I'm not talking about audibility. Like I said, I can't even tell the difference between lossy and lossless compression.
But we are using a very specific word here, which is "lossless". Any resampled content is not lossless by definition because it alters the information contained in the original file.
If we instead interpret "lossless" to mean "audibly lossless", then the 320kbps Ogg Vorbis files were already "lossless" in that sense to most people
The terminology is confusing the issue. If we define lossless as per original Red Book 16/44.1, then any conversion to a format above that will replicate the 16/44.1 original perfectly. And will not add or subtract anything to it.
If you convert, let's say, 24/192 "down" to 16/44.1 you will indeed mathematically "lose" info (provided the track was recorded/mastered at that high HiRes bitrate), but it will be lossless as per Red Book definition above.
If you convert 16/44.1 down to something like OggVorbis 320k, you break into the definition of "lossy", because you will not be able to upconvert it back to the original 16/44.1.
Like you, I am perfectly satisfied with the quality of OggVorbis at 320k.