MattHooper
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This question arose when I recently went down a rabbit hole of reading a bunch of subjective reviews of the Salon2, around when the speaker was introduced.
I got to thinking about the Salon2 when I saw a pair for sale (not that I was going to buy them), and I wondered this: technically, we know that at least at the time they were in introduced the Salon2 where essentially state of the art in terms of their measurements (and in blind test ratings).
I wondered how this translated into the reaction of the subjective audio press. Did the technical chops and blind test-driven design transmit in to what reviewers were going to hear under regular informal listening scenarios?
From what I saw, the answer would seem to be: Yes.
I read reviews of the Salon2 in Stereophile, The Absolute Sound, Soundstage, Positive Feedback.
Each review was over the moon enthusiastic about the Salon2.
One might say “ subjective reviews are always positive” which even if granted, it’s still the case that subjective reviews describe different speakers differently.
With the Salon2 reviews, the convergence seemed especially striking. All essentially concluded it was a new state of the art. The common themes were: an almost absolute sense of neutrality and lack of colouration, nothing in the frequency response, sounding forward or scooped out, and the benefits this had for the reproduction of all sorts of instruments invoices. A total seamlessness of sound - the many drivers sounding totally integrated. They talked about sound being totally coherent to a degree most had not heard before. Much enthusiasm about the high frequencies being virtually ideal - opened and airy with all the vividness and detail you could want but simultaneously smooth and natural sounding.
Stunning dynamic capabilities.
Fantastically deep and well controlled bass frequencies.
Superb “disappearing act” in terms of removing themselves as an apparent sources of a sound, and top of class soundstaging and precision in imaging. With unusually good sound off axis as well.
A common theme was that the reviewers had problems finding anything at all to nit pick - that the Salon2 seemed to check absolutely every single performance box. The overall impressions were of a loudspeaker that removed itself as a source of colouration from the reproduction chain to an unusual and possibly unprecedented degree in their experience.
So I found it interesting that the technical performance and design method did seem to translate from lab to out in the field subjective reviewer impressions, where there was very good convergence in describing the particular characteristics (or lack of) of this speaker.
And that brings me to the question of the thread:
Is The Revel Ultima Salon2 STILL the State Of The Art?
I’m sure some can point to certain loudspeakers that better the Salon2’s measurements in some regards. Would anybody nominate another loudspeaker that, in total, you feel would surpass the performance of the Salon2?
I got to thinking about the Salon2 when I saw a pair for sale (not that I was going to buy them), and I wondered this: technically, we know that at least at the time they were in introduced the Salon2 where essentially state of the art in terms of their measurements (and in blind test ratings).
I wondered how this translated into the reaction of the subjective audio press. Did the technical chops and blind test-driven design transmit in to what reviewers were going to hear under regular informal listening scenarios?
From what I saw, the answer would seem to be: Yes.
I read reviews of the Salon2 in Stereophile, The Absolute Sound, Soundstage, Positive Feedback.
Each review was over the moon enthusiastic about the Salon2.
One might say “ subjective reviews are always positive” which even if granted, it’s still the case that subjective reviews describe different speakers differently.
With the Salon2 reviews, the convergence seemed especially striking. All essentially concluded it was a new state of the art. The common themes were: an almost absolute sense of neutrality and lack of colouration, nothing in the frequency response, sounding forward or scooped out, and the benefits this had for the reproduction of all sorts of instruments invoices. A total seamlessness of sound - the many drivers sounding totally integrated. They talked about sound being totally coherent to a degree most had not heard before. Much enthusiasm about the high frequencies being virtually ideal - opened and airy with all the vividness and detail you could want but simultaneously smooth and natural sounding.
Stunning dynamic capabilities.
Fantastically deep and well controlled bass frequencies.
Superb “disappearing act” in terms of removing themselves as an apparent sources of a sound, and top of class soundstaging and precision in imaging. With unusually good sound off axis as well.
A common theme was that the reviewers had problems finding anything at all to nit pick - that the Salon2 seemed to check absolutely every single performance box. The overall impressions were of a loudspeaker that removed itself as a source of colouration from the reproduction chain to an unusual and possibly unprecedented degree in their experience.
So I found it interesting that the technical performance and design method did seem to translate from lab to out in the field subjective reviewer impressions, where there was very good convergence in describing the particular characteristics (or lack of) of this speaker.
And that brings me to the question of the thread:
Is The Revel Ultima Salon2 STILL the State Of The Art?
I’m sure some can point to certain loudspeakers that better the Salon2’s measurements in some regards. Would anybody nominate another loudspeaker that, in total, you feel would surpass the performance of the Salon2?
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