jsrtheta
Addicted to Fun and Learning
Like with just about anything else, there are neurotics and hoarders involved with audio. One of the differences is that the nature of the hobby encourages neurotic behavior. Not enough "air" in the sound? Spend $10,000 on speaker cables. Not happy with the sound of the LP you're playing? Check out different pressings, wind up with five. When it's all over, you don't want to hear that music anymore. Have a problem with inner groove distortion? This very expensive gizmo will reduce [but by no means eliminate] IGD.
The Ken Fritz video, though presented as a celebration of the ultimate in audio, clearly demonstrates these issues:
(6) One Man's Dream - Ken Fritz Documentary - YouTube
Ken Fritz built the speakers [that is to say, he designed the enclosures for raw drivers he bought and hooked up via an active crossover], the room itself, all the furniture. He collected LPs to the tune of 28,000 discs. But, he says he wasn't listening to the system for five years as certain parts were being sorted out. I'm sorry, but that speaks of an obsession with gear, not music. He speaks of getting a truckload of opera, but he doesn't like opera, he just owns it to own it. If he spends four hours a day, every day, listening to his record collection, one at a time, he will hear each record once by the time he's 96, if he makes it that far and odds are that he won't. I noticed Ken showing off his record collection, pulling out the mail order Beethoven bicentennial, Time/Life edition of Symphonies, Karajan/Berlin Philharmonic, 1962/1963. Most of those pressings are defective, many off center. No amount of money or effort will make that edition [of a rather good set of recordings: the original "Tulip" pressings are first rate if not trashed] sound good. Else where, we look at a shelf filled with Tchaikovsky, Ken pulls out an old copy of an obscure opera, "The Enchantress", and lets us know he's never going to listen to it.
There's some PS Audio A/C regenerators he bought and used. Tests here demonstrate that they do nothing for the sound, but add to cost and bragging rights.
All the aspects of this homemade, $1,750,000.00, endgame system indicate that it's all about the gear, that very little music will be played on it. It wouldn't be the first time this has happened. I'd say it's in the very nature of Audiophilia for neurotic behavior to be actively encouraged. The end scroll thanks the audio companies seen in the video. The video's supposed to be a celebration of high-end audio, but it left me with the impression that chasing high end audio is ultimately a dead end, that it ultimately distracts from music and becomes a very expensive neurosis in and of itself.
I moved from Chicago to Colorado in 1993. I was getting ready to pack up all my vinyl when it struck me I never played them anymore. So I culled about seven from the collection that hadn't been released on CD yet, then called a recording engineer I knew and asked him if he wanted them. He raced in from the suburbs and we put them in the trunk of his car, which immediately clunked as the rear end dropped from the weight, and he sped off, smiling.
The point is, I never, ever regretted that decision. And as, one by one, those seven I kept were released, finally, on CD (one only in the last year or so), I got the CDs and gave the vinyl away.
I never saw the point in keeping something I knew I would never use again. Even in my early, audio-obsessed days, if I bought the latest "must have" DAC or preamp, I sold what it replaced. Very occasionally I regretted it, but my regret was due to disappointment with the new piece, not because my "priceless" collection was deficient.