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Michael Fidler Spartan 20 Phono Stage Review

Rate this phono stage:

  • 1. Poor (headless panther)

    Votes: 1 0.6%
  • 2. Not terrible (postman panther)

    Votes: 4 2.6%
  • 3. Fine (happy panther)

    Votes: 22 14.2%
  • 4. Great (golfing panther)

    Votes: 128 82.6%

  • Total voters
    155
I don't understand why the preamp capacitance cannot be 50pF or so.
If the user needs higher values, is easily reached with higher capacitance cables (as an example)

you cannot lower it
Because, while most audio op-amps such as the NJM2068 and NE5534 have excellent RFI handling in an audio setup, without audio-band detection below 20MHz or so, they start detecting with horrifying efficacy once you get past 50MHz. This is especially true in the GHz's where you have high levels of energy from WiFi/mobile phones, which are easily induced via standing waves up into the shielded centre conductor of most audio cables.

To stop your phono preamp from becoming an incoming call/text message pre-notification device, you need at least 100pF (for a through-hole design, a bit less for SMT caps with lower series inductance), of shunt capacitance (C1), behind a resistor (R1), of relatively low value to prevent excessive Johnson-noise contribution, to absorb VHF/UHF interference. If you leave this out of the in the interests of flexibility, the input is at the mercy of the environment and complaints will quite rightly abound.

You could, of course, increase the value of R1, and decrease C1 to a minimum of 47pF, but this just increases the effective input noise of the device.

Having a fixed input capacitance also encourages the user to shorten their phono leads, which helps to minimise setup issues. A good cable is a short one, I say!
 

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Having a fixed input capacitance also encourages the user to shorten their phono leads, which helps to minimise setup issues. A good cable is a short one, I say!
I'm surprised this isn't a more common recommendation.
 
Because, while most audio op-amps such as the NJM2068 and NE5534 have excellent RFI handling in an audio setup, without audio-band detection below 20MHz or so, they start detecting with horrifying efficacy once you get past 50MHz. This is especially true in the GHz's where you have high levels of energy from WiFi/mobile phones, which are easily induced via standing waves up into the shielded centre conductor of most audio cables.

To stop your phono preamp from becoming an incoming call/text message pre-notification device, you need at least 100pF (for a through-hole design, a bit less for SMT caps with lower series inductance), of shunt capacitance (C1), behind a resistor (R1), of relatively low value to prevent excessive Johnson-noise contribution, to absorb VHF/UHF interference. If you leave this out of the in the interests of flexibility, the input is at the mercy of the environment and complaints will quite rightly abound.

You could, of course, increase the value of R1, and decrease C1 to a minimum of 47pF, but this just increases the effective input noise of the device.

Having a fixed input capacitance also encourages the user to shorten their phono leads, which helps to minimise setup issues. A good cable is a short one, I say!

Ok, it's clear (for me at least) now.
I always use short RCA cables (50 cm) because my MM cartridges are AT ... 200 pF max capacitance.

I also have the MC 33ptg/2 (that I really like) with a SUT, but as MC, is "immune" to capacitance.
 
Not if you're from the UK - down is always on. However, from a safety point of view I often feel the US way is better, since if you slip you will switch something off rather than on!
Or in the rest of Europe...unless anyone knows of any exceptions.
 
Zoomed in on the PCB as much as I could: beautiful! I would order it in an instance if I was in the market for a phono preamplifier right now. And it's another example of how important ASR is: who would have known about the technical perfection of this device without this platform?

I hope you will sell tons of it, Michael!
I wish I had an excuse to buy one!
 
I wish I had an excuse to buy one!

You don't need an excuse. Ask Michael for the ASR Display Edition. It's got a plexi-glass lid with DC driven switchable R/G/B LEDs (no multiplexed PWM stuff here).

@Michael Fidler You know it would sell. Just. Do. It. ;)
 
The obvious ones are light switches and power sockets. Down for ON in Europe, not just in the UK.

It's the same here. Down for on. Light switches, everything. It makes sense. But Americans don't get it- they still drive on the wrong side of the road.

Let's hope they don't get too mixed up when it really counts....

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I only have 50cm in my setup - the advantages of a small phono preamp that can be placed near the TT are not insignificant!
Broadcast Turntables like the EMT have the phono stage built-in to the turntable electronics with very short cables from the arm. In the case of the EMT using their TSD15 MC cartridge, the 7:1 step up transformer is wired balanced to the cartridge.

Going back to the 1970s, I always built the phono stage into the turntable plinth, with XLR outputs to the amp.

S.
 
Broadcast Turntables like the EMT have the phono stage built-in to the turntable electronics with very short cables from the arm. In the case of the EMT using their TSD15 MC cartridge, the 7:1 step up transformer is wired balanced to the cartridge.

Going back to the 1970s, I always built the phono stage into the turntable plinth, with XLR outputs to the amp.

S.
I wholeheartedly approve :cool: !
 
The obvious ones are light switches and power sockets. Down for ON in Europe, not just in the UK.
Well... I am in Europe last time I checked. And you are correct with light switches. Circuit breakers are down for off though.
 
Is it me or is the On/Off upside down?
Having travelled the World for Formula 1 races for over 30 years I would say down for on is more common than down for off, in fact I find down for off extremely disconcerting even after experiencing it for 55 years (my first visit to the US was 55 years ago!)
OTOH I have some Meridian kit made in the UK but presumably with a big US market which have power switches the US way round and a Swiss amp mainly sold in the US market which has a US orientated switch.
The only thing I know of here with down for off are overload breaker switches.
 
You could mount the on/off on it’s side ;)

Nice product i sold all my vinyl in 1998 so i have no use for this , but it seems excellent for what it does
 
Because, while most audio op-amps such as the NJM2068 and NE5534 have excellent RFI handling in an audio setup, without audio-band detection below 20MHz or so, they start detecting with horrifying efficacy once you get past 50MHz. This is especially true in the GHz's where you have high levels of energy from WiFi/mobile phones, which are easily induced via standing waves up into the shielded centre conductor of most audio cables.

To stop your phono preamp from becoming an incoming call/text message pre-notification device, you need at least 100pF (for a through-hole design, a bit less for SMT caps with lower series inductance), of shunt capacitance (C1), behind a resistor (R1), of relatively low value to prevent excessive Johnson-noise contribution, to absorb VHF/UHF interference. If you leave this out of the in the interests of flexibility, the input is at the mercy of the environment and complaints will quite rightly abound.

You could, of course, increase the value of R1, and decrease C1 to a minimum of 47pF, but this just increases the effective input noise of the device.

Having a fixed input capacitance also encourages the user to shorten their phono leads, which helps to minimise setup issues. A good cable is a short one, I say!
I wonder how much this is a problem in practice. I have user replacable caps but use none while cabling add around 28 pF for the tonearm and about 100 pF for the RCA cable. I’ve never experienced any RFI problems though.
 
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