Oh no, I was responding to this …
… with an example of an artist I would ‘consider listening to’ (Charli xcx) using auto-tune deliberately and creatively. By contrast, here’s a whole sub-genre of auto-tune slop consisting of dudes crooning witlessly over basic beats that I’d only listen to by accident.
Ah, got it.
I personally am fine enjoying some deliberately auto tuned sounding stuff.
It’s a style.
What I really don’t like is the extensive use of pitch correction on almost every singer at this point.
I really enjoy somebody with singing talent, and I have a fine ear for whether somebody is singing in tune or not so I always appreciate that aspect of a skilled singer as well.
So not long ago, I watched a few videos that popped up on YouTube or social media or whatever of a young singing group, two brothers and a sister I think, and I thought they had absolutely beautiful singing voices and sounded really professional, and that their harmonies were bang on in tune.
So I was filled with admiration at their skill…. Until I remembered….wait!… everybody is auto tuning now!
So I went and I double checked whether Phil on his wings of Pegasus channel has covered that group yet. This is a guy who uncovers auto tune and pitch correction used in recordings and live performances, etc.
Sure enough when he examined the vocals of this group - vocals that look like they’re just recorded standing in the kitchen or wherever they happen to be - they were all pitch corrected.
What a bummer.
Likewise, he discovers countless live performers being pitch corrected, and even on those singing contest shows as well.
So now I feel like I can’t truly appreciate singing, at least not singing skill, in this modern age because it’s best to assume that they’ve all been manipulated.
So I have to go back further before the whole auto tune thing to appreciate raw performances.
The Enshitification of popular singing…