Meredith Cargill
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- Jun 2, 2021
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Using OmniMic. The unsmoothed response looks pretty ragged, especially above 2kHz. But with 1/3-octave smoothing it was flat +/-3dB from 62Hz to 16kHz. The driver has a response peak 3kHz-4kHz, and the dome-deflector-waveguide hornloaded the diaphragm to produce a response peak around 1100Hz. So I used two contour filters to pull those two bands down to get the response that flat.
There was more variation in the horizontal dispersion than I expected. Below 2kHz, the response did not vary more than 1.5dB for all 360 degrees around (1/12-octave smoothing). Above 2kHz, the variation was as much as 4dB. These variations are probably due to my not making the baffle and waveguide perfectly symmetrical.
The intention was also to have as uniform response in the vertical as possible. Up to 5kHz, the response from 20 degrees below horizontal to 80 degrees above horizontal does not differ by more than +/-6dB from horizontal (seated ear level). At 30-50 degrees above horizontal (probable ceiling-bounce angle), response below 6.5kHz is within 4dB of the horizontal response.
Because it generates so much high-frequency reflected sound in a room, it measured unusually flat using the RTA at the InDIYana venue, compared to all the conventional designs, which had tweeters with limited directivity.
There was more variation in the horizontal dispersion than I expected. Below 2kHz, the response did not vary more than 1.5dB for all 360 degrees around (1/12-octave smoothing). Above 2kHz, the variation was as much as 4dB. These variations are probably due to my not making the baffle and waveguide perfectly symmetrical.
The intention was also to have as uniform response in the vertical as possible. Up to 5kHz, the response from 20 degrees below horizontal to 80 degrees above horizontal does not differ by more than +/-6dB from horizontal (seated ear level). At 30-50 degrees above horizontal (probable ceiling-bounce angle), response below 6.5kHz is within 4dB of the horizontal response.
Because it generates so much high-frequency reflected sound in a room, it measured unusually flat using the RTA at the InDIYana venue, compared to all the conventional designs, which had tweeters with limited directivity.