The logical thing to me is the minimal phase filters if the touch-ups are few and not very aggressive, which is what happens with
loudspeakers with a fairly flat response and, in my case, in the
near field.
On the other hand, if you want to process the entire audio band then the linear filters seem more logical as the phase does not change as it happens with the first ones, which emulate the traditional analog filters.
As far as I know, the acoustic instruments are of a minimal phase and the recordings that I usually hear come from analog master recordings and with studios with analog filters
(minimum phase too) from before the 1980s and the
fudges that were made then. And from the master to vinyl or direct to vinyl.
There are exceptions like this fantastic live.
In summary, if the recordings that are heard are modern, with synthesized instruments, voices with Autotune, very digitally processed in the studio then the linear phase is ALWAYS being used from the beginning. And if we also use software for digital correction ....
But then, you will almost always be listening to
musical PRODUCTS and not
music, I say. Maybe spectacular but
without EMOTION.
