The word linear can literately mean anything without context.
Sorry, somehow completely overlooked your post. So much the better for @sarumbear he now can read the argumentation from different sourcesHowdy, I showed this type of chart earlier Post #135 and it was largely ignored & to be fair with this speaker even with some large adjustment, the JBL speakers port leakages(pipe resonace) will have influence on the frequency response, so the question is ---------->
I guess that this is exactly the thing they have done in the true active model, 708p.
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I am being educatedSo much the better for @sarumbear he now can read the argumentation from different sources
Yey! The broken unit excuse has finally arrived. This time it took 194 postsBefore we condemn the JBL's designer(s), need to consider whether some of the issues shown here might be other defective parts, manufacturing problems or induced by other shipping/handling that has happened along the way to get to Amir.
[off-topic]A question for @ctrl: How to measure and combine phase if port is back-or down-facing and not co-located with the woofer?
The word linear can literately mean anything without context.
Just my 2 cents.... I would only combine the driver and port response in the bass region, to check the BR reinforcement and considering the wavelengths at those freqs (several meters) port location and corresponding delay are not a matter for concern, at least with this small cabinet.A question for @ctrl: How to measure and combine phase if port is back-or down-facing and not co-located with the woofer?
I was talking about pro range of Focal and Dynaudio as well. Basically it's a right way to get a pair of decent active speakers. And I believe that 708P sound great. My cup of tea is just different (still good enough for FR graph possessed persons tho). Partially being a measurement zealot, I admited that non-DSP and DSP Neumanns beat 708i and P respectively in flat FR graph drawing discipline.they are for professional use. They are even on their separate pro site. Why assume they are meant for home use
That's silly, that's like you saying that speaker design doesn't matter and we'll just DSP all defects.Yes, I am aware of what a number of people think. My viewpoint is that there is no 'before DSP was applied'.
The speaker was always intended to intergate DSP.
There is no 'before'.
It only appears that way because we can measure it before connecting the entire intended product.
The use of a complex ' crossover' using both passive and active(DSP) capability is seemingly very confusing for a lot of folks.
Well Dsp, or Asp (for analogue, active or passive) is part of what loudspeaker design is all about...That's silly, that's like you saying that speaker design doesn't matter and we'll just DSP all defects.
Hi, I am curious if you would be willing to read what I wrote in my several post in this thread again.That's silly, that's like you saying that speaker design doesn't matter and we'll just DSP all defects.
Well Dsp, or Asp (for analogue, active or passive) is part of what loudspeaker design is all about...
Well our conversation started when you replied to following post of mine:Hi, I am curious if you would be willing to read what I wrote in my several post in this thread again.
I am certain I did not say or suggest anything even remotely close to 'speaker design doesn't matter'. Actually my viewpoint is that speaker design does matter and that if you know you will be using DSP then you make different choices vs when not using it. Who on Earth would make the same design choices for a fully passive speaker vs a speaker that will have active elements.
DSP is part of some speaker designs, like tweeters, woofers, MDF, cabinet shape, ports, inductors and all myriad parts one might chose for a speaker design.
At no point did I even remotely suggest 'we'll just DSP all defects'.
It sure seems like you are being disingenuous here @Robbo99999
Hi Rick. Lots going on around 900Hz for sure. But the 3rd order IM peak seems to be coming from the cone's breakup mode at 2.6kHz. Here are the HD and FR graphs aligned and with my comments added:Here is the distortion plot...
It shows a major rise in distortion in the same range as the "port" resonance(s). You might argue audibility but cannot claim this speaker is linear in this frequency range.
Passive crossover is not how the speaker is marketed. The speaker is designed to be used with a DSP acting as EQ and active crossover, feeding two amplifiers, one for each driver. Why can’t you then EQ the woofer separately and reduce any anomalies?So this bump in the harmonic distortion is there and is not addressable with DSP. That being said, it is the only notable HD feature on this otherwise incredibly clean speaker, and I don't know if it is audible.
Hi Rick. Lots going on around 900Hz for sure. But the 3rd order IM peak seems to be coming from the cone's breakup mode at 2.6kHz. Here are the HD and FR graphs aligned and with my comments added:
View attachment 254286
You can see the 3rd and even the 5th order modes at exactly 1/3 and 1/5 the primary breakup mode at 2.6kHz.
This is common. For instance, frequency response and harmonic distortion data (with my annotations) on a Dayton 8" woofer from Zaph Audio...
Woofer independent yes, but topic was fundamental / linear distortion and HD.Why can’t you then EQ the woofer separately and reduce any anomalies?
A question for @ctrl: How to measure and combine phase if port is back-or down-facing and not co-located with the woofer?
Hi Rick. Lots going on around 900Hz for sure. But the 3rd order IM peak seems to be coming from the cone's breakup mode at 2.6kHz. Here are the HD and FR graphs aligned and with my comments added:
View attachment 254286
You can see the 3rd and even the 5th order modes at exactly 1/3 and 1/5 the primary breakup mode at 2.6kHz.
This is common. For instance frequency response and harmonic distortion data (with my annotations) on a Dayton 8" woofer from Zaph Audio:
View attachment 254287
It's easier to see on the raw driver with no crossover. You can actually damp out these harmonic modes with a passive notch filter. DSP is of no use except to reduce the magnitude of the fundamental. For instance:
Active DSP DIY speakers, for testing a few ideas
FFLOTSAM (Fabricated From LeftOver Things Studio Active Monitor) Active DSP speakers, for testing a few ideas I had some stuff lying around; a few random Baltic Birch-ply panels, some countertop material, a few cans of partially used brown spray paint, and some not-too clumpy spar varnish (that...www.audiosciencereview.com
I note that it appears the passive crossover is simple with no notch to tame the cone's breakup mode of the harmonic distortion components. So this bump in the harmonic distortion is there and is not addressable with DSP. That being said, it is the only notable HD feature on this otherwise incredibly clean speaker, and I don't know if it is audible.
Repairability yes, SPL’s no. For Hi-Fi listening, the 708P active speaker goes extremely loud.Is it safe to say that the only reason someone would go down this 708i route versus the 708p is for potentially higher SPL and easier repairability?
Even for pro usage, they go extremely loud. About the only thing they're not going to do is sub-bass at 105+ dB.For Hi-Fi listening, the 708P active speaker goes extremely loud.