Are class D and class AB the same with regards to feedback?
Pretty much, yes. As in the feedback working in the same way, accomplishing the same function.
Are class D and class AB the same with regards to feedback?
Lack of scientific basis.
I'll let them explain it best... it's their science, but it does make sense..
https://www.passlabs.com/technical_article/audio-distortion-and-feedback/
Pretty much, yes. As in the feedback working in the same way, accomplishing the same function.
I'll let them explain it best... it's their science, but it does make sense..
https://www.passlabs.com/technical_article/audio-distortion-and-feedback/
That embarrassingly shows that he doesn't really understand feedback beyond what was known back in the 1960s (pre-Otala, TIM and SID).
Better read Bruno’s article. I think you have some significant misunderstanding about feedback.Right, and in both cases, to counter the poor noise performance? But aren't class D very low noise to begin with? so why the negative feedback?
Right, and in both cases, to counter the poor noise performance? But aren't class D very low noise to begin with? so why the negative feedback?
For me, as an engineer, that what he says makes less logical sense than that said by other gurus.what makes said guru any less guru than anyone else (here or elsewhere) .. ?
Nelson is very smart. Don’t judge him by his marketing output.It would indeed be very embarrassing to think that a guy legendary in the amplifier business and who runs one of the most successful companies in audio knows less about solid state amp design than an anonymous forum member on the internet
Ok, gotta run for a while... debate later.
Right, and in both cases, to counter the poor noise performance? But aren't class D very low noise to begin with? so why the negative feedback?
It would indeed be very embarrassing to think that a guy legendary in the amplifier business and who runs one of the most successful companies in audio knows less about solid state amp design than an anonymous forum member on the internet
Me too.I tend to disregard opinions that talk about "musical" in the context of gear designed to reproduce an audio signal.
Assuming controlled gain and low distortion are inherently in the design, you don't need a lot of negative feedback is my point... isn't to say you don't use ANY negative feedback... but if you need a lot of negative feedback, what does that say about the basic design of the amp? and the gain control? In extreme cases, you can get square waves, vs controlling the amount of open loop gain.. or am I totally misunderstanding what I remember learning about operational amplifiers? (as I've said on a dozen occasions, I am not a professional engineer).
Not all.This thread can be closed. All Tube and solid state amps sound exactly the same.
Please read the Bruno Putzeys paper I linked to.
Just to be clear, I'm aware that even McIntosh use negative feedback in solid state amps ... not about whether to use or not, it's about how much as it can introduce other issues if too much is needed/used...