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I didn't think that's what breakthrough meant -- guess I'll check my dictionary later today!"Picking up" the bit dropped by others for a long dusty time now.
I didn't think that's what breakthrough meant -- guess I'll check my dictionary later today!"Picking up" the bit dropped by others for a long dusty time now.
this is not exactly what you want for a coax driver ;-)
helping a 2-way uni-q.
Maybe do hold your breath for veco in 2-way. Volume displacement is limited, so we can't use it to extend the bass, but there are still benefits. Not least that we can use a current output amplifier which avoids power compression in the midrange and gains a small amount of inductance related distortion reduction. In the low frequency we get a touch less distortion and we can fine tune the system qts to achieve different vented alignments than with the driver open loop.As mentioned, this is rather unlikely, because in a closed-box design you would drive up midrange diaphragm excursion up to a level which is not suitable for a 2-way coaxial design. In a vented design, on the other hand, the main point of sensor controlling is lost.
The video title wasn't chosen by us. The trouble is that speaker engineering is an 80 year mature topic. Nothing is totally new and we're not trying diminish the achievements of anyone whose already implemented servo control. The main thing is the new sensor approach allowing us to apply it in compact assemblies and across multiple products. I've been very busy with the product development, but do plan to write a white paper with some more technical details (relatively) soon.I didn't think that's what breakthrough meant -- guess I'll check my dictionary later today!![]()
Guarantee the laser diode would never be out of alignment inside a speaker box… lolSeems like it would be simpler to use something like a bar code reader to detect cone motion. Could be retrofitted to existing drivers,
Sorry, didn‘t dig into it yet, but would that application to ‚vented’ be model driven? Just curious what I may have overlooked. Otherwise, looking forward to your paper. KEF‘s have always been a delight, since the 70s actually, thanks!… different vented alignments than with the driver open loop.
I think the difference here is with modern DSP processors being way more powerful than anything that was available in the past, making it viable to actually do on-line real-time speaker linearization. The approximations due to tech limitations in past attempts indeed lead to quite modest results, as everybody is pointing out.Sorry for my ignorance but Kef just 're-invented' the active servo processing? Or is this something different?
Thats the key. Delays limit feedback bandwidth. DSP always adds delay. At 10khz a 50us delay will cause instability.I think the difference here is with modern DSP processors being way more powerful than anything that was available in the past, making it viable to actually do on-line real-time speaker linearization.
No models involved. With a current output amplifier (high output impedance) the Qts becomes equal to Qms because the motional emf has no effect on the current. If negative velocity feedback is added around the outside of this the effect is the same as adding damping back into the system, so it can effectively be used to reduce the Qts back down to something appropriate for a vented box. The designer is free to choose as much or little velocity feedback as they like. Probably less feedback will be applied in this scenario than a closed box because beyond a certain point the port begins to get uncontrolled. However, it's still a useful amount and better than a conventional vented system because the motional emf is nonlinear (due primarily to BL variation with voice coil position) whereas the sensor output is pretty linear. Second, you get the benefits of having a current output amp.Sorry, didn‘t dig into it yet, but would that application to ‚vented’ be model driven? Just curious what I may have overlooked. Otherwise, looking forward to your paper. KEF‘s have always been a delight, since the 70s actually, thanks!
They only linearize the low frequency response, where the suspension is non-linear. At higher frequencies modern speakers usually have very little distortion.Thats the key. Delays limit feedback bandwidth. DSP always adds delay. At 10khz a 50us delay will cause instability.
Im waiting for the measurements.
You also get the disadvantages.Second, you get the benefits of having a current output
The powered Philips MFB RH544 with motional feedback (and other interesting features) was used in a few recording studios at the time and was apparently used in the mixing of at least one Pink Floyd album.
Essentially none of the disadvantages listed in that article apply here.You also get the disadvantages.
Current drive can quite dramatically reduce distortion in the midrange, especially for drivers with relatively simple motor designs. See the "Hysteresis" section of this article from Purifi Audio.If VECO is used for low frequencies, that's where distortion is harder to hear, so what improvement does it make?
It depends on the driver. The distortion reduction comes from two parts. First from the current output amp. If you have a very simple motor without any special features for controlling inductance distortion then this alone could be a decent 15dB reduction (see below) and in relatively audible frequency ranges. The second is from the velocity feedback itself and that depends on how much feedback is applied, and the type of system design.Can we quantify this? If a good speaker has 1% distortion at 60 Hz at 90 db SPL, how much would VECO reduce that?
It would also be valuable to quantify this psychoacoustically. If VECO is used for low frequencies, that's where distortion is harder to hear, so what improvement does it make?