All of them at once I'm guessing, and the knob has a small indicator for volume.There doesn’t appear to be any indicator which channel you are attenuating or the level?
Keith
All of them at once I'm guessing, and the knob has a small indicator for volume.There doesn’t appear to be any indicator which channel you are attenuating or the level?
Keith
If the price is an important part of your vote, just wait until a price has been communicated. Or vote based on performance and correct it afterwards if you feel the need to.Because what to vote depends on its price.
Does anyone mind explaining to me how you only need 64dB of attenuation when the State of the Art AHB2 power amp can output ~130dB S/N? And CD is 96? Also I have a few issues wondering about who needs this as almost every multichannel audio product also has a volume control. I understand if it's a digital volume control and you don't want to truncate bits, but most 5.1 systems I've seen are consumer grade at best. And surely this fine product will cost $thousand$ to make the 1000 that will be sold?I don't see anything about that in the spec sheet. Speaking of that, here are the specs:
View attachment 378165
I think this raises the question, do we have any need for 130db S/N gear when 64db of attenuation nearly reduces a signal to inaudibility at the listening position?Does anyone mind explaining to me how you only need 64dB of attenuation when the State of the Art AHB2 power amp can output ~130dB S/N? And CD is 96? Also I have a few issues wondering about who needs this as almost every multichannel audio product also has a volume control. I understand if it's a digital volume control and you don't want to truncate bits, but most 5.1 systems I've seen are consumer grade at best. And surely this fine product will cost $thousand$ to make the 1000 that will be sold?
PS - kudos to Benchmark and their affordably priced perfectly measuring products! Awesome to see parts of my system are truly Benchmark pinnacle products.
PPS - Pic not related, have a 1970s 100w Motorola 30MHz base station transmitter that a genius millionaire bought for pennies at auction and turned them into a regional paging network surrounding the Great Lakes, eventually ammassing ~35 Tower sites that he sold at 78 for $35M and another $2M for the paging network. He bought a seaplane and a house on a nice lake in WI, hard work is a thing.
I agree that the price has to be around $2k+.With 6 balanced channels, there will be 12 sets of 6 groups of switched precision resistors, possibly 36 relays and the remote receiver, likely an analogue pot, read by an A/D line on the micro and a whole bunch of relay drivers.
I am trying to figure out what the use-case for this balanced 6-channel VolumeControl (VC) could be; even if not for consumer applications.Most products like this are being discontinued. (The few that existed to begin with.)
To be fair other than a few settings near 0 db it isn't a low input impedance device. Over much of its range it must be rather high input impedance.To be honest, the concept of this device is not entirely clear to me. The weak point is the low and variable input impedance and the very high output impedance.
Pretty sure that is correct. I have reviewed a few other devices that came with one.Remote looks like the one i had to an old Apple TV Gen 2.
I listen to music 99% of the time at, say, -40db. Actually, never at 0db. My speakers don't like that.To be fair other than a few settings near 0 db it isn't a low input impedance device. Over much of its range it must be rather high input impedance.
Does anyone mind explaining to me how you only need 64dB of attenuation when the State of the Art AHB2 power amp can output ~130dB S/N?
-64dB is not enough. Especially if you have a 20dB gain stage and a 10V studio level at the input. You can still hear the music in the headphones. -80dB should be sufficient.Only 64dB attenuation? That’s a lot. If you’ve attenuated -64dB and still feel the music is too loud you should reconsider the gain structure of your playback system.
But are you going to listen at -64 db or lower? If not and you are looking for silence then mute the signal source.-64dB is not enough. Especially if you have a 20dB gain stage and a 10V studio level at the input. You can still hear the music in the headphones. -80dB should be sufficient.
But are you going to listen at -64 db or lower? If not and you are looking for silence then mute the signal source.
Yeah, simple solution. Don't use tube units with cap coupled output. Problem solved. Heck, actually there is no reason to use such things. Get into the 21st century dudes.The big problem is with this.
This is a passive preamp with no gain and therefore going to be used at or near full up for loud listening level, and if the speakers are low efficiency it may not even get loud enough from some.
Being at near full up, it's input impedance is only around 6kohm. As I said before if the source is capacitor coupled output like tubes are and some solid state, with many only having a .47uf cap, then it will roll off the bass way too early and be -3dB already at 50hz!!
Cheers George
MSB had a similar unit many years ago.
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SOLD!!!: MSB MVC-1 Eight Channel Volume Control ---- SOLD!!!
This is the version with the unbalanced RCA connections, 8 in/8 out. Comes with remote and power supply. Attenuation: -70 DB TO +10 DB in 1 DB steps, each channel can be adjusted separately for trim and lots of other options. 120 db signal-to-noise, Purely analog, no ADC/DAC Link to manual...www.audiosciencereview.com