kemmler3D
Master Contributor
Very cool, thanks guys. I'll plan on trying it out as soon as I have 4 actual outputs... And a few hours to myself, so with a 1 year old around... I'll see you in 2035...
Hi @umamiaudio, another question, now that my Dirac ART test phase ends and I might give your software a try:You do not require an active calibration access to create a new target, you can do that right from the VST at any time.
You only need calibration access when you physically change your room or speaker layout or you want to checkout the latest updates to the core optimization algorithm.
Shouldn't you test it while you still have it so you can give a it a comparison?
You cannot handset a limit, but I also think we do a great job of keeping your speakers like how they should sound, but just better. I would really really encourage giving it a try before making judgements about it based on feature set.
Interesting, was not aware of this limitation. I am using a minidsp UMIK2...I spent considerable time "giving it a try" just to find out that it doesn't support USB microphones, at least then, and that's time I'll never get back.
With all due respect, I think you should answer queries as they are asked and provide as much information as possible.
To give it a try is a big effort for some.
I spent considerable time "giving it a try" just to find out that it doesn't support USB microphones, at least then, and that's time I'll never get back.
Interesting, was not aware of this limitation. I am using a minidsp UMIK2...
@umamiaudio: Is a USB microphone not supported at all or just not recommended because of potential clock drift issues? Other software supports USB microphones and mitigates any timing issues by adding acoustic loopback at the start and the end of the measurement (e.g. REW, Acourate).
Using the UMIK2 with internal clock, plus acoustic loopback, gives reliable, repeatable results in my setup, so it would be a pity not being able to use it with your software.
www.audiosciencereview.com
They all aim to achieve the same goal, but our solution has distinct advantages — and many users who’ve tried both agree. Because all optimizations are handled server‑side, you’re always on the latest algorithm. ART remains static, and Dirac may release something new and charge another $300, but with our system it’s as simple as clicking “create new calibration.” No new measurements are required, and you immediately benefit from the newest improvements. Access to the calibration server is $69 per year (only needed when you want to re‑calibrate, with the first year included in purchase, existing calibrations work perpetually). Updates for all software are free for life, including new features.What makes this (potentially) better compared to Dirac ART in output and functions (pricing for an immersive setup suggests it's better)?