a great audio system is a work of art,
You any many others want, so very hard, to believe that. And that is why I don't think you will find objectivist forums very enjoyable.
a great audio system is a work of art,
can’t we just write a short paragraph mentioning measurements and blind testing are important in the forum’s landing page to keep parrots from thread shitting over and over again?
if googling, cutting and pasting measurements or worse, recommending a double blind test is all you got, we have all heard it before, every thread is choked with it, please, please, please stop embarrassing yourself and wasting everyone’s time.
it might allow those of us who are actively improving our systems utilizing both our ears and measurements the ability to have intelligent conversations free of baseless opining. if you have not auditioned the item of discussion your thoughts are of zero value to anyone.
a great audio system is a work of art, if it was purely based on coupling the “best”measuring components a deaf monkey could do it. and maybe you believe that is true, a deaf monkey could do it, which is fine, but if googling, cutting and pasting measurements or worse, recommending a double blind test is all you got, we have all heard it before, every thread is choked with it, please, please, please stop embarrassing yourself and wasting everyone’s time.
can’t we just write a short paragraph mentioning measurements and blind testing are important in the forum’s landing page to keep parrots from thread shitting over and over again?
Wha? Sorry, but I have to strongly disagree.a great audio system is a work of art
Pretty much. It’s not rocket science… or art.if it was purely based on coupling the “best”measuring components a deaf monkey could do it.
If you appreciate then you understand why it is needed to be repeated every time someone comes with a subjective opinion on anything that has zero value for anyone, not even for the one making the subjective comment.i appreciate this forum. measurements are a critical element in narrowing focus on what to audition and are a fundamental aspect of any review worth its salt. i also admire the steadfast belief in double blind testing to ensure psychology is not coloring impressions of a new “key” element introduced in to a chain.
OTOH, there's quite a lot of evidence that placebos in their proper medical context actually do work, and sometimes permanently (as with fake knee operations):
OTOH, there's quite a lot of evidence that placebos in their proper medical context actually do work, and sometimes permanently (as with fake knee operations):
No offense intended, but you have a lot to learn about audio.Measurements are essential for
checking whether or not an appliance is working electrically as intended.
With regard to the purpose for which we use hi-fi, I must say that data is almost as valuable as the indication of the alcohol content of a bottle of wine.
Why am I here, because I am an engineer and interested in how data for hi-fi can achieve the same value and meaning as data for a measuring instrument, which paradoxically is the only way we have to measure hi-fi besides the ear and the brain.
Two opposing sides means nothing toward validity. One asks for proof, the other refuses and makes excuses. When pointed toward evidence, what invariably happens is:In respect of audio gear, I think the point some make is that the "placebo effect" is responsible for subjectivists thinking that some gear is better than others. But my point is that this could apply both for subjectivists and objectivists.
I idly wonder whether subjectivists and objectivists might be two sides of the same coin. The main thing that differentiates them is that one side believes passionately in measurements and the linkage of those with sound perception. As for the other side, the belief is that good sound depends more on subjective impressions.
If anyone can objectively show gradual degradations in the perception of sound as one goes from highest to lowest, then please supply the relevant data, because I'm not confident in my own mind that that would prove to be the case.
You should read Cork Dork. The author becomes a sommelier and explains the process of how you do it. You can get a pretty good idea of what a bottle of wine should taste like by knowing four things: the amount of alcohol, how sweet/dry it is, how full-bodied it is, and its (legitimate*) tasting notes. The first three can be measured by instruments. Perhaps the 4th as well. So give the number of elements measure for electronics on this site, it would be more like printing the alcohol, sugar, and specific gravity on a bottle of wine, along with the vintage (Though the vintage alone will tell you those things to a large amount if you are really in the know). Sommeliers use the first three and a ton of experience in tasting to identify down to the vintage an unknown wine.Measurements are essential for
checking whether or not an appliance is working electrically as intended.
With regard to the purpose for which we use hi-fi, I must say that data is almost as valuable as the indication of the alcohol content of a bottle of wine.
Why am I here, because I am an engineer and interested in how data for hi-fi can achieve the same value and meaning as data for a measuring instrument, which paradoxically is the only way we have to measure hi-fi besides the ear and the brain.
Of course it does apply to both, we are subject to bias. Still there is a lot of differences between both approach. As already mentioned, we are all subjectivist, no one is immune. Where we differ is how we proceed. Objectivist know they are subject to bias, in order to help themselves get a better grasp, they will try to gather knowledge to help understand what is objectively happening to make better decision. Subjectivist usually know little about anything and believe their ears can be trusted above all else."placebo effect" is responsible for subjectivists thinking that some gear is better than others. But my point is that this could apply both for subjectivists and objectivists.
The wine analogy is always applied (to audio) incorrectly.You should read Cork Dork. The author becomes a sommelier and explains the process of how you do it. You can get a pretty good idea of what a bottle of wine should taste like by knowing four things: the amount of alcohol, how sweet/dry it is, how full-bodied it is, and its (legitimate*) tasting notes. The first three can be measured by instruments. Perhaps the 4th as well. So give the number of elements measure for electronics on this site, it would be more like printing the alcohol, sugar, and specific gravity on a bottle of wine, along with the vintage (Though the vintage alone will tell you those things to a large amount if you are really in the know). Sommeliers use the first three and a ton of experience in tasting to identify down to the vintage an unknown wine.
*interestingly, like hearing, we often overestimate our ability to discriminate by taste. Also like hearing, taste is very open to suggestion and bias. In Cork Dork, the author points out that we can only process two or three-ish tastes at any given time, so those long lists of tasting notes are pretty useless as the more minor ones (if they exist) will be overwhelmed by the more prominent ones. Masking effects apply to taste as well. Wine could easily have its own science site (maybe it does, I’m not into wine).
True, it is a bad analogy. Also wine, like music, (and paintings, dance, etc) can be measured and described. It’s just that the value can not be assigned, as that is largely at the discretion of the experiencer.The wine analogy is always applied wrongly.
The wine is the music. Not the gear. The analogy to the gear is the bottle and glass. If they are dirty they contaminate the wine.
You don't need to measure wine to find out how it is going to taste - you just enjoy it, like you just enjoy music. You do need QA to check the cleanliness of the bottles, and you need to make sure you are using a clean glass so as not to spoil the wine - just as you need to make sure your audio reproduction gear doesn't apply distortion and noise, and spoil the music.
I enjoyed many inexpensive fine wines in the day based on blind tasting sessions performed by groups of friends. The hosts were wealthy and could easily afford any wine they wanted, but they preferred value to marketing hype and "vinophile" reputation.True, it is a bad analogy. Also wine, like music, (and paintings, dance, etc) can be measured and described. It’s just that the value can not be assigned, as that is largely at the discretion of the experiencer.
Art isn’t indescribable.
Reminds me of the Mulla Nasrudin story about the man who looked for his lost keys under a lamppost rather than in the dark where they were actually lost. To what extent might shining a light on things like SINAD parallel this? Could one be looking in areas that don't have conclusive significance when it comes to sound perception?Of course it does apply to both, we are subject to bias. Still there is a lot of differences between both approach. As already mentioned, we are all subjectivist, no one is immune. Where we differ is how we proceed. Objectivist know they are subject to bias, in order to help themselves get a better grasp, they will try to gather knowledge to help understand what is objectively happening to make better decision. Subjectivist usually know little about anything and believe their ears can be trusted above all else.
We are all fumbling in the dark, subjectivist are totally blind, objectivist have a little bit of light, not enough to understand everything about their surrounding but enough to avoid falling off the cliff.
Of course, once you have objective information, you still have to decide how relevant it is to your situation.Could one be looking in areas that don't have conclusive significance when it comes to sound perception?