When I produced the sessions in November 2003 for Antony Michaelson's Mozart Clarinet Concerto recording at London's Henry Wood Hall - see
https://www.discogs.com/master/7659...stra-Antony-Michaelson-K622-Clarinet-Concerto - engineer Tony Faulkner was recording in both analog and DSD64. We compared both types of recording with the live microphone feed and the DSD version sounded identical to the feed. (Interestingly, some listeners preferred the playback from the analog tape, which didn't sound like the mike feed.) As MoFi has been using DSD256 for the transfer master, there would have been nothing for Michael Fremer to detect as "digital."
John Atkinson
Technical Editor, Stereophile