• WANTED: Happy members who like to discuss audio and other topics related to our interest. Desire to learn and share knowledge of science required. There are many reviews of audio hardware and expert members to help answer your questions. Click here to have your audio equipment measured for free!

Measuring noise and SINAD of MM phono preamps properly

pma

Master Contributor
Joined
Feb 23, 2019
Messages
5,399
Likes
13,312
Location
Prague
Measuring noise and SINAD of MM phono preamps properly

1. Intro

It is a temptation to measure phono preamplifiers the same way as if it was a common link stage preamp, to drive it from very low generator impedance and to measure the preamp output voltage. Similar way as when measuring with AP that has output impedance of 20 ohms. It is fast and simple. But, unfortunately, such measuring method may strongly deviate from results that we get with real life MM phono cartridges, speaking about noise and thus related SINAD. Below I will try to explain why measuring from low generator impedance may be misleading and may bring incorrect results and false priority when comparing phono preamplifiers.

2. MM cartridge dummy circuit and noise sources

I shall be simulating and testing with Shure M35X MM cartridge. Below you may see real world measurement of impedance of this cartridge from 20Hz to 20kHz:

Shure_M35X_impedance_sm.png


MM cartridge simplified model can be considered as a series connection of coil winding resistance and inductance. We shall see later that such simplification still gives very close results of simulation and real world measurements. Dummy circuit of Shure M35X MM cartridge is shown below, including the amplifier. We shall first investigate only the part of the image on the left side from the black border line, without contribution of the non-ideal amplifier.

M35X_47k_noise_simcir.png


The cartridge is represented with the 970 ohm resistor (R160) and 425 mH inductor (L1). R1 = 47 kohm represents the recommended load resistor and C1 = 150pF is a load capacitance, may that be a cable capacitance. Contribution of the non-ideal amp is not discussed yet.

Let's investigate noise voltage density at “out” node. This can be easily simulated and looks like this:

M35X_47k_noise_sim.png


Up to 500Hz we can see the thermal noise contribution of the 970 ohm resistor, which would make 3.96nV/rt(Hz). This effectively shunts the thermal noise of 47k load resistor up to 500Hz. Above 500Hz, the contribution from rising impedance of the L1 inductance can be seen. At 10kHz, the noise voltage density at “out” node is 17nV/rt(Hz) and is still rising, until it reaches the thermal noise of the 47k load resistor, that is 27.6nV/rt(Hz). These are the limit values with an ideal amplifier and at the amplifier output they would be multiplied by amplifier gain at frequency of interest.

3. Contribution from the non-ideal amplifier

So far we have only considered resistor thermal noise and shunting impedance and have not considered the non-ideal amplifier input voltage noise and input current noise. We shall see that in case of MM cartridges the amp voltage noise is not an issue, if kept below some 5nV/rt(Hz), but current noise makes a big problem, because the input current noise flowing through R1 in parallel with R160 + L1 makes additional voltage drop - noise voltage at “out” node and is then amplified by amp RIAA EQ gain. For a typical opamp with bipolar input stage, the input current noise density is typically >=2pA/rt(Hz) and this would make 94nV/rt(Hz) on unshunted 47k resistor, compared to its 27.6nV/rt(Hz) intrinsic thermal noise. So, the contribution of bipolar opamp input current noise is almost four times bigger than the 47k resistor thermal noise!

4. Investigating real MM phono preamp by both simulation and real world measurements

For simulation and measurements I have chosen my Openamp phono preamplifier, which is an open project of the phono preamp, verified by many builders worldwide, several hundreds built.


Schematics used in the simulations is shown below:

Openamp_MX35_simcir.png


I have decided to compare results of the Openamp with 2 different opamps at X8 position:
- OPA627 with JFET input, voltage noise = 4nV/rt(Hz), current noise = 2.5fA/rt(Hz),
- ADA4898 with bipolar input, voltage noise = 0.9nV/rt(Hz), current noise = 2.4pA/rt(Hz).
OPA627 has 4.5x higher voltage noise, but 1000x lower current noise than ADA4898. Both have parameters typical for very good JFET, respective bipolar input opamps. For a low noise link level preamp with low input impedance, the ADA4898 would be definitely the choice. But for a MM phono preamp? We shall see, but the answer is no. The preamp gain is 40dB/1kHz.

The noise at the output of the Openamp was measured with 2 resistors and one MM cartridge:
- 20 ohm, to simulate standard SINAD measuring method with the AP analyzer,
- 47 kohm, which is the open input and worst case,
- with Shure M35X cartridge connected to the input.

Below we can see measured plots of output voltage noise with the 3 impedance cases and two different opamps, ADA4898 and OPA627.

Openamp_noise_20R_47k_MX35_sm.png


We can see that when the Openamp has 20 ohm resistor at the input (equivalent of low impedance SINAD test method), ADA4898 version (bipolar opamp) has lower noise than OPA627 version (JFET) and the voltage noise density at 2kHz is about twice lower than with OPA627.

With 47 kohm resistor, the situation is different. OPA627 version has about 6x lower noise than ADA4898 version.

Finally, with Shure M35X at the input, the noise is almost same up to 500Hz, but above 500Hz we can see that OPA627 version is much better, with about 4x lower noise above 2kHz. So, the result from the 20 ohm low impedance method would tell that bipolar AD4898 version has lower noise, however in a real world with real MM cartridge the result is just opposite. And the difference is not small.

5. Comparison of noise density and A-weighted noise of both versions with Shure M35X

OPA627: 48.63uV(A), ADA4898: 164.5uV(A) – 3.4x worse, 10.6dB worse. As the THD distortion with both opamps is negligible, we can reliable say that the ADA4898 version has SINAD worse of 10dB, though it would win if tested with 20 ohm input impedance. And, should be noted, that M35X inductance is quite low and with higher inductance the difference would be even bigger.

Openamp_MX35_noise_ADA4898xOPA627_sm.png


Simulated voltage noise for Openamp with OPA627

openamp_noisesim_M35X.png


The simulated result fits very well to the measured result shown in previous image.

6. The proof of inadequacy of the method of measuring SINAD with low impedance generator

It was shown in articles #4 and #5 here that the method of driving the MM phono preamp from generator with low output impedance is incorrect, respective that it does not reflect preamp noise behavior with real world MM cartridge. Let's show it on example of the Openamp with ADA4898 x OPA627 driven from generator with 50 ohm output impedance. The generator output is 5mV/1kHz.

SINAD with OPA627

Openamp_5mV_1k_OPA627_sm.png


SINAD with ADA4898

Openamp_5mV_1k_ADA4898_sm.png


Because the Openamp module under test was not inserted in a closed metal box,

openamp_testsetup_sm.JPG

we can see some 50Hz induced mains spike. I have calculated the SINAD starting from 60Hz, to avoid influence of this spike. We can see that 60Hz – 20kHz SINAD is 77.72dB with OPA627 and 87.96dB with ADA4898. Defined completely by noise, because THD component is in both cases deep below -100dB. So, from measuring method using a generator with low output impedance (like mine with 50 ohm or AP with 20 ohm) the preamp with ADA4898 has higher SINAD of 10dB and is seemingly better. But, this is not the case when we connect the MM cartridge to the preamp input and the situation is instantly reversed, the OPA627 is better of 10dB and is better in real world conditions, not in a laboratory simulated test with a low impedance generator. Thus, we cannot rely on results of the method with a low impedance generator when evaluating MM phono preamps.

7. Conclusion

With the Shure M35X cartridge, two versions of Openamp phono preamp were measured, with this result in A-weighted output voltage noise: OPA627(JFET): Vn = 48.63uV(A), ADA4898(bipolar): Vn = 164.5uV(A) – 3.4x worse, i.e. 10.6dB worse. Speaking in terms of unweighted noise, it was 78.28uV with OPA627 and 226.3uV with ADA4898. Calculated SINAD (ref 500mV) would be 76.1dB with OPA627 and only 66.9dB with ADA4898. As the THD distortion with both opamps is negligible, near -100dB, the noise component dominates in SINAD and we can reliable say that the ADA4898 version has SINAD worse of 9.2dB, though it would win if tested with 20 or 50 ohm input impedance. And, should be noted, that M35X inductance is quite low and with higher inductance the difference would be even bigger.

The “standard” SINAD test (BW 60Hz – 20kHz) with 50 ohm generator was performed as well and OPA627 version SINAD was 77.72dB, ADA4898 version SINAD was 87.96dB, so seemingly better and ADA4898 would win in a standard chart test as is used, however, in a real world with real MM cartridges (any) the OPA627 version is considerably better, of about 10dB.

One more summary – SINAD with 50ohm generator: 77.72dB/OPA627, 87.96dB/ADA4898. SINAD with Shure M35X cartridge: 76.1dB/OPA627, 66.9dB/ADA4898. With ADA4898, SINAD is of more than 20dB worse with the cartridge than with the low impedance generator. With OPA627, the difference is only 1.6dB.

How to measure noise and SINAD of the MM preamp properly:
Look at the definitions first:

SINAD_def.png


1) Measure noise voltage at the output of the MM preamp with MM cartridge connected to its input (N)
2) Measure distortion (D) voltage when the preamp is driven from low impedance generator at 1kHz/5mV
3) Calculate SINAD from equation (3) here above.

THD and THD+N definitions in dB:

THD_THD+N_def.png


Literature:

[1] Kester, W.: Understand SINAD, ENOB, SNR, THD, THD + N, and SFDR so You Don't Get Lost in the Noise Floor, Analog Devices MT-003 Tutorial.

[2] Mateljan, I.: Arta User Manual.

[3] Macura, P.: https://pmacura.cz/MMpre_measuring_methods.pdf


@ Pavel Macura 02/06/2025
 
Last edited:
Thank you for all this work....!!!!
 
  • Like
Reactions: pma
I haven't used a TT of my own since just before the turn of the century. I've been involved with friends who have them. I've been avoiding posts regarding vinyl as it would be a waste of time for me. However, when I saw you had posted something, and knowing how well you work thru the analysis I couldn't help clicking on it and going thru your post.

When you know a little bit about circuits such a treatment is still quite interesting. So thanks even though it is not directly of any effect on my music listening.
 
Corrected the wrong image in the post #1, there was a duplicity and now the right image comparing noise with 3 different impedances and 2 opamps was uploaded.
 
Excellent presentation. I have long been maintaining that there is limited improvement potential over a trusty old NE5534A in a phonopre for the outlined reasons, so it would be nice to see how one of those would stack up. If I have my math right, treble noise ought to be marginally worse than for the OPA627 but not a whole lot, maybe 3 dB, and might end up a hair below both of the other parts sub-1 kHz. The closest thing to this part in a dual (noise-wise) would probably be the NJM2068, so that's why tons of basic phonopres are using one.
 
Last edited:
Well done @pma.

I'd like to add some comments and questions.

Do we know exactly how the AP analyzer measures SINAD and S/N? Does it perform an actual shorting of the output relay to determine residual baseline noise first, or does it perform DSP based 'signal in the presence of noise and distortion' (see AP's notes) to come up with its number? Does it set the output of the gen to zero, or mute it altogether when measuring raw noise amplitude? There is a difference between a gen at zero (its own residual noise), a muted output and of course, a 20R short.

Phono stages have been rated for S/N with a shorted input forever and that's a fair comparison because every generator otherwise is different. Just as every cartridge is different and presents a different set of R+L to the input stage of the phono preamp. Shorted is not representative of the actual S/N with a cartridge connected, I agree.

But why pick a discontinued (in 2018) Shure M35X in 2025? Just as @SIY picked an equally ancient cartridge for his reference for testing in an example he posted. I picked an Audio Technica AT-91, just as @Michael Fidler also uses, and even that, being the world's most popular cartridge ever made has been recently discontinued. What should be used as a reference 'typical' cartridge load going forward? And by reference it should be typical, ubiquitous, relatively consistent (as Audio Techs are) and easily purchased. I don't know.

1738883671259.png


The series connection as @SIY uses (cartridge plus gen output impedance) for THD+N (SINAD) is sensible and as long as a reference cartridge can be decided on, the only variable will be slight differences in gen/analyzer output R. I still see the need for a genuine shorted input noise measurement, not a 50R, 40R or whatever. My analyzer OPT R is 100/200R (unbal/bal), so I use a shorting RCA on each input. 50R terminators give a different (worse of course) result.

Here for comparison is a 42 year old Denon preamplifier's phono stage I use as a reference driven directly from the QA403 (SE/100R):

All unweighted. I can do A-WTD if you want...

1738885216991.png

Small spikes ~16/20k are some rubbish from PSUs- stuff in my lab - not the preamp
1738885848532.png


Here's the same bandwidth limited 60Hz-20kHz that you used:
1738885462184.png


Here's a shorted input noise (20-20k):
1738887608873.png



Here's a 50R terminator on the input:
1738887779951.png


Here's 10k (R) on the input:
1738888032011.png


A-WTD S/N is over 90dB (90.76/90.43dBA L/R) in either channel with a 5mV input with 100R gen output.
Deviation from 20Hz-20kHz is less than -0.1dB/+0 (I had to zoom in in +/-1dB to measure with crosshairs to look for the biggest deviation) and between channel deviation is just 0.03dB.
Overload is 340mV at 1kHz against a 320mV spec.

And that's just the MM section...

Basically, it would jump right off the top of Amir's phono chart. And it wasn't even a very expensive preamplifier at the time.
 
Last edited:
Great post, quantifying exactly why input amplifier voltage noise is not the end of the story!

Just out of interest, it might be worth seeing how well the cheapest audio op-amp on the market (NJM4580) does!
 
Just out of interest, it might be worth seeing how well the cheapest audio op-amp on the market (NJM4580) does!

You've got DIP sockets- get opamp rolling! ;)

PS, When did we go from DIL to DIP? The 80s? I still call a single-in-line package, a SIL.
 
Last edited:
Great post, quantifying exactly why input amplifier voltage noise is not the end of the story!

Just out of interest, it might be worth seeing how well the cheapest audio op-amp on the market (NJM4580) does!
Thank you. Regarding estimation how this or that opamp would make it, it can be almost exactly said from the datasheet, voltage noise density and especially current noise density parameters. This later parameter is not specified for NJM4580. My test PCB has DIP sockets (however for single opamps, not dual ones), but I do not have the NJM4580.
Interestingly enough, the old NE5532/34 series has lowest current noise of bipolar input opamps, 0.7 pA/rt(Hz). Several times lower than now widely used OPA1612 (in Fosi X5), which has 1.7 pA/rt(Hz). It may be well supposed that the result with NE5532 might be of about 6dB better than with OPA1612.
 
As I repeatedly stated in the X5 Phono thread, mains hum dominate the noise and hence SINAD in actual testing. This is seen in your data:

index.php


Peak noise at 50 Hz is far, far higher than the levels of treble noise.

I suspect you noticed that and hence the reason you artificially excluded this:

I have calculated the SINAD starting from 60Hz, to avoid influence of this spike
You don't say. I don't get to have the luxury of doing this:

index.php


[notice the grayed out region below 60 Hz]

Doing so would severely disadvantage a phono stage that does a good job of keeping mains noise at a minimum.

Net, net, you have not shown why SINAD changes by using a cartridge instead of AP output impedance. Answer is that it doesn't due to rising noise floor at low frequencies and existence of mains hum in almost all cases.
 
Well done @pma.

I'd like to add some comments and questions.

Hi John,
Good to see you in the thread.

Phono stages have been rated for S/N with a shorted input forever and that's a fair comparison because every generator otherwise is different. Just as every cartridge is different and presents a different set of R+L to the input stage of the phono preamp. Shorted is not representative of the actual S/N with a cartridge connected, I agree.

Yes the cartridges are different, but the lowest inductance I am aware of is 330mH (Shure V15) and series resistance is within 500 – 1500 ohm. But, it is the inductance that is important. Better to use some model than no model.
Regarding shorted input test, I do not find it representative for MM preamps and I do find it misleading re real world usage. Remember, decades ago there was an IHF recommendation to test MM phono preamplifiers noise with R + jwL dummy load.

But why pick a discontinued (in 2018) Shure M35X in 2025? Just as @SIY picked an equally ancient cartridge for his reference for testing in an example he posted. I picked an Audio Technica AT-91, just as @Michael Fidler also uses, and even that, being the world's most popular cartridge ever made has been recently discontinued. What should be used as a reference 'typical' cartridge load going forward? And by reference it should be typical, ubiquitous, relatively consistent (as Audio Techs are) and easily purchased. I don't know.

M35X for the reason that I have it. It is not critical. My take would be anything with inductance 500mH – 1000mH and resistance (not so important) about 1kohm. But not a short or plain resistor.

The series connection as @SIY uses (cartridge plus gen output impedance) for THD+N (SINAD) is sensible and as long as a reference cartridge can be decided on, the only variable will be slight differences in gen/analyzer output R.

This would introduce cartridge inductance nonlinearity into THD part of THD+N (SINAD).

Here for comparison is a 42 year old Denon preamplifier's phono stage I use as a reference driven directly from the QA403 (SE/100R):

All unweighted. I can do A-WTD if you want...

May I ask for you to V/rt(Hz) Y-scale for noise measurements? It would be then independent on Fs, FFT length etc. settings.


And that's just the MM section...

Yes, this thread is about MM preamp measurements. MC is a different story, focused on voltage noise rather than current noise and gain is 20 dB higher.
 
All unweighted.
Your FFTs are four times longer than my FFTs:

index.php


As you see, I have 32K points whereas you use 128K. The windows are different as well which makes a minor difference.

Gain levels are also different (38 dB above, 35 dB in yours):

index.php

SINAD is the same in both. Considering that the Fosi X5 costs only $110, we are doing quite well with modern, budget devices.
 
As I repeatedly stated in the X5 Phono thread, mains hum dominate the noise and hence SINAD in actual testing. This is seen in your data:

index.php


Peak noise at 50 Hz is far, far higher than the levels of treble noise.

I suspect you noticed that and hence the reason you artificially excluded this:


You don't say. I don't get to have the luxury of doing this:

index.php


[notice the grayed out region below 60 Hz]

Doing so would severely disadvantage a phono stage that does a good job of keeping mains noise at a minimum.

Net, net, you have not shown why SINAD changes by using a cartridge instead of AP output impedance. Answer is that it doesn't due to rising noise floor at low frequencies and existence of mains hum in almost all cases.

Sorry, this is absolutely unimportant. You are picking up one 50 Hz spectrum line amplitude of 20 uV from total integrated noise over 22Hz - 22kHz range. Please see below that it does not affect the noise measured over 22Hz - 22kHz range. 60 Hz cut was for cosmetic reason. Yes it would affect SFDR.

ADA4898_M35X_noise.jpg


OPA627_M35X_noise.jpg


210 uV (bipolar OA), 75uV (JFET OA).

As you see, I have 32K points whereas you use 128K. The windows are different as well which makes a minor difference.

For noise measurements, I am using noise density Y scale (V/rt(Hz)) to prevent FFT length influence. dBr or dBV would be FFT length dependent.

The point here is that the SINAD cannot be better than S/N, because SINAD is calculated from noise and distortion. With 210uV noise and 500mV/1kHz output (5mV x 100, 40dB gain at 1kHz), SINAD cannot be better than S/N 67.5 dB with ADA4898 in the DUT. This is improved to S/N 76.5dB with OPA627, both with M35X cartridge. Because harmonic distortion (without noise) is below -100dB with both opamps, the noise defines SINAD, SINAD = S/N here.

Edit: with better shielding, mains spikes gone away, the noise remains almost same
OPA627_M35X_noise3.jpg


4 different opamps:
varioous_opamps_M35X_noise.jpg
 
Last edited:
Sorry, this is absolutely unimportant. You are picking up one 50 Hz spectrum line amplitude of 20 uV from total integrated noise over 22Hz - 22kHz range. Please see below that it does not affect the noise measured over 22Hz - 22kHz range. 60 Hz cut was for cosmetic reason. Yes it would affect SFDR.
The dominant noise element sets SNR and hence, SINAD. The peaks at 50 and 100 Hz are quite pronounced in your measurements as they typically are mine. AP therefore would compute SINAD based on that, not whether some high frequency noise floor has changed.

I am confident you know where I am coming from and hence the reason you excluded the power supply/mains noise in your SINAD measurements.

I don't care what pure noise measurements say. I don't perform that measurement, nor is that the title of the thread here. If you are complaining about SINAD, then you better show it full spectrum as I do. Don't cheat by eliminating mains noise which is the most often complained about factor in phono stages.
 
Your FFTs are four times longer than my FFTs

Yes of course they are! You do understand that a large FFT is required if you want accuracy in the lowest frequencies? 32K is completely inadequate. Just because you decided it was a time saver for testing, doesn't mean it becomes an official world 'gold standard' does it?

And, nobody was attacking you or your personal technique for testing phono stages, but somehow you had to take it personally, as a slight, instead of engaging and acknowledging. Pavel has been perfectly respectful in this thread, returning after his short vacation.

MM Phono stages are a whole other beast, they are not D/A converters. You cannot treat them the same way and drive them with the AP's 20R output and dump them in a SINAD chart. When are you going to acknowledge you need to change the testing parameters? Serious question, Amir.

I pulled out the 42 year old Denon preamplifier as my personal reference on how a phono stage should be done, simply to compare with @pma's numbers- not to draw you into another debate or argument. Not sure why you even felt it important to weigh in? It was built in another era, when CD had not even come to market and phono ruled the earth. Different world. At the time, your mate Bill Gates was selling Microsoft Basic V1.0 boards for the Apple II... :)

I asked a few pertinent questions on the AP's methods and system which you and others have conveniently ignored. And the differences with source impedances have not been addressed. How about clarifying that, instead of going on yet another defensive?
 
Well done @pma.

I'd like to add some comments and questions.

Do we know exactly how the AP analyzer measures SINAD and S/N? Does it perform an actual shorting of the output relay to determine residual baseline noise first, or does it perform DSP based 'signal in the presence of noise and distortion' (see AP's notes) to come up with its number? Does it set the output of the gen to zero, or mute it altogether when measuring raw noise amplitude? There is a difference between a gen at zero (its own residual noise), a muted output and of course, a 20R short.

Phono stages have been rated for S/N with a shorted input forever and that's a fair comparison because every generator otherwise is different. Just as every cartridge is different and presents a different set of R+L to the input stage of the phono preamp. Shorted is not representative of the actual S/N with a cartridge connected, I agree.

But why pick a discontinued (in 2018) Shure M35X in 2025? Just as @SIY picked an equally ancient cartridge for his reference for testing in an example he posted. I picked an Audio Technica AT-91, just as @Michael Fidler also uses, and even that, being the world's most popular cartridge ever made has been recently discontinued. What should be used as a reference 'typical' cartridge load going forward? And by reference it should be typical, ubiquitous, relatively consistent (as Audio Techs are) and easily purchased. I don't know.

View attachment 426515

The series connection as @SIY uses (cartridge plus gen output impedance) for THD+N (SINAD) is sensible and as long as a reference cartridge can be decided on, the only variable will be slight differences in gen/analyzer output R. I still see the need for a genuine shorted input noise measurement, not a 50R, 40R or whatever. My analyzer OPT R is 100/200R (unbal/bal), so I use a shorting RCA on each input. 50R terminators give a different (worse of course) result.

Here for comparison is a 42 year old Denon preamplifier's phono stage I use as a reference driven directly from the QA403 (SE/100R):

All unweighted. I can do A-WTD if you want...

View attachment 426519
Small spikes ~16/20k are some rubbish from PSUs- stuff in my lab - not the preamp
View attachment 426523

Here's the same bandwidth limited 60Hz-20kHz that you used:
View attachment 426520

Here's a shorted input noise (20-20k):
View attachment 426526


Here's a 50R terminator on the input:
View attachment 426527

Here's 10k (R) on the input:
View attachment 426528

A-WTD S/N is over 90dB (90.76/90.43dBA L/R) in either channel with a 5mV input with 100R gen output.
Deviation from 20Hz-20kHz is less than -0.1dB/+0 (I had to zoom in in +/-1dB to measure with crosshairs to look for the biggest deviation) and between channel deviation is just 0.03dB.
Overload is 340mV at 1kHz against a 320mV spec.

And that's just the MM section...

Basically, it would jump right off the top of Amir's phono chart. And it wasn't even a very expensive preamplifier at the time.
I know the AT91 as the Rega Carbon, which appears to be the same. The 3600L is really beneath 'our' level, but it's been a boon for old decks and changers that prefer 3g tracking...

The AT VM95E is the current budget HiFi cartridge really and as it's so cheap to buy, at least get the VM95C which uses the same body. not sure how different the innards are to the AT91, which has a different stylus assembly insert but may be the same otherwise.
 
The ubiquitous Ortofon OM series ? OM-10 was everyone's MM-cart back in the day or is the AT91's equivalent circuit middle of the road enough to represent the "MM cartridge" .

Nice writeup .
 
The ubiquitous Ortofon OM series ? OM-10 was everyone's MM-cart back in the day or is the AT91's equivalent circuit middle of the road enough to represent the "MM cartridge" .
Nice writeup .

The OM series is a definite contender, but in sheer numbers and adoption, it's impossible to come up with a brand other than AT that dominated and set the standard more.

The beauty of AT, especially now, is their cartridge bodies exhibit an incredibly tight tolerance for L and DCR/R. Even more so now they are coming out of China. My father has perhaps a few hundred or more current ATs he's bought in the last few years (he has hundreds of MM carts) and reports they are all very close in DCR, particularly coil to coil and overall consistency.

Much better than the bad old days of Shure etc.
 
Back
Top Bottom