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KEF Q Meta is Coming

perhap the meta witch is plastic / 'tire ' black think on the back need a little time to break in

the Q speeker is mobile , need a little time , time who reviewer dont have

it will not change from white to black but win a little think more than ordinary speeker
 
Break in might just as well make them worse. If the effect is there in the first place.
 
It's inaudible because of the narrow bandwidth:

If they were just narrowband dips, I'd agree with you. But they're not just that. There's more going on. There's a broad hump in the on axis response in that region due to cabinet dimensions. That broad hump is then interrupted by two the narrow dips. Those narrow dips are just on-axis. Off-axis, they're actually narrow peaks. Those peaks radiate to the back of the speaker, and, to a lesser extent, to the sides, top, and bottom. How audible they'll be depends on room (how reflective wall is behind and to the sides of speakers), and of course on program material (will need material that excites that narrow band).
 
perhap the meta witch is plastic / 'tire ' black think on the back need a little time to break in
I'm not sure whether you're joking, or just have no clue how it works. It has no moving parts, just the air inside its folded pipes. There is nothing to break in.
 
If they were just narrowband dips, I'd agree with you. But they're not just that. There's more going on. There's a broad hump in the on axis response in that region due to cabinet dimensions. That broad hump is then interrupted by two the narrow dips. Those narrow dips are just on-axis. Off-axis, they're actually narrow peaks. Those peaks radiate to the back of the speaker, and, to a lesser extent, to the sides, top, and bottom. How audible they'll be depends on room (how reflective wall is behind and to the sides of speakers), and of course on program material (will need material that excites that narrow band).
Here is a fun experiment to make. Use a free plugin like TDR Nova and play around with different bandwidths and gains. Then see what you can reliably hear and tell apart. Of course, this requires a high degree of self-honesty and openness - or get another person to play around and you tell when you can hear a difference.


Screenshot 2024-10-18 at 14.44.35.jpg

Warning: This has the potential to make you very disillusioned.

On the other hand, it also has a lot of educational value if you try to quantify what you hear and what might cause it. Our brain is an amazing audio processor. Which is no wonder when it has to make sense of stuff like this:

Screenshot 2024-10-18 at 14.57.11.jpg
 
Here is a fun experiment to make. Use a free plugin like TDR Nova and play around with different bandwidths and gains. Then see what you can reliably hear and tell apart. Of course, this requires a high degree of self-honesty and openness - or get another person to play around and you tell when you can hear a difference.

Warning: This has the potential to make you very disillusioned.

On the other hand, it also has a lot of educational value if you try to quantify what you hear and what might cause it. Our brain is an amazing audio processor. Which is no wonder when it has to make sense of stuff like this:

Are you suggesting that a narrow dip created by EQ is equivalent to the port resonances in the Q3meta? As I explained above, there is much more going on than just a narrow, on-axis dip or two.
 
Are you suggesting that a narrow dip created by EQ is equivalent to the port resonances in the Q3meta?
The EQ is just a fun experiment to do in general. You can experiment with different frequencies, bandwidth and gains, and figure out what makes the largest difference.
The screenshot of TDR Nova was not meant to represent anything in specific. It's up to you to figure out what is important for your ears or not.


As I explained above, there is much more going on than just a narrow, on-axis dip or two.
I already addressed that. Quite in depth reply in this thread already. Including with a video of Floyd Toole explaining resonances and how easily they can be corrected:

You can fix all that because the speaker has excellent directivity. It should be the most important thing to look at with speaker measurements, since frequency response can be fixed if the directivity is good. For the Q350, if you do that, you're left with a tiny dip at 950Hz.
 
I'm not sure whether you're joking, or just have no clue how it works. It has no moving parts, just the air inside its folded pipes. There is nothing to break in.
you have cut the 'meta disk ' think' ?

i think its not solid , its like 'tire' to absob and direct wave

there is wave , compression , magnet temperature , vibration

its just a hypothése

andddddddddddd

you talk pipe / labyrinth : wave and air : that why perhars the spearker protection is no more an option : dust
 
you have cut the 'meta disk ' think' ?

i think its not solid , its like 'tire' to absob and direct wave

there is wave , compression , magnet temperature , vibration

its just a hypothése

andddddddddddd

you talk pipe / labyrinth : wave and air : that why perhars the spearker protection is no more an option : dust
KEF showed the internal structure and explained the operation. See for example:
https://assets.kef.com/pdf_doc/LS50Meta/KEF-LS50Meta-LS50WirelessII-WhitePaper.pdf
 
joke :

The design of the absorber was a joint project between KEF and AMG (Acoustic Metamaterials Group). With the help of Professor Ping Sheng (a worldrenowned expert on metamaterials),

1] M. Yang, S. Chen, C. Fu and P. Sheng, “Optimal sound-absorbing structures,” Mater. Horiz., vol. 4, pp.673-680, 2017


[email protected]


Unit C, 9/F Winning House, No.72-76 Wing Lok Street, Sheung Wan, Hong Kong​

 
Erin just posted the spinorama in a video on Patreon. Spoiler: we have the champion bookshelf speaker for value...
You mean for q concerto?
 
concerto is new , kef must have do a lot of time to do it , the time no pass on q350 :p
 
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