Is not low latency filters useful in studio speakers ? Have not some DSP based systems some low latency modes ?
No. Stage monitors yes, but they don't have to be high quality.Is not low latency filters useful in studio speakers?
Is not low latency filters useful in studio speakers ? Have not some DSP based systems some low latency modes ?
| Preamp | (in millisecond) |
| F1: 84.4 | |
| F2: 83.75 | |
| F3: 84.0 | |
| DAC | |
| F1: 84.6 | |
| F2: 83.85 | |
| F3: 84.0 |
Minimum Phase is the ONLY correct choice for a natural and analog sound.
If you say so...Minimum Phase is the ONLY correct choice for a natural and analog sound.
What is your evidence and support for this assertion?
If you say so...
If you say so...I do say so and do HEAR so.
And there is a long standing and established consensus about that.
Even measurements, about audible pre-ringing.
Even measurements, about audible pre-ringing.
OK, everyone is entitled to his opinion.I do say so and do HEAR so.
This means other people agree with that opinion, and that is true. Yet there is also a long standing and established consensus behind the fact that linear phase filters sound closer to the original waveform. This should be no surprise, since different people have different opinions and it's been debated for years.And there is a long standing and established consensus about that.
Now you're stepping into the realm of objective measurements. The mathematically ideal reconstruction comes from the Shannon-Whittaker reconstruction formula. If the original signal was properly bandwidth limited before encoding (as it should be), it provides perfect reconstruction. It happens to be linear phase, an infinite sum going both forward and backward in time for every sampling point. This makes it computationally infeasible to implement in near-real time. Yet since it represents ideal/perfect reconstruction, it's the waveform that all well engineered DACs get very close to through other more efficient methods like Delta-Sigma.Even measurements, about audible pre-ringing.
I suppose I need not ask whether any controls were used to determine audibilityI use a NOS R2R DAC with Audirvana and r8Brain and DSD 512 oversampling. And linear vs minimum does make a very audible difference to me.
Critical listening is all I need.I suppose I need not ask whether any controls were used to determine audibility
If the above wasn't clear, here's an intuitive way to think about those ripples. They are part of the original waveform, they are always there whenever the wave contains high frequencies. And they will be in the reconstructed wave too. Linear or minimum phase filter doesn't matter - they are there either way.Even measurements, about audible pre-ringing.
All you need to post nonsense on ASR perhaps, but not enough to determine audibility.Critical listening is all I need.
Golden ear is not a compliment.Critical listening is all I need.
Uh huh.Critical listening is all I need.
I use a NOS R2R DAC with Audirvana and r8Brain and DSD 512 oversampling. And linear vs minimum does make a very audible difference to me.
These are my settings and I needed a couple days of tuning, to finally get the fidelity and richness I always sought after.
Critical listening is all I need.