I first heard the Beatles the same time as most other Americans; February 9, 1964, laying on the floor in front of the TV set. My parents were perplexed, I was enraptured. I was about to turn 9 years old. Soon I had a Beatle Haircut, Beatle Boots and the earpiece of a portable transistor radio installed into my ear, with the radio hidden away in my jacket when I went to elementary school. My sister got the Beatles Second Album as a birthday present. We noted how the Beatles were the one group that sounded the most like Motown back then and the group did appear to start off a competition to be the "Blackest" sounding white group of their era. We also listened to a lot of Motown and R & B at the time.
Jump ahead, my sister bought Revolver, the second Beatles album in the house. One hardly needed to buy the records back then as the radio stations playing top 40 played the Beatles every fifth song or so. Revolver was clearly different from the earlier records, as was the programming on KRLA. Must have been something in the water. "Tomorrow Never Knows" clearly stood out from the other songs on the album. A year later, KRLA would play all the songs from Sgt Pepper in spite of the fact that the album had no singles. I managed to get the White Album the following year when I returned a defective electronics kit intended for youngsters. I was 13 at the time. I played it a lot. Revolution #9 drove my brother and sisters crazy, which I found useful at the time. My father, for some odd reason, bought us Abbey Road when it came out even though he expressed distaste for the band.
Come 1975 I was working at Wherehouse Records and there was a subsidiary to Wherehouse nearby called Big Ben's. They had all the Beatle records on Parlophone imports and I bought them all. The most revelatory was the Hor Zu German import of Magical Mystery Tour, with all the singles in true stereo, unlike the Capitol issue. By that time, I was addicted to their music. By the time the 1990s rolled around I had access to a number of bootlegs. My favorites were the Christmas records.
Right now, I still have two different CD copies of the White Album; the first CD issue and the Mono top-loading CDs that came later. I've also got the original issue Pepper, Abbey Road and "1". Also, Anthology 1. My DVD-A of "Love" is tucked away somewhere, I can see my DVD of "Yellow Submarine" from where I'm sitting. I guess the most interesting is the 4 CD set of the Beatles at the BBC where you get to hear them perform live in the studio, very little editing, usually none at all. This set indicates the actual musical skills of the group when they had their first success, raw, uninhibited and sloppy. Interesting to think of how many other groups had better chops than this. Consider James Brown around the same time. That's what I find striking about the group right now, how so much of what made the group famous was essentially hype.
The Beatles will doubtless sell into the foreseeable future. The technical work on the 2023 reissues of the Red and Blue compilations is, frankly, amazing. But I think I'm overexposed and becoming tired of them. There is so much music in the world and so much music where the musicianship is of a higher grade. Paul wants to be taken seriously as a classical composer but can't make the effort to learn to read music. He's got amazing stamina as a performer, I'll admit. Ringo has been coasting along on charm ever since the band broke up. And the other two are no longer with us. Folks will doubtless worship at their altar into the foreseeable future. It's still a viable business. But I'm worn out.