While respecting whatever NDAs you have, can you describe what your work involves? Are you doing Atmos Music mixes, movie mixes? I imagine Atmos isn’t used for indie projects, so you must be working big budget tentpoles or streaming shows?
Can you give an example of a mix note that you would have gotten in the past which occurs less with your setup?
Yeah, Atmos for streaming (promos and shows), 5.1/7.1 for Indie films.
Dialog clarity was always a challenge... sounded clear and forward on the Gennys but didn't translate as intelligible elsewhere.
For years I've said you have to learn your speakers in your space and mix around your deficiencies... but for me, a big help was that the Amie's keep more sound off the walls than the Genelecs did.