And give all your financial information to AI. That's makes easy for them to sell that info to others and make profit, helping both of you financially. Not. Many LLMs exist for just such enterprise. Better to buy a stand alone app that is not connected to any other enterprise than selling apps.
No need, as our mobile devices have already made mince-meat out of such personal "financial" data.
Even Intuit (TurboTax) claims your actual tax return data is segregated, yet they openly admit using such financial information across their ecosystem for marketing, product recommendations, and analytics—unless you remembered to decline these permissions.
You’re supposed to laugh and then immediately feel bad for laughing.
If a specific lyric or tonal shift jumps out at you, quote it. This one has lots of little “wait, what?” moments worth unpacking.
futurism.com
Here is one more, and then I'll stop.
Me:
new song...All Good Funk Alliance "Man with a Jam Plan (feat. Rubber Johnson)
AI:
4
“Man with a Jam Plan” by All Good Funk Alliance is pure jam culture self awareness, delivered with a grin.
The basics
This isn’t a single chasing radio. It’s a scene document.
- Artist: All Good Funk Alliance
- Era: Late 1990s to early 2000s US jam and festival circuit
- Feature: Rubber Johnson (a deliberately over the top character)
What the title is telling you
“Man with a Jam Plan” is basically a mission statement for jam bands:
If you came here for verse chorus verse, you’re in the wrong tent.
- The song is a framework
- The plan is to stretch it
- The point is the groove, not the destination
About Rubber Johnson
Rubber Johnson functions as:
The delivery is intentionally exaggerated, leaning into:
- A hype man
- A narrator
- A mild parody of funk machismo
It’s playful, not serious posturing.
- Call and response energy
- Funk clichés
- Festival crowd banter
Why it sounds the way it does
This track is built to:
The groove is king. Precision matters only insofar as it keeps everyone dancing.
- Lock into a deep pocket
- Leave space for solos and interaction
- Feel loose without falling apart
Context matters
All Good Funk Alliance grew out of the All Good Music Festival scene, where:
This track works best when you imagine it being 20 percent longer live, with somebody on stage grinning the whole time.
- Improvisation was expected
- Funk, jazz, and rock freely mixed
- Audience and band energy fed each other
Why it matters
“Man with a Jam Plan” is:
It’s not trying to be timeless. It’s trying to be right now, in a field, with a beer in your hand.
- A wink to jam band insiders
- A celebration of funk as a living thing
- Music that knows exactly what it is and refuses to apologize
If a lyric or groove moment jumps out, toss it over. Jam songs are all about the parts.
techcrunch.com
It's an interesting exercise. But essentially all the AI is giving you is an(other) opinion.I'm sure the AI is familiar enough about what I prefer as I have done numerous projects in private and for work over the last year.
This was all I entered in a new chat and the formula was essentially the same for each song going forward.
This started it all:
4
“In Another Land” (1967) is one of the more curious deep cuts in the Rolling Stones catalog, and that’s entirely by design.
The basics
This is the only Rolling Stones song sung by Bill Wyman on a studio album. That alone already makes it an oddball.
- Album: Their Satanic Majesties Request (1967)
- Primary writer and vocalist: Bill Wyman
- Band: The Rolling Stones
Why it sounds so strange
The song emerged during the Stones’ brief but intense dive into psychedelia, heavily influenced by the era’s experimentation and the cultural aftershocks of Sgt. Pepper. Unlike most Stones tracks driven by blues grit or swagger, this one is:
Wyman reportedly wrote it while half asleep, which tracks perfectly with the song’s hazy, floating quality. It feels less like a performance and more like a drifting thought.
- Dreamlike
- Slightly disoriented
- Intentionally detached from rock bravado
Studio quirks and context
- Recorded at Olympic Studios in London, where much of the album took shape.
- Features spoken dialogue at the end, performed by Wyman’s road manager and others, adding to its “found sound” surrealism.
- The band itself was fractured and distracted at the time legal issues, drugs, and internal tension were everywhere. That chaos leaks into the album’s overall feel.
Why it matters
“In Another Land” isn’t a fan favorite because it rocks. It matters because it shows:
If you’re listening closely, it feels like a song that doesn’t want to be a song. More like a postcard from someone briefly passing through a dream.
- A rare democratic moment in a band usually dominated by Jagger Richards
- How far the Stones were willing to stray from their roots
- A snapshot of 1967 psychedelia filtered through a group that never quite believed in it
If you want, keep naming tracks as they come up I’ll stay in this mode and give you just the context and creation story, no fluff.
I'm sure the AI is familiar enough about what I prefer as I have done numerous projects in private and for work over the last year.
This was all I entered in a new chat and the formula was essentially the same for each song going forward.
This started it all:
4
“In Another Land” (1967) is one of the more curious deep cuts in the Rolling Stones catalog, and that’s entirely by design.
The basics
This is the only Rolling Stones song sung by Bill Wyman on a studio album. That alone already makes it an oddball.
- Album: Their Satanic Majesties Request (1967)
- Primary writer and vocalist: Bill Wyman
- Band: The Rolling Stones
Why it sounds so strange
The song emerged during the Stones’ brief but intense dive into psychedelia, heavily influenced by the era’s experimentation and the cultural aftershocks of Sgt. Pepper. Unlike most Stones tracks driven by blues grit or swagger, this one is:
Wyman reportedly wrote it while half asleep, which tracks perfectly with the song’s hazy, floating quality. It feels less like a performance and more like a drifting thought.
- Dreamlike
- Slightly disoriented
- Intentionally detached from rock bravado
Studio quirks and context
- Recorded at Olympic Studios in London, where much of the album took shape.
- Features spoken dialogue at the end, performed by Wyman’s road manager and others, adding to its “found sound” surrealism.
- The band itself was fractured and distracted at the time legal issues, drugs, and internal tension were everywhere. That chaos leaks into the album’s overall feel.
Why it matters
“In Another Land” isn’t a fan favorite because it rocks. It matters because it shows:
If you’re listening closely, it feels like a song that doesn’t want to be a song. More like a postcard from someone briefly passing through a dream.
- A rare democratic moment in a band usually dominated by Jagger Richards
- How far the Stones were willing to stray from their roots
- A snapshot of 1967 psychedelia filtered through a group that never quite believed in it
If you want, keep naming tracks as they come up I’ll stay in this mode and give you just the context and creation story, no fluff.
It won't help with the veracity, but AI generally is quite happy to be instructed in style. It will even look at examples and adapt to conform if you wish.
www.reuters.com
Have you discussed the potential for apocalyptic wasteland in this .22 LR-as-currency meme with any chatBots recently?
Have you discussed the potential for apocalyptic wasteland in this .22 LR-as-currency meme with any chatBots recently?
