This is a fantastic record I got for a couple bucks at the friends of the library sale. Just outstanding voice.
BTW-are you digitizing your vinyl or just playing with the ADI-2?
This is a fantastic record I got for a couple bucks at the friends of the library sale. Just outstanding voice.
I haven’t spun a record in ages. My collection of about 1,000 mostly jazz LPs gathers dust these days. I need to sell them, but…This is a fantastic record I got for a couple bucks at the friends of the library sale. Just outstanding voice.
BTW-are you digitizing your vinyl or just playing with the ADI-2?
Ditto, even the ones that didn't make it to CDs. Could make a fortune on Ebay with the "vinyl" craze so over blown.I haven’t spun a record in ages. My collection of about 1,000 mostly jazz LPs gathers dust these days. I need to sell them, but…
"Hot" was the early popular word for the playing style at venues of what we now think of as Jazz music. Playing music "hot" got people hot dancing - it wasn't at that time ever a finger snapping "cool" style performance. Early jazz incubating musicians were hired and expected to have a song list of popular favorite songs, so some took the stage opportunity in their late set(s) to play "hot". The way this innovative music snuck into the program apparently got women animated and up on the floor all "hot" to dance was something new. As demand (women included) for so-called "hot" music developed then musicians could get paid for playing just this early jazz music. [Note: for brevity I'm skipping the nuances of what I'll call generically New Orleans proto-jazz, where/what Louis Armstrong grew up amongst.]As a fan of Louis Armstrong, especially his early Hot Five and Hot Seven bands ...
One historical factor I feel might be of interest is that after the American Civil War a lot of Union Army soldiers were de-mobilized from military service in the port city of New Orleans. Among them were northern states' regimental bands whose musicians mustered for boarding ships homeward bound and left behind what they'd played. Thus an uncommon (for the era) number of musical instruments entered the New Orleans second hand market(s) increasing availability for street (ex: funeral marching) and venue (ex: picnic) players. Remember how early Jazz bands and recordings had tuba players in the group - that was such a factor of access. Old banjos left by those shipping out even saw the banjo soundboards repurposed as horizontal (snare) drums to add along to bulky vertical drums (it was considered a boasting honor for kids following New Orleans parades to carry home a tired musician's heavy vertical drum).... I'm skipping the nuances of what I'll call generically New Orleans proto-jazz ....
What are you running for display there?
This on a Pi, but modified to get metadata from the PrestoMusic streamer (work in progress).What are you running for display there?