And maybe I shouldn't here either.....if not just delete it ....
Cables ........ ok, let's keep it to interconnects and speaker cables.....
Over the years I've tried quite a few cables including a few high end brands - prices from a few $ each to a few $k each. What I've found generally is beyond a few hundred dollars the cables seem to be made in this special way, or that, and they have a character. I guess they have to have a point of difference. That character may well suit the brand (eg Kondo), but the character may well not be a good match with other kit. Inevitably the expensive cables have been retired and sold as once I lock on to a colouration in my sound, it annoys me greatly and I can't tolerate it. Perhaps the least coloured audiophile cables I've tried have been Townshend (UK), but even so compared to good microphone cable, the microphone cable wins on balanced sound presently ....
My preference is for cables that adds and subtract nothing.
You guys are very clearly realists - I wonder what cables members here have found acceptable?
I guess I should figure out how to register my system here - actually it varies because I swap in different gear as I get bored with one sound. Mainly it is an Aurender N10, Trinity dac feeding various preamps from a Khozmo balanced pre to a CH Precsion L1, to either TAD M600 or Nord ncore based monos, to TAD Ref 1s mainly, but alternatively (to keep credibility here) JBL Everests, and Sony SS AR1 (guess who's been to RMAF.....both were demonstrated together there a few years back by Ray Kimber). Alternatively I have a Devialet 250 for something different again. The cables are generally balanced.
Power cables are all not very expensive Kimber - which I find better than some expensive stuff I've tried too, but maybe I shouldn't admit to hearing differences between power cables here.....
So I hope that isn't just inflammatory!
thanks
Murray
Cables ........ ok, let's keep it to interconnects and speaker cables.....
Over the years I've tried quite a few cables including a few high end brands - prices from a few $ each to a few $k each. What I've found generally is beyond a few hundred dollars the cables seem to be made in this special way, or that, and they have a character. I guess they have to have a point of difference. That character may well suit the brand (eg Kondo), but the character may well not be a good match with other kit. Inevitably the expensive cables have been retired and sold as once I lock on to a colouration in my sound, it annoys me greatly and I can't tolerate it. Perhaps the least coloured audiophile cables I've tried have been Townshend (UK), but even so compared to good microphone cable, the microphone cable wins on balanced sound presently ....
My preference is for cables that adds and subtract nothing.
You guys are very clearly realists - I wonder what cables members here have found acceptable?
I guess I should figure out how to register my system here - actually it varies because I swap in different gear as I get bored with one sound. Mainly it is an Aurender N10, Trinity dac feeding various preamps from a Khozmo balanced pre to a CH Precsion L1, to either TAD M600 or Nord ncore based monos, to TAD Ref 1s mainly, but alternatively (to keep credibility here) JBL Everests, and Sony SS AR1 (guess who's been to RMAF.....both were demonstrated together there a few years back by Ray Kimber). Alternatively I have a Devialet 250 for something different again. The cables are generally balanced.
Power cables are all not very expensive Kimber - which I find better than some expensive stuff I've tried too, but maybe I shouldn't admit to hearing differences between power cables here.....
So I hope that isn't just inflammatory!
thanks
Murray