Thanks for the kind words.
Re NOS, there's no one answer. For certain types that I like to use (e.g., 6S4, D3a, "super" 6BG6, 6JN6...), NOS is all there is. For others where there's current availability, I've had mixed results. For example, the best ECC81/12AT7 I tested was a contemporary JJ. The best 6DJ8/ECC88 I've tested was an NOS CCa (putting aside the oddball 12V version from Amperex that is amazingly good). Electro-Harmonix-branded 6SN7 was equal to the best NOS CV1988. And so on. When NOS prices are stupid because of the baseball card collector mentality, I just move on and use something else.
Thanks.
After many years when my CJ monoblocks were distorting I traced it to one of the small
6FQ7 rectifier tubes (correct nomenclature?)
They sure lasted a long time! Over 20 years. But since this was the first time I'd be replacing such tubes I was curious about the whole NOS thing and, admittedly, got sucked in to purchasing some fairly expensive raved-up
NOS Mazda 6FQ7 (or 6CG7) tubes instead. Boy was I disappointed. The sound seemed to turn to mush...seemingly dulled highs, mushy bass, the guts power and punch I was used to seemed to have taken a step back. My know-nothing conjecture was that they were just the wrong tube for the amp to perform properly, as it sounded like an underpowered amp.
A bit alarmed, and wanting my amps to sound the same as they always did, I searched for the original tubes that came with the amp -
GE 6FQ7 - and found some NOS GE 6FQ7. Once those were in, the sound snapped back to all the usual qualities I was used to.
Good to see some indication Electro-Harmonix knows what they are doing with current tubes. My CJ tube preamp uses 6 Electro-Harmonix 6922 tubes (the brand recommended by CJ).
BTW, regarding rejecting the tubes/baseball card collector mentality, that strikes a chord with me. When I was a teenager I used to collect old comic with a friend. He just sent me a link to an auction on the Fantastic Four #48 going for $80,000! We had that comic (sold it long ago) and plenty of others that now go for insane prices.
Personally I don't relate so much to the collector mentality these days, be it comics or records that are made valuable "because this Beatle's record had a spelling mistake on side B!" or whatever. There's something about being held hostage to the utterly arbitrary valuation by other people - "you have to pay X amount because collectors have assigned that value!"...just rubs me the wrong way. (Of course none of us escape having to pay what others demand, in one case or another).