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Are you saying we should boost McDonald's score just because they sell the most burgers?And don't you think that people's actual preference (the speakers people buy) should also be taken into account?
Are you saying we should boost McDonald's score just because they sell the most burgers?And don't you think that people's actual preference (the speakers people buy) should also be taken into account?
Are you saying we should boost McDonald's score just because they sell the most burgers?
Many designer's don't follow the best audio science. So that doesn't mean anything. And no, that is not the focus of Dr. Toole's research. That was the outcome.But I would like to raise the question of an ideal or target anechoic performance taking into account that the most prominent designers don't agree on what the best dispersion pattern should be, particularly due to the fact that, if I'm not mistaken, Toole's research is focused on loudspeaker response preference.
Which is what matters if we are to sell speakers to humans.No matter how controlled or scientific the method, the object of the study was personal taste.
You are conflating what sells with what is good and preferred. The number one factor in how well a speaker sells is its marketing and looks. Best speaker in the world can fail without that. Reminds of talking to a major speaker company that was telling us about half a dozen lines of speakers they had. I observed that there is almost no difference between them. Their answer? "Well, look at the silver ring around the woofer in this series. That makes the customer think it is higher end!"In other words, Toole's ideal response resulty from a scientific study but the result is not based on science but personal preference.
Had this study been performed in Germany, where speakers generally show somewhat exaggerated treble, and the results might have been different. Or in the UK where wide dispersion doesn't work so well in the typical 11x12ft domestically furnished sitting room. And room construction also plays an important part on how much room gain one gets.
Many designer's don't follow the best audio science. So that doesn't mean anything. And no, that is not the focus of Dr. Toole's research. That was the outcome.
Which is what matters if we are to sell speakers to humans.
You are conflating what sells with what is good and preferred.
I didn't say that what sells is good, but is it not what is preferred? People are mostly buying speakers that they don't like?
That doesn't sound right.
...
Scan0023 by Mark Hardy, on FlickrThey are buying with their eyes as well as ears. They are never afforded a proper AB of one speaker against the other in controlled environment. This makes their selection of speaker not a reliable indicator of what sounds good to them, or others.I didn't say that what sells is good, but is it not what is preferred? People are mostly buying speakers that they don't like?
That doesn't sound right.
They are buying with their eyes.
I didn't say that what sells is good, but is it not what is preferred? People are mostly buying speakers that they don't like? That doesn't sound right.
Buying sighted is not the same as buying with your eyes.
If you only knew how wrong that statement is. Given my company, I often go in as a "dealer" to audio shows. At one cable vendor, we had a long talk about the heatshink tube on the cable being one of *the* most important selling features of them!Buying sighted is not the same as buying with your eyes.
The studies and measurements we're discussing here are focused solely on the sound quality of the loudspeaker. That is of course not the only criteria for buying loudspeakers. Other factors include price, size, aesthetics, reliability, marketing, brand, availability, connectivity, not to mention the many psychological biases that come on top of that. It's not that surprising that sound quality correlates poorly with sales volume, as it's just one factor among many others. Keep in mind many people see loudspeakers as living room furniture that just happens to make sound too.
By the way, before wasting your time here, I suggest you read this book. The questions you've been asking have been debunked in this forum (and said book) many times already. The arguments you're making are basically PRATTs at this point.
Buyers in hi-fi stores aren't even told how to listen correctly(to a single speaker, not in stereo) let alone level matched or blind. Plus they are typically being pressured by a sales person who is likely clueless.
And that's for the people who are going to stores. Nowadays, I bet far more speakers are purchased unheard, based on Amazon ratings and subjective media reviews(which mostly act as a marketing engine for manufacturer) than they are purchased based on an exhaustive comparison.
It's no wonder that people are surprised when they participate in blind tests, how often do we even do sighted, level-matched fair comparisons with a mono speaker next to another mono speaker?
If you only knew how wrong that statement is. Given my company, I often go in as a "dealer" to audio shows. At one cable vendor, we had a long talk about the heatshink tube on the cable being one of *the* most important selling features of them!
People often ask: "if this speaker is so great, why doesn't it sell better?" Answer: good sound quality is a minor bit in what sells speakers. Hopefully we can change that here over time.
As for you, try to organize a blind test among local audiophiles and report back on whether your preferences held when testing without your eyes.
Most audiophiles choose speakers because of the way they sound when playing their favourite music in stereo.
Buyers in hi-fi stores aren't even told how to listen correctly(to a single speaker, not in stereo) let alone level matched or blind.
And why should they? The premise is ridiculous if that HiFi store is going to survive. Buyers aren't remotely interested in being strapped to a chair with a blindfold listening to a single speaker, while some 'expert' who read a book, dribbles on about 'correct listening techniques'. They'd run for the door, and rightly so.
HiFi stores have max a couple of decades left in them before they're all dead anyways, because the industry ate itself with its incompetence.