You used to be able to buy it separately for years then they brought out a higher sensitivity version which wasn't available separately then they stopped selling the original separately.So I did some research and the only 3" dome I could find that is underhung is the ATC SM75-150, and guess what? Not only is it pretty high sensitivity, it's also the only one that can acceptably be crossed below about 500hz (ATC crosses them at 380hz). It's also completely unavailable outside of their speakers. K&H did use it on the O500, but that is long since discontinued - though I hear it's an absolutely badass speaker.
Ah, but it's not - it's overhung! Plus, its Fs is much higher. Does still have a nice double suspension though which improves linearity.Volt make their own version which looks very similar indeed.
I think they just didn't want to be selling to their competitors, which I totally get.You used to be able to buy it separately for years then they brought out a higher sensitivity version which wasn't available separately then they stopped selling the original separately.
What are the downsides of having a crossover in the middle of such a critical band? What comes to mind is voices will come from two drive units.So I did some research and the only 3" dome I could find that is underhung is the ATC SM75-150, and guess what? Not only is it pretty high sensitivity, it's also the only one that can acceptably be crossed below about 500hz (ATC crosses them at 380hz). It's also completely unavailable outside of their speakers. K&H did use it on the O500, but that is long since discontinued - though I hear it's an absolutely badass speaker.
They've been around a long time too, I have a pair of these ProAc EBS in my study which use ATC mid and 9" bass drivers and are over 30 years old.Ah, but it's not - it's overhung! Plus, its Fs is much higher. Does still have a nice double suspension though which improves linearity.
I think they just didn't want to be selling to their competitors, which I totally get.
That's about all that comes to mind for me. The upsides of course are it's better to have that crossover there rather than where our ears are more sensitive in the upper midrange (700hz ballpark) and that also reduces IMD in the bass driver.What are the downsides of having a crossover in the middle of such a critical band? What comes to mind is voices will come from two drive units.
There's really only one truly great dome midrange.
The Yamaha NS-1000M Beryllium, JA051300.
The Yamaha midrange in the NS-1000 is nothing like any midrange I have ever heard. Quite simply, there's nothing to touch it. Whenever I forget what real midrange performance is about, I go down to my Dad's place and fire up his Anniversary NS-1000M Japanese home market pair and just revel in the glorious presentation.
The NS-1000X midranges were even better, as was the overall speaker, but they are as rare as rocking-horse chit now.
Strange. Titanium doesn't have any particularly favourable mechanical properties over other metals commonly used for driver diaphragms. Only Berillium and Boron have sufficiently higher specific stiffness than mag/ally/steel/titanium to raise driver breakup frequency appreciably and whilst Berillium is difficult and expensive to make a dome from nobody has come up with a practical way of making a boron dome yet so at the moment Berillium is in a field of one as far as superiority is concerned.I much prefer the Yamaha NS75T to the NS1000/100M.It uses a titanium dome midrange and tweeter.It has a lot better imaging and bass than the NS1000 and like the NS1000 is very high resolution.
The NS75Ts are exactly the same dimensions as the NS1000.I always blamed the wide baffle for lack of centre fill imaging on the NS1000s and NS1200s so when I heard how good the imaging was with the NS75T I was really surprised.So perhaps it just comes down to different dome mids or crossovers or a combination of both.The NS75Ts are about a decade later than the NS1000s.Perhaps Yamaha had improved their crossover designs by then.Strange. Titanium doesn't have any particularly favourable mechanical properties over other metals commonly used for driver diaphragms. Only Berillium and Boron have sufficiently higher specific stiffness than mag/ally/steel/titanium to raise driver breakup frequency appreciably and whilst Berillium is difficult and expensive to make a dome from nobody has come up with a practical way of making a boron dome yet so at the moment Berillium is in a field of one as far as superiority is concerned.
Titanium won't be quite as high for breakup as the anodised aluminium which is frequently used and is probably the cost/performance hot spot I would expect.
Strange. Titanium doesn't have any particularly favourable mechanical properties over other metals commonly used for driver diaphragms. Only Berillium and Boron have sufficiently higher specific stiffness than mag/ally/steel/titanium to raise driver breakup frequency appreciably and whilst Berillium is difficult and expensive to make a dome from nobody has come up with a practical way of making a boron dome yet so at the moment Berillium is in a field of one as far as superiority is concerned.
Titanium won't be quite as high for breakup as the anodised aluminium which is frequently used and is probably the cost/performance hot spot I would expect.
Zylon as used in the Yamaha NS5000s is technically the best.Which is why Yamaha has used it.Wonderful natural sounding speakers.What about diamond?
I don't think of it as a metal.What about diamond?
[UOTE="More Dynamics Please, post: 865785, member: 22293"]Zylon is a synthetic polymer fiber. Claiming it's "technically the best" speaker material is nothing but marketing speak in the absence of scientific proof within the audio community.