Having said that, most of what "ASR knows" is, I suspect, still correct.
Agreed. Though again, It’s entirely reasonable to explore the wider implications of what ASR “knows.”
Rather than our hearing always being fooled- we just don't know when our hearing is being fooled.
Agreed.
How are we to think about the results of controlled blind testing for loud speakers? (and I stick with loudspeakers because that is to stay in the realm of differences well-known to be audible).
If the inference is “ Our default should be that our perception is wrong in any sighted conditions” it leads to the type of problems I’ve been getting at. And some here seem to default to something like that “ whatever a subjective reviewer or audiophile reports under sighted conditions is to be assumed bullshit. It cannot be of any use.”
It’s possible to push the scepticism too far.
So it seems to me, and I presume lots of people here as well, that the more reasonable inference is to talk about uncertainty over
“ what we can know“ given the variable of sighted bias. It always has to be acknowledged as a possible confounding factor.
However since we are not omniscient virtually none of our empirical conclusions are Absolutely Certain. So we are always operating within the realm of uncertainty, yet justifying conclusions based on reasonable confidence levels. If there were no way to justify our conclusions through the day, virtually all of which are made without scientific controls, then we’d be mired in irrationality. So we understood the pragmatism of allowing many justified conclusions without meeting scientific confidence levels.
And that is the “ mushy middle” I referenced in my previous post and which we are often operating in which I am exploring.
If I’m cooking and I add more salt, and then the dish taste more salty, I haven’t done so under scientific controls. In that sense, I can’t have a scientific level of confidence that it’s merely a biased effect of knowing I added more salt. On the other hand, adding salt is certainly well known to make something taste saltier. So my perception the dish is saltier tasting is plausible and reasonable. Again, I could be wrong, but few would consider inferences made under such circumstances to be unreasonable and totally unjustified.
Likewise, if I pushed my speakers out much wider so that each of them is now placed beside hard reflective tile in my room, and I perceive the sound as having become brighter or more harsh and the upper frequencies, lacking scientific controls I can’t have a scientific level of confidence in the apparent Sonic change. But certainly it seems reasonable, on a lower confidence level, given some knowledge of acoustics, that what I’m hearing is real. Always of course within the context of “ I could be wrong.”
But, for example, my first posts here were in a thread where I could see somebody describing speakers that were not being properly driven in the bass. Checking, I found a combination of a speaker with very low impedance and a phase shift in the bass region, and amplification with low gain. Yet several people were telling the newcomer that he was imagining it. So that wasn't a great introduction, and it tallies with something I suspect, which is that serious problems in sound will normally be heard.
Yeah, you do get that happening here, a default to “ It’s your imagination” in the context of sided, listening being worthless.
There was a ASR thread in which some were bending backwards to not acknowledge that Herb Reichert clearly identified a colouration in a speaker review that showed up in the measurements. But it had to be all junk and useless because it was a sighted review!
It’s quite possible for somebody to develop some skills as a listener. I’ve worked with quite a number of film mixers, who are absolutely wicked with EQ and other processing. If some of us identify an issue in the mix “ her line sounded a bit muffled” “ His voice sounds too thick or boomy” … the mixers recognize the characteristics as well, directly target that sound with EQ or whatever, and “ boom” the problem is fixed.
This happens constantly throughout any mix, quite a reliable amount of success, not requiring scientific controls and under sighted conditions.
Or you can look at an audio reviewer like Erin from Erin’s audio corner. He seems to have a terrific ear. He listens first, gives a subjective account of the sound, and most of what he points from his sighted listening out shows up in the measurements!
Even someone like stereophiles Michael Fremer, typically disparaged and mocked in places like this, has been surprisingly accurate in many of his loudspeaker reviews.
I’ve gone back and looked at quite a few of his reviews and usually his description of the general tonal character, for instance matches pretty well with the measurements. He says the speaker had a generally flat character in the mids up, but sounded somewhat lean in the bass? There it is in the measurements. He says another speaker it plays quite low and powerful and has a bit of a pear shape slightly exaggerating the mid base, but giving a somewhat rich sound…. There it is in the measurements. he says of another speaker that has a somewhat mellow downward, tilt and frequency response. There is the measurements. And Fremer has a nice facility for describing the consequences. These characteristics have for music played through the speakers. (I’ve heard plenty of speakers that he’s reviewed and his descriptions usually seem very accurate to what I perceive as well).
I listened to some PMC loudspeakers at my pal‘s place, and though they sounded spacious energetic, Clean with good resolution and somewhat forward highs. But I was bothered by a general “ coolness” and lack of richness to the sound, especially in the lower mid range/upper bass. Later, I saw Kal Rubinsons review and his description was bang onto what I heard, including the fact that Cal was bothered by the very same hollow or lack of richness. And…. It was there in the measurements.
Along those lines, my friend who reviews audio gear has me over to hear whatever loudspeakers he has in for review. And he usually just sits me down and after some music ask for my impressions before he tells me what he’s been hearing. And the vast majority of the time are perception and descriptions coincide.
A more recent example, he had some floor standing loud speakers in for review and after about a week of his listening, he had me come over for a listen, didn’t tell me his impressions, but asked me mine.
It took only a short bit of listening for me to turn to him and say “ there’s something wrong here. These things sound way too lean and favouring the high frequency. I closed my eyes while listening, and I swear to God they sounded more like a small monitor than a big floor stander. Like there is no bass. “. He said that was EXACTLY what he was hearing and that he’d been struggling with it the whole week. They were sent off to be measured, and a speaker designer looked at the measurements and said “ Yep, these are going to sound quite lean… you’ve got to move them towards the corners of the room.” And sure enough, That was the ticket. Once they were moved in the directions of the room corners, we got more base in the sound became richer and more balanced. Now they were quite pleasant to listen to.
So all of the above is talking about work done and inferences drawn under sighted conditions. Was there possible bias effects? Absolutely, always possible! But is that always the most plausible explanation? I don’t think so.
Cynical responses like “ luck” or “ a broken clock can be right once a day” would come off as quite hand wavy.
There seems to be some decent justification for saying “ yeah people were hearing real sonic attributes in such examples.” Could be wrong? Yes. But totally unjustified only because it was “ under sided conditions?” No. You don’t have scientific levels of confidence, but there can be some level of justifiable inference making.
Now it seems to be entirely reasonable for any ASR member to say “ Sighted listening reports are simply not good enough for me.
Too many variables. I’m seeking scientific levels of confidence. So I’m going to buy my loudspeakers based on measurements alone, which have scientific support for sound quality.”
But that’s a different thing from claiming that nobody else can have
any justification for any Sonic impressions formed under sighted conditions. That’s going to be problematic.
And somebody can say “ well OK at least some of those instances were confirmed with objective measurements! And also if I’m going to set up speakers in my room, I’m going to use room correction I want to see objective evidence for their sound profile! “
Cool.
But…why? What does the objective evidence do for you? You’re going to be listening under sighted conditions, right?
That means, presumably that all your measurements are aiming at achieving a sonic result that you will actually appreciate and correctly perceive when listening to your speakers. Otherwise, what’s the point?
But that of course, is right back to assuming that sighted listening is not simply useless.
This conundrum is going to remain there so long as we are talking about making inferences from the relevance of measurements to whatever results we expect to apprehend and appreciate in our sighted listening.
I'm sure @Newman has to hand the results Toole had for different groups of listeners and how well they performed in blind testing. Time for that to be posted again, it is at least something to chew on.
Yup. Good for Newman for posting it. I had actually reread that study before making my previous post.
It’s just a type of study often cited, from which the issues and conundrums I’m pointing to arise.