The Slate Immersion One headphone headphones have a 32-Ohm impedance, so for best damping control, you want to plug them into a headphone amplifier that has an output impedance of 2.5-Ohms or less. Have no idea on the Volt 176 headphone jack's output impedance is.I want to buy the Slate Immersion One headphones that are planar unicorns and the internet says they are extremely difficult to drive and require some insane power from a very special amp that are like only 3 in the world that can do right now, and all those are Toppings. Something like that.
I don’t understand a darn thing about impedances and ohms. Tried to learn… it’s worse than nuclear physics.
I have a little Volt 176 interface at home which only has one pair of outputs going to my studio monitors.
A lot of people say you absolutely must get the best amp for those headphones otherwise they sound like crap and will be a waste of money. But I don’t want to waste money upgrading the interface just to get two extra outs and on top of that buy the preamp if headphones output of my existing interface is ok to use and won’t degrade the audio.
I read so many threads on this whole issue at gearspace and watched YouTube videos and the more I read and watch the more confused I get.
Lots of subjective opinions but I wonder if there’s actual some hard measurement data that is indisputable that says “yes measurements show clear degradation” or “no, the signal with proper gain stating remains unaffected”
Yes, you WILL need an amplifier to power the Slate planar.I want to buy the Slate Immersion One headphones that are planar unicorns and the internet says they are extremely difficult to drive and require some insane power from a very special amp that are like only 3 in the world that can do right now, and all those are Toppings. Something like that.
I don’t understand a darn thing about impedances and ohms. Tried to learn… it’s worse than nuclear physics.
I have a little Volt 176 interface at home which only has one pair of outputs going to my studio monitors.
A lot of people say you absolutely must get the best amp for those headphones otherwise they sound like crap and will be a waste of money. But I don’t want to waste money upgrading the interface just to get two extra outs and on top of that buy the preamp if headphones output of my existing interface is ok to use and won’t degrade the audio.
I read so many threads on this whole issue at gearspace and watched YouTube videos and the more I read and watch the more confused I get.
Lots of subjective opinions but I wonder if there’s actual some hard measurement data that is indisputable that says “yes measurements show clear degradation” or “no, the signal with proper gain stating remains unaffected”
That's not really what was addressed in this thread, since the video was about mono, or summing two channels, so it should be seen as general information, a warning to those who have thought about doing it.(the video above is about plugging a mono 1/4" plug into a headphone out, which shorts one of the channels to ground, which older equipment might not like very much.)

Yes, I mentioned this a couple of times, but didn't bother to post a picture.OT:
Has that been mentioned in the thread? Headphone output on computer to a long, rather poorly shielded RCA cable....
View attachment 526179
It's like asking for trouble. Grounding issue, pick up noise. Not just a little noise in that case, it can unfortunately be quite audible.
Problems for me I might add. It has been noisy with pick up noise and so on. BUT it was via an old laptop + perhaps not the best cord environment. In any case it was several years ago.Yes, I mentioned this a couple of times, but didn't bother to post a picture.
From an electrical perspective, it's no different than any dual RCA to RCA cable that everyone has used for decades to connect their consumer analog audio devices. Not "asking for trouble" at all, and you don't need expensive $1000 cables for this.
Granted, in a high RF environment like a transmitter shack, or if connecting a large number of devices together that are plugged into different AC circuits you can develop ground loops or RFI that is audible. For the typical home application, any problems are highly unlikely to be audible. As others have shown, you can run analog audio through a banana without audible degredation.
