3. If only JBL and a lot of other companies knew those physics, and how to design ports so that this wouldn't be a conversation.
The physics are what they are. What you are really saying is they could have:
1) Built a larger cabinet
2) Used a smaller diameter port
3) Tuned the speaker higher
4) Used passive radiators
1 and 3 presumptively conflicted with their design brief.
2 would substantially lower SPL due to port compression.
4 would have added a lot of cost and reduced durability in a speaker intended for, among other applications, being tossed around in control vans.
From listening, it is clear to me that JBL engineered the port to be as inoffensive as possible. If using with a subwoofer, one can stuff the mouth with denim insulation and the "problem" (for the eyes) goes away.
That's a "refreshing" logic, because in the past recordings were mixed on crappy loudspeakers, in the present you should use loudspeakers with obvious faults as a tool for professional recordings too... yeah!
Most monitors currently sold are considerably more flawed than these speakers. Maybe a handful from the likes of Genelec or Neumann have smoother and flatter response.
... and will you share your knowledge with us "ignorants"?
Ports have out of band resonances. These resonances are more pronounced in big, long ports in small cabinets. There you go
By closing the bass reflex port the standing wave inside the cabinet does not disappear, only the part of the wave that is transmitted through the bass reflex port disappears.
You mean the part that interacts with the driver output, leading to the null? That is correct. Close the port, lose the null.
PS: the 708P comparison is not apples to apples. The 708 port tuning is not much lower, but the cabinet is significantly larger. I’m sure there’s a cutaway of 705 on the internet. If you find one you will see the port takes up a substantial portion of the cabinet. So the physics dictate the effect of port resonance will be much lower in 708 than 705.