OP
- Thread Starter
- #41
To piggyback off this.... a poor man's blade/reference
I'm building a woofer/sub module for the LS50M. 25" high, with a 12" rs315hf per unit, and a minidsp 2x4hd for crossover duty. The idea being that I can crossover as high as needed, likely between 150 to 300hz 4th order. I can play with that as needed.
The only concern I have is how low I can safely mount the woofer on the baffle to alleviate some floor bounce cancellation, but still remain high enough to crossover seamlessly for 2-3m sitting distances. I'm hoping this will free up some spl and make the whole experience full range.
This begs the question, based on distortion data, what is the ideal place to crossover the LS50M into a 3 way without messing with the point source effect.
The other comments were good and I mostly agree but I do things a bit differently. I try to cross them over as low as possible while still being able to play as loud as I need to play. For me that isn't that loud, I don't even quite hit 85 db at my listening position so a 100Hz 2nd order cross over is fine and localization is no problem at that frequency. Actually because of the natural rolloff of the LS50 I think 2nd order crossovers are better for them, I find 4th order to cut off the bass too sharply. Either way, I think the 1st step is to find a song and record your max listening levels in REW to get an accurate SPL level for your situation, if it is a typical level then 150-200Hz is not necessary.
I do think I could go up to 120-150Hz 2nd order and not have localization of the subs or very minimal though.