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Pure neutron shielding might help.You'll need some damn good shielded cables for the electrons not to escape. Maybe then it's actually time to buy some of those audiophile ones.
Pure neutron shielding might help.You'll need some damn good shielded cables for the electrons not to escape. Maybe then it's actually time to buy some of those audiophile ones.
No, that is not what a histogram is.can also call it histogram
I agree their presentation style is not optimal, for the sample value display they should have used pin plots (not connecting the dots) rather than bins one sample wide. But their meaning is explained fully correct:
"This diagram shows how an analogue sound wave can be represented with 24-bit 176,400 samples per second PCM encoding." (Underline mine).
That's what sample values do, they represent the voltage at the (infinitely short, theoretically) point in time the snapshot was made.
If you were to put out this value constantly for one sample period you have a NOS DAC "reconstruction" filter which is what you comment is probably about, but I don't see that in the context of the graphs and associated text. The sample stream is meant to be read as the abstract data it represents, not a time-domain actual output waveform of the DAC. Those dCS guys are serious engineers...
I was googling about more information regarding ring face and found this which I feel is very good explanation.
It does not explain what the OP found so is not a good explanation for that. It merely explains how the RING DAC (a form of DS DAC) works and some general info.
?Part 5 of it did explain that it actually makes no difference whether source is from internet or USB. It did not specifically mention CD but it should not make any difference.
I am not sure if the streamer, CD player and DSD (not sure streaming or SACD) all is the same hardware. OP did not mention what is better/worse as well.
andWe hear from folks that bits are bits. Why does a CD redbook player sound better than a Streamer at 44.1/16, or even DSD.
The OP told us pretty much everything.Sorry folks, my first post. I had a 20+ year old Micromega Stage 6, Now a Bryston BCD-3, First DAC was a Halide HD, was better than Apple headphone jack, then upgraded to lindemann limetree network streamer. i prefer my Dacs to be in the same box as the CD/network device. I am just looking for reasons why the CD player is bang on, and the streamer/dac does not have the same great sound. Are they not both 44.1/16?? There are a few youtubers that love CD's over Streaming for the sound. There has to be a reason. Oh i am using Tidal 44.1 service. Maybe someone can science an answer. Hint intended Amir.
But it is misleading in terms of what you get out of a (decent) dac. You don't get a stair stepped waveform, you get a perfectly smooth reconstructed wavfform, with the quantisation turned into a hiss like noise floor at -(n x 6)dB where n is the number of bits. (-96dB, and basically inaudible for redbook, and "gnat farting on the other side of the planet" levels for 24bit)They are just plotting sample value over time using bar chart (can also call it histogram). So, the presentation is correct. It is supposed to be a straight line because the value does not change during that period.
If you were to use an equipment/computer to read the output values, and show them on a histogram, that would be exactly what you will get. Values will only change during beginning of each ~22.7 block, then remain constant throughout the block period.
But it is misleading in terms of what you get out of a (decent) dac. You don't get a stair stepped waveform, you get a perfectly smooth reconstructed wavfform, with the quantisation turned into a hiss like noise floor at -(n x 6)dB where n is the number of bits. (-96dB, and basically inaudible for redbook, and "gnat farting on the other side of the planet" levels for 24bit)
Time to Cue up Monty again. Watch this. He will monitor the output using some of the very finest analog scopes ever built. You can see if there are "zagged lines." Stair steps are covered in the first few minutes. Don't stop there however. Very much worth watching the whole video. I posted it just after one of your earlier comments a couple weeks back. Really do watch it this time.Frankly speaking, I am not sure on this. I am sure there are ways to smooth out this steps. But how well they are done, I don't know.
However, I don't think it will be perfectly smooth, it will be very smooth, but as we zoom in on the wave, it will show tiny steps or variations like zagged lines.
It really doesn't - watch the video.Frankly speaking, I am not sure on this. I am sure there are ways to smooth out this steps. But how well they are done, I don't know.
However, I don't think it will be perfectly smooth, it will be very smooth, but as we zoom in on the wave, it will show tiny steps or variations like zagged lines.
As per Monty video: this is totally incorrect. The representation is wrong. The samples value is only correct for the exact moment in time it was measured at. The sample values before or after that sample moment are unknown. Therefore we cannot use staircases to represent digital audio samples.They are just plotting sample value over time using bar chart (can also call it histogram). So, the presentation is correct. It is supposed to be a straight line because the value does not change during that period.
Frankly speaking, I am not sure on this. I am sure there are ways to smooth out this steps. But how well they are done, I don't know.
However, I don't think it will be perfectly smooth, it will be very smooth, but as we zoom in on the wave, it will show tiny steps or variations like zagged lines.
GO DIRECTLY TO JAIL.We hear from folks that bits are bits. Why does a CD redbook player sound better than a Streamer at 44.1/16, or even DSD.
The extra bits are needed at the digital recording and digital mixing and mastering level . Different plugins like eq, peq, compression, exiters, reverb etc is eating resolution in the digital domain. You need the extra bits in the producer chain to have a chance to get the 16 bit resolution in the end . Its true though that microphones have much more noise than -144 dB.If 24bits has extra resolution, as in extra steps between samples, the ever present noise added to those steps probably makes them useless. Most recordings ( plus the repro electronics) have more noise than 16 bits so little point going greater bit depth.
No, it is totally correct, albeit a bit misleading in representation. It's you guys are triggered by the staircase plot, blindly assuming without further checking (simple reading would have done the job) that the authors are claiming that this is were the actual waveform... which they didn't.As per Monty video: this is totally incorrect. The representation is wrong. The samples value is only correct for the exact moment in time it was measured at. The sample values before or after that sample moment are unknown. Therefore we cannot use staircases to represent digital audio samples.