Can it also be a subsonic digital HP filter?I'll drop this one here:
No great loss. The only real use case for a residential Dante implementation is distributed audio across multiple rooms (or perhaps from a home to a guest house or pool house), and that can be handled more effectively through a wireless networking protocol like Sonos, Airplay, etc., or through Ethernet via Roon. Dante is definitely useful for IP transmission of distributed audio in a commercial setting but there are better, more robust, and more user-friendly options for residential implementations, in my opinion.The Dante implementation is crippled to 2 channels, as I understand it. They apparently will have a much cheaper DPR-16 with 16-channel digital output at a much lower price.
No great loss. The only real use case for a residential Dante implementation is distributed audio across multiple rooms (or perhaps from a home to a guest house or pool house), and that can be handled more effectively through a wireless networking protocol like Sonos, Airplay, etc., or through Ethernet via Roon.
Agreed about the two channel implementation, that was exactly my point. I just don’t see a good use case for consumer Dante implementations, unless you are talking about amplifiers being far, far away from the pre/pro. And like you said, you then have the added cost/complexity of first converting the analog signals to digital, then running them through an interface running the Dante protocol (what do they call it? A virtual sound card?), outputting through Ethernet, and then on the receiving end, running them through another Dante interface, sending the output through multiple DACs, and then sending the analog output to the amplifiers? And then running the analog speaker outputs all the way back to the listening room(s)?I disagree. IMO the best home use case for Dante and similar is to provide however many channels needed from an AVP to a remote amp rack in an immersive system.
AD/DA conversions aside, a single cat6 run is much easier, cheaper, and faster than, say, the 16-channel Mogami analog snake cable terminated with Neutrik XLR ends we use. It’s also a no-brainer to build in redundancy with cat6, because it’s thin and cheap. Routing multiple inch thick snakes between walls and floors is expensive and hard. (Yes, there are audio-over-cat6 solutions, but still for 16ch that’s 4 runs of cat6.)
For multiroom, who’s going to route audio through the AVP anyway? That’s what AirPlay is for. So 2-channel Dante on an AVP is IMO useless and dumb.
Yes, I am in full communication with them and they are very supportive and investigating.@amirm - Any communication from them so far?
I don't think that's right.nd like you said, you then have the added cost/complexity of first converting the analog signals to digital, then running them through an interface running the Dante protocol (what do they call it? A virtual sound card?), outputting through Ethernet, and then on the receiving end, running them through another Dante interface, sending the output through multiple DACs, and then sending the analog output to the amplifiers? And then running the analog speaker outputs all the way back to the listening room(s)?
If you are going to limit yourself to amps with Dante inputs, then sure—buy amps with Dante inputs. But you still then need to route the analog speaker cables back to the listening room/rooms. So you are going to need to do the same demo and analog cable routing, or if it is new construction, have the same conduit and wire chase installation in your construction plans. I think for residential applications, Dante is just a solution looking for a problem.I don't think that's right.
With analog cabling you will have the extra DA/AD conversion if your amps have built in DSP. I'm presuming that a Dante AVP would be paired with amps that have digital inputs.
As I understand Dante (which could be wrong) the digital signal from the AVP would just sent over the Dante line and routed to amps with Dante inputs (daisy chained or a switch I guess). So the signal would stay digital until the final conversion. For example, in my particular use case it would go like this: AVP -Dante cat 6-> BSS BLU-DA (convert Dante to Harman Blu-Link) - -Blu-Link-> amps. So 1 cable from AVP to amp rack, and easy distribution from there, while avoiding an DA/AD conversion.
Um, I literally just gave you an example where the amps have Blu-Link inputs...If you are going to limit yourself to amps with Dante inputs, then sure—buy amps with Dante inputs.
Obviously. But that's the case regardless of how signal gets to the remote amps. Or even non-remote amps.But you still then need to route the analog speaker cables back to the listening room/rooms.
My point is simply that cat6 is easier to run than large analog snakes, and that it's easier to design in redundancy if basically all the stuff uses the same type of cable and termination.So you are going to need to do the same demo and analog cable routing, or if it is new construction, have the same conduit and wire chase installation in your construction plans. I think for residential applications, Dante is just a solution looking for a problem.
HARD no. Honest question: have you ever personally caused an immersive system to be retrofitted into your home? I ask because I've now done it 3.5 times since 2015 or so, so have developed an idea of what makes sense and what doesn't. Sometimes things that might sound good in theory are disatrously terrible ideas when confronted with reality.An ideal solution to all this—IMHO—is to dispense with separate amplification entirely and route signal from the pre-pro to powered monitors.
I’m excited for both AudioControl and MiniDSP to be making significant forward progress on their respective AVR/AVP offerings.MiniDSP published their own AP IMD measurement for the Tide16, and it's comparable with stereo DACs:
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No, definitely not. I'll try to find the link. EDIT: Here it is:
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Is Tide16 an ODM product? Did you really design everything?
When we announced Tide16, a few people immediately asked whether we were using an ODM—basically, another company owning all the IP while miniDSP just feeds them ideas. Sounds tempting, right? Less work for us… in theory ? But no—Tide16, just ...support.minidsp.com
At least compared to Trinnov, it is a lot cheaper. That extra cost could be put toward projector, speakers, etc.I wonder why a (real) high-end theater would choose the APR-16 with its limited capabilities over a StormAudio or Trinnov?
Oh, my. I have to get two more jobs.A professional AV processor at reasonable price...
Where is the power transformer—in fact, where is the entire power supply circuitry?Certainly a mixed bag... needs some improving. Thanks for the testing.
Pics (edit: pics are of the 11 channel, not the 16, but an indication of design anyway);
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JSmith
Regarding my last proposal—which you gave the hard no—it’s not any harder running Romex for power outlets than running Ethernet or analog power cables.Um, I literally just gave you an example where the amps have Blu-Link inputs...
Obviously. But that's the case regardless of how signal gets to the remote amps. Or even non-remote amps.
My point is simply that cat6 is easier to run than large analog snakes, and that it's easier to design in redundancy if basically all the stuff uses the same type of cable and termination.
Does it change the cost? Maybe by a couple hundred bucks, depending on the length of the run, which in the scheme of things is not going to make or break a project. A thousand foot spool of STP cat6A* is like $300, and chances are you're buying the whole spool anyway because when someone's poking holes in your house to add a bunch of cabling you may as well hard wire a lot of internet stuff too. Field terminable RJ45 plugs for STP cable are like 20 bucks each. By contrast, a foot of 16-channel Mogami snake is around 6 bucks, and Neutrik XLR ends are now what, $3-5 each?
*I don't think Dante needs STP cat6. Maybe nothing does. UTP cable is much cheaper and RJ45 ends are basically free. But we decided to go with STP because it should in theory be more immune to noise and can each carry 4 channels of analog balanced audio including ground if needed.
HARD no. Honest question: have you ever personally caused an immersive system to be retrofitted into your home? I ask because I've now done it 3.5 times since 2015 or so, so have developed an idea of what makes sense and what doesn't. Sometimes things that might sound good in theory are disatrously terrible ideas when confronted with reality.
Running low voltage speaker wire is so much easier and cheaper than running electrical. And if you're spending real money for an install it damn well better look good. Power cables poking into 15 different outlets is not that. Low voltage that's completely concealed behind the devices is. And of course you still have to run low-voltage to powered speakers, because they generally don't pull signal out of the sky.
Also. who TF wants to get on a ladder to change a plate amp in height speaker (which may not even be replaceable!) if it breaks, compared to sliding an amp out of a convenient-but-out-of-the-way remote amp rack and putting in a new one?
You can see the power input in one of the pictures. There is a shielded vertical PS on one of the sides. This is a processor so I imagine it is a switch mode power supply.Where is the power transformer—in fact, where is the entire power supply circuitry?
Actually, the unit in question included power amplifiers (look at the speaker taps).You can see the power input in one of the pictures. There is a shielded vertical PS on one of the sides. This is a processor so I imagine it is a switch mode power supply.