I am not an expert as many here are and a few others suppose they may be, lol. In fact, I hope to soon start a discussion where I have the community expertise shape and inform my emerging beliefs on audio. I have, however, heard the Blade one meta in 3 different rooms and the Blade two meta in a separate location on my journey to discover what I might get if I upgrade equipment pretty significantly. I have listened to a lot of options in speakers from roughly 10k to 30k. Here are a few things I found:
The Blades can sound very, very good to my ears. One room they only sounded 'good' but in several others they were certainly quite impressive across rock and classical pieces. Soundstage seemed very good. They had particularly great bass in one room in particular, strong and deep with no sub. That was the Blade one but the Blade two also sounded very good. I can't imagine anyone dissing the Blades. I briefly listened to a few speakers out of a realistic price range for me and it seemed the Blades competed without problem.
On Best Buy. Two locations for the Blades were there. The 'only good sounding' one and another where they sounded great. These locations are not just Magnolia shops... they are special design centers have have the typical Magnolia room and another room with that next tier of speaker in it such as Blade Ones, B&W 800 series, Martin Logan 15a etc. There will usually only be one of these stores per major market. I have been to one in Denver, Charlotte and one other spot I can't recall. In those stores you need to be there when an audio lead is there... The regular staff may not be able to help too much.
FWIW, I have found expensive speakers to all sound good but they do sound different. I have listened to many brands and the ones that have stood out most are the Blades, Perlisten S7t/R7ts, Dyptiques and the 13a and 15a Martin Logan's. I have heard all those in multiple locations except the Dyptiques which were only in one place. The Blades seem do do it all well. The Perlisten's sound excellent and their bass is mighty tight with impact too. The Martin Logan's have this amazing airiness that brings vocals right in front of you-- really a standout feature-- and their soundstage can be magnificent too. They are not as sweet spot dependent as I had heard (head in a vice is not true, lol) but setup is important with them, more so than the Perlisten's which seems very flexible. The Dyptiques were also impressive but wow were they position dependant! More than the electrostatics actually. In fact their position would sound great for one genre and then not so good with another... In the same spot. That was a problem for me.