reproduce the issue were done over HDMI in REW, while yours were done with the AES/EBU digital input, perhaps your test reveals an issue with the AES/EBU digital input only? Are you able to do this particular test over HDMI? I would also recommend to test changing the PCM Detect Sensitivity setting to Biased for the AES/EBU input as mentioned above, although my tests worked as expected over HDMI regardless of this setting.
 
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amirm

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Does this mean that the system is trying to automatically decide if the audio is straight 2 channel versus 5.1 encoded on the S/PDIF input? That would be a reason for muting. It would explain the unstable PCM indicator light.
 

SegaCD

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Ah, that was it. You don't have as many choices for AES but there is a "biased." Setting that resolves the issue. I will update the review shortly.

Thanks Amir & @Martin ! Looks like they do it to prevent noise/hiccups from DoP (& DTS?) sources that encode the audio in the lowest bits of a PCM audio stream?

I'm glad to hear there is a method to the madness and it's not poor engineering...but that's also a hit against Emotiva as they claim there is no solution when, as I predicted, its purely software controlled.
 
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amirm

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OK, took one step forward and possibly a few back. Here are the results:

Monolith by Monoprice HTP-1 16-Channel Home Theater Processor 4 Volt Linearity Test 2 Audio Me...png


The Biased setting does fix the low level issue. But in the process of setting up the test again, ran into the opposite problem. As you see, above 0 DB value on volume control you get some kind of compressor in action. It is not possible to get 4 volts output without going over 0 dB.

There is some talk about combination of analog and digital gain control. That may be at play here. As noted there is a setting for "Amplifier Sensitivity" but doesn't fix the problem.

I can see the same problem with the volume control barely changing the output level even though dBs count up on the display....
 

Martin

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I know we're mostly men here but it pays to remember, when in doubt, RTFM. :D

One of my all time favorite Dilberts:
4c4c19209f8b012f2fe600163e41dd5b


Martin
 
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amirm

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FYI, I hooked up USB cable. It gets recognized properly by Windows but when I select it as an input, I don't get any output at all. Seems like it is not implemented yet.

I did try Roon streaming and that worked, producing similar results to AES input.
 

Srrndhound

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To be clear, the issues are on the right side of the graph were increasing the digital sample values no longer proportionally changes the analog output of the DAC.
Was the volume control sitting at +10 dB for all these tests? If so, please try again at 0 dB. Of course the output level will be lower, but does the compression effect remain?

On a different note, this use of analog/digital volume controls -- does that affect the noise floor (SINAD)? Does the output noise reduce as the volume is reduced, or are there flat spots in that vs, output volume? I'm just wondering if it is the case that most listening (of AVRs or DACs) is done at volume settings 10-20 dB below the SINAD measured level, do we really know the typical performance being heard in actual use?
 

A/V Analysis

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Hi folks,

My name is Marc Alexander. I am one of the original beta testers of the HTP-1. I am under NDA, but I am not employed by Monoprice or its partners (nor paid by them). I am a both an enthusiast and a professional calibrator (ISF, THX, HAA). I have extensive experience with immersive (3D) audio processors and have access to many units. While my test bench is not as impressive as Amir's (Audiomatica Clio 12), I have access to an APx-585 until Friday. I am in front of the bench at this moment. I have the following SSPs: Monolith HTP-1, Trinnov Altitude 16, and Bryston SP4 (StormAudio).

I started my testing using the AES/EBU digital input. I then switched to testing with HDMI but no luck. The unit would simply not pass video from my PC's Nvidia graphs card. I would get a blank screen. I set the resolution to 1080p and it still produced no picture. So I dragged the unit to my main system, rip it apart :(, and tested it there. It worked fine with my Samsung UHD player and LG OLED TV. I have tested countless AVRs and processors with PCs and while they don't always work perfectly, they do produce a picture. I am worried about level of compatibility of HTP-1 given my experience.
I have found the HTP-1's HDMI interfaces (MDS HDMI 2.0 eARC) to be the quite stable in my testing compared to others (including MDS's prior HDMI 2.0 board used in the Trinnov and I believe also the Storm/Bryston). Storm does have a new eARC board (not by MDS). Early reports have been positive. I would say Denon+Marantz is still the gold standard in regards to HDMI compatibility & stability.

@amirm I'm glad to see you received the unit. How long will it be in your possession?

I haven't had any trouble passing HDMI from my PC through the HTP-1 at 720p, 1080p and 2160p. However, my HP Spectre utilizes the Intel HD 620 chipset (with NVidia co-processor) and is HDMI 2.0 HDCP 2.2 compliant. Do you have the option to switch between YCbCr and RGB? Did you try turning off "UHD compatible" for that input?

1581540735507.png

The test starts at -120 dB and keeps increasing the level. The HTP-1 kept flashing its PCM indicator but would produce no output until we got down to -90 dB which is 1 bit short of 16 bit audio. We can see this clearly by looking at the waveform at -90 and -96 dB:

View attachment 49855

As you see in the inset, I am definitely sending it 24 bit audio.

We saw this behavior in another processor, namely the Emotiva XMC-1:

index.php


Seems like the same shop that supplied the audio subsystem for XMC-1 is behind the same mistaken design in HTP-1. We could forgive the XMC-1 for being old but no such excuse holds for HTP-1. Folks, this is ABCs of design. You verify simple things like whether the device can process 24-bit data. After all, almost all video soundtracks are 24 bits.

EDIT: There is a setting in the menu to override the low level muting. But I am running into a new issue with full levels being compressed. See: https://www.audiosciencereview.com/...me-theater-processor-review.11416/post-326504
Ok, looks like you discovered the PCM Detect Sensitivity setting. This must be set to indicated for analysis. With this set to Auto, I also saw questionable results from the Clio analyzer when utilizing S/PDIF into the HTP-1.
Wish I could test HDMI but can not. Above spikes are correlated with the 250 Hz square wave that is embedded in J-test signal. This means what bits to feed the DAC changes its analog input! So bits are not bits unfortunately. Fortunately levels are low so likely not audible but in a high-end processor, we better not see artifacts like this.
A PC or Mac can be used to as a S/PDIF to HDMI audio bridge. I am utilizing a Roland Quad Capture for S/PDIF in and Audinate's Dante Via to cross-connect the audio. My understanding is that one can do the natively on Mac, no additional software needed.

https://www.audinate.com/products/software/dante-via
 

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OK, took one step forward and possibly a few back. Here are the results:

The Biased setting does fix the low level issue. But in the process of setting up the test again, ran into the opposite problem. As you see, above 0 DB value on volume control you get some kind of compressor in action. It is not possible to get 4 volts output without going over 0 dB.

There is some talk about combination of analog and digital gain control. That may be at play here. As noted there is a setting for "Amplifier Sensitivity" but doesn't fix the problem.

I can see the same problem with the volume control barely changing the output level even though dBs count up on the display....

Ok so shouldn't this change the conclusion of the review? How many volts did you get at 0dB?
 

A/V Analysis

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OK, took one step forward and possibly a few back. Here are the results:

View attachment 49940

The Biased setting does fix the low level issue. But in the process of setting up the test again, ran into the opposite problem. As you see, above 0 DB value on volume control you get some kind of compressor in action. It is not possible to get 4 volts output without going over 0 dB.

There is some talk about combination of analog and digital gain control. That may be at play here. As noted there is a setting for "Amplifier Sensitivity" but doesn't fix the problem.

I can see the same problem with the volume control barely changing the output level even though dBs count up on the display....
I am seeing the same results. 4.1 Vrms appears to be the max output before clipping. 1.5 - 2.0 Vrms appears to be the range of optimal performance. I recommend running your tests at 2 Vrms as this is more indicative of real world performance. Most consumer amplifiers are designed with a sensitivity between 0.3V (-10 dBV) and 1V (0 dBV) for unbalanced RCA, between 1.2V (+4 dBu) and 2.0V (+6 dBV) for XLR.
 
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