polocolo
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- Oct 9, 2024
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Well, of course, if I understood correctly your point, the fact that one can successfully identify blind does not mean that every one can. I'm just saying it may be generally more difficult.The test though, that I figured we are talking about, has to do with detecting Sonic differences not whether one is being moved by music or not
I mentioned in my first reply that if one is suggesting that the music itself, due to the type of emotional investment you suggest it demands, creates a variable, not only is that variable controlled for by keeping it constant, but separate tests, such as that I suggested can test for the claim about that variable. So as far as I can tell, the point you were bringing up was already addressed and my reply.
OK, I still think there seems to be a bit of slippage in terms of what is being tested for , engagement or the audibility of Sonic differences.
But as I understand it here you are saying that engagement level with the music can affect the ability to discriminate between Sonic differences. And that if the ABX conditions subdue that engagement, that may be lowering the discrimination abilities of the participant.
I guess I’d say that, since you’d want to be careful about begging the question here, you would want to supply evidence for that claim.
I’m actually not familiar with standpoint theory. But I think some evidence would have to be presented not only for that theory, but that the phenomenon uncovered is likely to be a problem variable in the specific type of testing we are discussing. And what type of audible threshold might we be talking about in terms of this “ lack of engagement” lowering discrimination? My wife has plenty of engagement with Taylor Swift’s music. I have essentially none. But I’m pretty sure I could use a Taylor Swift track to discriminate between audible differences in an ABX test.
I’m not totally clear whether you’re argument is laser targeted on the ABX format, or whether it is to apply to any proper blind, listening test.
But since you were asking about my experience, here’s some experience:
I had a couple CD players and an outboard DAC in the 90s. They seemed to sound slightly different to me. I would play plenty of my favourite tracks on those CD players depending on which I had in my system, which I’m very engaged in.
I decided to do a proper blind test between them (volume level matched at the speaker terminal, random switching with a helper, etc.)
It turned out the same audible properties I was identifying in normal sighted listening were there to be heard in blind and so I could easily tell them apart. These were subtle (obvious to me, but still subtle ) differences.
This suggests the “ stress” of the blind testing did not Interfere with hearing the type of subtle Sonic differences I perceived during my informal listening.
How does that fit with your argument?
All I'm saying is something like (to make it more obvious) : is it really unlikely that someone in an emotionally engaging and vulnerable mental state could perceive more or less consciously things that they can never clearly identify in a (more clinical) blind-test situation? Which would open the door to the hypothesis that one's musical experiment at home under "normal circumstances" is quite different from others.