TBone
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- Mar 16, 2016
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- #21
I've taken apart so many turntables, probably forgotten more than I care to remember. Personally, the least amount of high quality matching-parts is preferred.
Case in point; the designer of this turntable was the late Mike Moore (glasses) ...
... and one aspect of his design really intrigued me, in that the high carbon steel plinths, the bronze platter, both ring like church bells on Sunday. That characteristic, in itself, is one of any turntables worst nightmare, because the energy generated from the stylus / groove (never mind the motor, bearing and environment) will excite the ringing further, and definitely impart a negative character on the music. Many tables, especially those using too-many parts, no matter what cost, suffer accordingly.
Anyway, Mike knew they rang, and still used 'em, on purpose. Why? Well, because as individual parts, they rang, but as a whole, place together as a unit, they damped each other out, to the point that a stiff knock on the table results in a small quick dull thud.
This is what this particular turntable (this may actually be the very same one, to come alive decades later) looked like when new (with John Gordon's unique arm) ...
Case in point; the designer of this turntable was the late Mike Moore (glasses) ...
... and one aspect of his design really intrigued me, in that the high carbon steel plinths, the bronze platter, both ring like church bells on Sunday. That characteristic, in itself, is one of any turntables worst nightmare, because the energy generated from the stylus / groove (never mind the motor, bearing and environment) will excite the ringing further, and definitely impart a negative character on the music. Many tables, especially those using too-many parts, no matter what cost, suffer accordingly.
Anyway, Mike knew they rang, and still used 'em, on purpose. Why? Well, because as individual parts, they rang, but as a whole, place together as a unit, they damped each other out, to the point that a stiff knock on the table results in a small quick dull thud.
This is what this particular turntable (this may actually be the very same one, to come alive decades later) looked like when new (with John Gordon's unique arm) ...
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