As the numbers, to have meaning, need to be interpreted in language, the whole dichotomy is stoopid.
Even Stereophile does not just throw its graphs up with no explanation.
When I look at a Klippel graph I don't convert it to 0s and 1s in my head.
Exactly, I agree with what Krabapple mentions here, and have pointed this out many times before.
There are countless different designs of loudspeakers that produce a wide variety of measured differences and sonic characteristics. It takes a significant amount of technical knowledge and/or experience to understand how to precisely correlate the numbers or graphs to knowing exactly how a speaker will sound.
Most audiophiles don’t have that knowledge, just like most consumers don’t know all the ins and outs of the products they buy and so they seek experts to translate the relevance of data into comprehensible language.
And as I’ve said, this tends to lead to a type of dilemma, in terms of the expert’s interface
with the audio consumer;
The very type of people drawn to measurements and graphs and objective data, tend to be the type of people least interested in or proficient at translating that data into subjective language.
After all, they can just look at the chart and get what they need. Why bother with a subjective language? If they were attracted to that, they wouldn’t have been attracted to developing expertise with the measurements.
You see versions of this on this forum all the time, the sneering dismissal of the worth of putting sound into words or subjective description. So, while you are certainly likely to get more accurate information about audio gear here in a certain sense, in another you are much less likely to have people who are willing or interested in translating the data into “ what it sounds like” as a subjective experience.
this is why I, and some portion of other audiophiles, even while very much appreciating the value of measurements and graphs, can still get value from people who are good at subjective language, good at describing experiences, “ what it sounds like.”
Some people just really don’t care about that kind of thing. But many of us do.
So I look to this place for the expertise some people have in understanding and conveying the objective properties of audio gear.
But I’m not going to always get very good (and sometimes not even accurate) descriptions of the Sonic consequences and terms of “ what it sounds like.”
And so I also picked my way through the subjective reviewers, who can be better putting sound into words, and yes that too will be missing some information or sometimes gets some things wrong. But it’s still part of providing an overall richer picture and engagement with this hobby (for some of us).
Personally, I give a heck of a lot of respect all the time to the approach many use on ASR to understand or evaluate audio gear (which I agree with). This forum was somewhat set up in a reactionary way against the subjective audio press and long time high end audio trends in subjectivity. “ enough with the poetry and woo bullshit that’s been leading audiophiles astray for so long, time to introduce some engineering and scientific rigour to evaluating audio gear.”
Which is of course fine, but it does tend to make for a fairly reactionary and inhospitable
attitude towards putting things in the type of subjective language that can also communicate effectively to plenty of those audiophiles. String more than a couple of subjective words together and the eye rolling and dismissal of the worth of subjective language comes on pretty fast here.
And woe to anyone who actually might praise a subjective review at all, as that is greeted as “ support for the enemy and all things anti-science/engineering.”
It’s when I personally feel this is taken too far, that I tend to push back.