Me too on prog. TY for Yes Drama listed. Kind of hated it as a kid because no Jon Anderson but it has aged well imo. The problem with a lot of subjective reviews for me is pages of waxing on the voice of some nobody artist singing something obscure cause they want to sound enlightened. Fremer did this way too much imo. You want to evaluate a piece of gear. In fairness I got to experience some new artists outside my comfort zone this way. But if we are evaluating gear… let’s start with SGt Peppers or anything everyone has heard to death.Oh man, where do I hand in my audiophile card?
Yesterday I followed spinning Rush's Hemispheres with Caress of Steel, before that Yes Drama, before that Genesis Duke, Bill Bruford, Brand X, UK, (etc).
I think prog has been my favorite music to listen to on vinyl.
I remember fondly listening to Breakfast in the back seat of my dads Saab. I like your taste in music.I spent a lot of time back in the 70s listening to Crime. And Crisis. Saw them at the L.A. Forum either on the Quietest Moments or the Breakfast tour. One of my all time favorite bands.
Me too on prog. TY for Yes Drama listed. Kind of hated it as a kid because no Jon Anderson but it has aged well imo. The problem with a lot of subjective reviews for me is pages of waxing on the voice of some nobody artist singing something obscure cause they want to sound enlightened. Fremer did this way too much imo. You want to evaluate a piece of gear. In fairness I got to experience some new artists outside my comfort zone this way. But if we are evaluating gear… let’s start with SGt Peppers or anything everyone has heard to death.
Love it and concur 100%When listening to new gear[or showing my gear to some non-audiophiles] I always ask for Daft Punk - Get Lucky - if this track does not sound right, nothing will. Then continue with Sepultura ;-)
Snobbery is really the scourge of this hobby, sometimes you have the impression, that by not being enthusiastic about some experimental Japanese jazz you are not really worthy to have anything better than Bose soundbar. Or you are probably supposed to come to some enlightenment by listening to exactly 777 versions of Brahms 3rd Symphony for exactly 7777 hours.
There is special sub-genre of this hobby called "BrothersInArmsophilia", where the ultimate goal is to finally find THE vinyl version of this record [I really know the guy with probably 50 different discs/vinyls, "hey. I have this new piece in my collection, french second press, from 1986, it is so AIRY and DETAILED, and !!!! fade out in Brohers in Arms track lasts for 28 seconds, unlike UK edition, where it lasts only 25 seconds"
And of course, "Keith don't go dancing with Cosmic Hippo in Cafe Blue with Brothers in arms"
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[grabbed this screenshot couple of years ago, probably credit Stereophile? ]
I'm amazed that you're able to tolerate it for 30 long seconds.My gawd I tire of "female voice" audiophile tracks at audio shows (and youtube "sound demos")
They are virtually always some turgidly paced, arty, breathy thing that has me checking my watch and thinking of better ways to spend my time, 30 seconds in.
oops I posted in the wrong threadAre we supposed to reply with how long we lasted? 46 secs for me
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Oh yeah? The only time I saw Keith Emerson was on a a triple bill: The Bonzo Dog Doo-Dah Band, The Allman Brothers Band (with Duane Allman), and The Nice (with, of course, Emerson). Emerson rode his B-3 across the stage while playing ""America" with his feet.And I saw Emerson, Lake and Palmer in concert.
Saw them in Chicago when Crime came out. Gentle Giant opened for them. Great show.I spent a lot of time back in the 70s listening to Crime. And Crisis. Saw them at the L.A. Forum either on the Quietest Moments or the Breakfast tour. One of my all time favorite bands.
You should see the looks when I‘d throw on Merzbow. Then gloss something about sibilance and 3D sound stage.I used to get funny looks when I'd throw on heavy music in the store.
You should see the looks when I‘d throw on Merzbow. Then gloss something about sibilance and 3D sound stage.
And some of that stuff sounds better and clearer than ever when played digitally. Mind you, Brand X masters are a bit bass light and sonically 'packaged' in the soundstage - that's the way they were mixed (I once heard a master tape copy of one of the album sides - I wonder what the monitors were in the mix? Either huge Tannoys or JBL's I suspect played VERY LOUDLY ). I think the Yes remasters of ten to tfifteen years ago 'sound' OK, but maybe they've been compressed? The UK albums I have on CD sound almost as muddy as the originals, but quite dynamic if turned up (I must dig 'em out). All this music to re-enjoy again now my lugs have been suitably 'sorted.'Oh man, where do I hand in my audiophile card?
Yesterday I followed spinning Rush's Hemispheres with Caress of Steel, before that Yes Drama, before that Genesis Duke, Bill Bruford, Brand X, UK, (etc).
I think prog has been my favorite music to listen to on vinyl.
Oh yeah? The only time I saw Keith Emerson was on a a triple bill: The Bonzo Dog Doo-Dah Band, The Allman Brothers Band (with Duane Allman), and The Nice (with, of course, Emerson). Emerson rode his B-3 across the stage while playing ""America" with his feet.
I never get to tell that story anymore. Damn.