I’ve had both (in different rooms). I had the 708P in our living room for about 6 months or so. I really liked them. Only reason I ended up going back to passives was the worry about longevity. I also had the 308p in my theater for a few months. Different rooms so not a direct comparison, but they sounded very different to me. Bass sounded different (much more clean) and 708p could play very loud and sound really good. I would agree, you could be done in one’s search with these.Yeah, looking back at the JBL LSR308P MkII review, it's clear that JBL might be eating its own lunch with that model at an 85% discount versus the 708P. The 308P MkII has smoother in-room response and better directivity, and the only sacrifice appears to be a bit more distortion.
So it's a tweeter and upper-midrange in one, it seems ("Dividing Network Transition Frequency 1,7 kHz") https://jblpro.com/products/708p (specifications).
Wow.
2.5% is a lot but it is a narrow spectrum which may be the reason it wasn't audible to me.I'm a bit surprised to see the distortion levels at 96db, although that is admittedly loud for a mid/nearfield type speaker. Am I correct in assuming 2.5% distortion on the tweeter wouldn't be audible in listening?
The "wow" factor for me is, there is no tradeoff in the form of elevated distortion in the upper midrange. I wouldn't expect this performance from a compact 2-way speaker. One can't outsmart physics of course, so distortion will rise quickly below 100 Hz, but at least for nearfield application this should easily do without a subwoofer, since our hearing becomes less sensitive to distortion with falling frequency.Pretty standard crossover frequency for a robust HF transducer. The use of a compression driver distinguishes this speaker from the likes of Genelec and Neumann and so forth.
Indeed. We have some rooms with the 308s, and the 708s for the LCR trio in our Atmos room (20-odd 705s for the surrounds), and the 708 is a large step-up from the 308. Lower distortion, flatter frequency response, better dynamic ability. They are seriously good speakers. I would happily live with a pair in a smaller room.Yes indeed....a compression driver. These speakers are a significant step up from the 308 series.
Dave.
So several testimonies that these are obviously better than the 308 mk II by those who have both or have heard both. Yet the preference rating of the 308 is so much higher to nearly clear the range where you'd expect one to prefer it rather conclusively.
JBL 708p APO EQ LW 96000Hz
February022021-143409
Preamp: -1.7 dB
Filter 1: ON HPQ Fc 32.3 Hz Gain 0 dB Q 0.91
Filter 2: ON PK Fc 97.5 Hz Gain -1.5 dB Q 0.93
Filter 3: ON PK Fc 908 Hz Gain -3.35 dB Q 7.31
Filter 4: ON PK Fc 1381 Hz Gain 1.04 dB Q 1.07
Filter 5: ON PK Fc 7049 Hz Gain -1.1 dB Q 2.46
Filter 6: ON PK Fc 10000 Hz Gain 2.01 dB Q 3.95
Filter 7: ON PK Fc 13802 Hz Gain -1.5 dB Q 5.51
JBL 708p APO EQ Score 96000Hz
February022021-143236
Preamp: -1.4 dB
Filter 1: ON HPQ Fc 32.3 Hz Gain 0 dB Q 0.91
Filter 2: ON PK Fc 100.5 Hz Gain -1.5 dB Q 0.93
Filter 3: ON PK Fc 921.5 Hz Gain -2.9 dB Q 6
Filter 4: ON PK Fc 1604 Hz Gain 1.49 dB Q 1.57
Filter 5: ON PK Fc 7095 Hz Gain -1.53 dB Q 1.71
Filter 6: ON PK Fc 9965 Hz Gain 1.88 dB Q 3.45
Filter 7: ON PK Fc 13782 Hz Gain -2.13 dB Q 3.85
I forget -- does the "preference score" take distortion into account? If the scoring system ignores the higher THD% in the 308 vs the 708, that would certainly favor the 308. That, and the slightly wider horizontal controlled dispersion of the 308P (+/- 60deg instead of 50deg)So several testimonies that these are obviously better than the 308 mk II by those who have both or have heard both. Yet the preference rating of the 308 is so much higher to nearly clear the range where you'd expect one to prefer it rather conclusively.
"The JBL 2409H high-frequency compression driver incorporates an innovative low- mass annular diaphragm to deliver smooth response beyond 36 kHz, with extraordinary output and very low distortion."
https://jblpro.com/products/708p
Don't agree there, for that category and price range the jaggedness in the whole critical mid region between 500 Hz and 2 kHz due to the not optimal port design is disappointing and so high that it even gets punished by a comparatively low Harman score. A well designed front port can be seen for example on the Neumann KH80 which has almost no jaggedness at all and gets huge 1.2 point higher Harman score despite less deep bass (with sub the difference is even larger with 1.6 points).Technically and objectively, the JBL 708P is near perfect. There is a bit of port resonance which while there, is far better than what we see especially in front-ported speakers.
They have to as otherwise the whole "high-res" music thing becomes a farce if the speaker can't go above 20 kHz. It is also good to have extended response so that we know there are no resonances around 20 kHz.Anyone got a reason as to why companies bother making drivers do anything beyond 20kHz in this sector? I get perhaps if you're using singal generators to output some odd sounds in some scientific field. But 36kHz? I don't get it.
KH80 is not remotely in the same planet as this speaker. It blows its brains out at a fraction of power.Don't agree there, for that category and price range the jaggedness in the whole critical mid region between 500 Hz and 2 kHz due to the not optimal port design is disappointing and so high that it even gets punished by a comparatively low Harman score. A well designed front port can be seen for example on the Neumann KH80 which has almost no jaggedness at all and gets a 1.2 point higher Harman score despite less deep bass (with sub the difference is huge 1.6 points).
Of course, its 4" vs 8" so almost 4 times less bass radiating surface and we are talking about fidelity, not SPL... With that logic a ragged FR PA loudspeaker would be even better...KH80 is not remotely in the same planet as this speaker. It blows its brains out at a fraction of power.
They have to as otherwise the whole "high-res" music thing becomes a farce if the speaker can't go above 20 kHz. It is also good to have extended response so that we know there are no resonances around 20 kHz.
EQ for JBL 708P computed from ASR data
Preference Score 5.0 with EQ 6.7
Generated from http://github.com/pierreaubert/spinorama/generate_peqs.py v0.4
Dated: 2021-02-02-07:53:25
Preamp: -1.1 dB
Filter 1: ON PK Fc 1126 Hz Gain -3.77 dB Q 0.10
Filter 2: ON LS Fc 1961 Hz Gain +2.87 dB
Filter 3: ON PK Fc 905 Hz Gain -3.77 dB Q 4.41
Filter 4: ON PK Fc 14315 Hz Gain -4.04 dB Q 1.43
Filter 5: ON PK Fc 2295 Hz Gain +2.51 dB Q 12.00
Filter 6: ON LS Fc 509 Hz Gain -1.70 dB
Filter 7: ON PK Fc 7169 Hz Gain -1.59 dB Q 4.17
Filter 8: ON PK Fc 10339 Hz Gain +1.01 dB Q 4.57
Filter 9: ON PK Fc 4385 Hz Gain +0.92 dB Q 11.35
Filter 10: ON PK Fc 667 Hz Gain -1.31 dB Q 12.00
Filter 11: ON PK Fc 607 Hz Gain +2.47 dB Q 12.00
Filter 12: ON PK Fc 752 Hz Gain +1.48 dB Q 12.00
Filter 13: ON PK Fc 1562 Hz Gain +1.58 dB Q 12.00
Filter 14: ON PK Fc 5357 Hz Gain -0.54 dB Q 6.56
Filter 15: ON PK Fc 2494 Hz Gain -0.62 dB Q 12.00
Filter 16: ON PK Fc 1134 Hz Gain +0.80 dB Q 12.00
Filter 17: ON PK Fc 644 Hz Gain -1.77 dB Q 12.00
Filter 18: ON PK Fc 2742 Hz Gain +1.12 dB Q 12.00
Filter 19: ON PK Fc 1937 Hz Gain +0.91 dB Q 12.00
Filter 20: ON PK Fc 1759 Hz Gain -0.93 dB Q 12.00
(pid=98842) ITER LOSS SCORE -----------------------------------------------------
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(pid=98842) 17 +4.48 +6.58
(pid=98842) 18 +4.05 +6.65
(pid=98842) 19 +3.92 +6.71
(pid=98842) 20 +3.70 +6.72
(pid=98842) 21 +3.70 +6.72