I just realized I'm unable to adjust the VTA on either Technics mk3, the setting is stuck at 0mm. All test are from mk3s. My older 1200 mk2s VTA are not stuck, its setting is 6mm VTA. (No cartridge testing as yet on mk2s). This youtuber use white lithium grease, I wonder if that is the best choice for an VTA fix. After a few years white lithium grease will dry out. I totally forgot about the turntable setting until you mentioned VTA.That's a bit clearer now. You can see the channel imbalance is about the same on both test records. It is <1.5 dB, which is the Nagaoka specification. If you haven't adjusted azimuth another way, you might be able to rotate the headshell slightly anti-clockwise in the collet at the end of the arm - there's usually a little give in the slot. You can experiment with very small rotations until you bring the right and left crosstalk traces closer together in the bass and midrange.
You can add 20 pF to the capacitance for the Technics tonearm wiring. You can look up the capacitance for your RCA cables and add that to find your total capacitance. Even with 3ft of low capacitance cable, you would probably be adding 45 pF. If you add 65+ pF, you can see your total is going to be 250+ pF, which is a bit above the specification of 150-200 pF.
You can also do the charts with the "Style 3 - Stacked Plots" option under "Plot Style". That makes it easier to compare the distortion traces. It's good if you can keep 2nd harmonic distortion below -30 dB at 5 kHz and below -20 dB at high frequency. You probably get distortion lower than it is and also crosstalk lower than it is, if you use a headshell shim. The VTA for the Nagaoka - and most other modern cartridges - is higher than the cutting angle at which the record was cut. If you can bring down the VTA by tilting the back of the cartridge down with a shim, this tends to improve distortion and crosstalk. You can use a shim of 2.5-3° for the Nagaoka body without the back of the cartridge starting to touch your records - 2.5° may be safer for warped ones. This allows you to change VTA whilst keeping the headshell and tonearm parallel to the record.
My 1200 mk2 are worn, due to more play in the center screw down of the arm from years of DJing.
The CBS STR-120 has the 500Hz to 50kHz on the outer track. There is no second inner/outer 500-50kHz track. See the STR-120 label attached.
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