TurtlePaul
Major Contributor
Yes, if you don’t hear noise at idle then you can ignore the whole left hand of the THD+N vs. power curve where the noise floor dominates....You didn't complain about noise. If you can't hear it, it's not a problem.
Yes, if you don’t hear noise at idle then you can ignore the whole left hand of the THD+N vs. power curve where the noise floor dominates....You didn't complain about noise. If you can't hear it, it's not a problem.
To @UltraNearFieldJock : do NOT add resistors at the output of the power amplifier. It's a very bad idea in terms of fidelity.Thank you for the many inspiring answers. Meanwhile, I think I can answer the question myself. I will make exact measurements today. Here is only an example based on a guess:
View attachment 507824
Could you specify this a little more? Which parameters of the signal will be distorted? What about passive loudspeakers—inside the crossovers there are a lot of resistors between the power amplifier and the drivers. I'am only worried about the damping factor: impulse‑response distortion (slower attack, longer ringing).do NOT add resistors at the output of the power amplifier. It's a very bad idea in terms of fidelity.
I don’t use any passive crossovers; I build and use only active systems. I use passive loudspeakers only for party music, not for "serious" listening. Active systems are technically better than passive ones exactly for this reason. Nevertheless, there are millions of happy passive loudspeaker listeners.Even the distortion from the capacitors/inductors in the crossover will swamp any distortion improvements you can make in this and any good amplifier.
I’m entirely in agreement. Nothing could be not more nothing.you cannot improve the SNR by modifiying your signal chain in any way
Please look this: UNF Ultra Near Field. The answer is simple: UNF is much more enjoyable.The most obvious question is why you don't use headphones?
Modern power amplifier designers do everything they can to minimise the output impedance that the load (loudspeaker) sees.Could you specify this a little more? Which parameters of the signal will be distorted
Are there any objective data about this stiction or similar phenomena?is what is the minimum current to make the diaphragms move? I suspect that most speaker drivers have “stiction” effects which will causes un-smooth motion, for example
Why don't you try using a headphone amplifier?A Class‑D Hypex Ncore NC400 power amplifier receives its input signal from a DAC through a passive volume control (potentiometer). The amplifier output drives a Visaton AL180 (8 Ω) loudspeaker directly. According to the specifications, the amplifier’s output impedance is only 3 mΩ. My ears are only a few centimeters away from the speaker, so I need extremely low listening levels—basically like using headphones.

why would anyone want to listen to super high efficiency speaker near field?
So apparently he wants to..."DIY construction with listening distance of 10-20 cm (depend on the Head position)"
I am sure someone, somewhere has done research, maybe the work of Klippel. However is should be practically obvious that there is a minimum current to make the cone move, otherwise one could simply breathe on a woofer cone and watch it move!Are there any objective data about this stiction or similar phenomena?
I guess you do realize that most of the measurements FR, polar response, diffraction, phase response, distortion etc SPL are based upon being in the far field? That’s > 6 times the diameter of each driver. So when you are in the near field, I am not surprised it sounds very different. If its more enjoyable to you, good for you.Could you specify this a little more? Which parameters of the signal will be distorted? What about passive loudspeakers—inside the crossovers there are a lot of resistors between the power amplifier and the drivers. I'am only worried about the damping factor: impulse‑response distortion (slower attack, longer ringing).
I don’t use any passive crossovers; I build and use only active systems. I use passive loudspeakers only for party music, not for "serious" listening. Active systems are technically better than passive ones exactly for this reason. Nevertheless, there are millions of happy passive loudspeaker listeners.
I’m entirely in agreement. Nothing could be not more nothing.
Please look this: UNF Ultra Near Field. The answer is simple: UNF is much more enjoyable.
If it was a problem, or an audible problem, I'm sure it would be commonly reported on. The thing about low-level distortion is that it's harder to hear... If you can barely hear the signal you aren't going to notice 10% distortion because the distortion is below audibility.I am sure someone, somewhere has done research, maybe the work of Klippel.
You can hear sound before a speaker moves enough to see the movement. I don't know about "breathing" but you can use a speaker as a microphone and it will convert sound in the room into electrical signals. (Dynamic microphones are very similar to speakers with a voice coil and diaphragm, and a dynamic mic will put out sound if you feed-in a signal.) A speaker won't make an efficient or good-quality mic, but it will work. Sometimes a speaker is used as a mic for a kick drum.However is should be practically obvious that there is a minimum current to make the cone move, otherwise one could simply breathe on a woofer cone and watch it move!
No, it is not a thing. Otherwise quiet parts of music would suffer from it. There are no sliding contact surfaces in a speaker, so no stiction.Are there any objective data about this stiction or similar phenomena?
I'm going to add to thisCould you specify this a little more?
No, it is not practically obvious.However is should be practically obvious that there is a minimum current to make the cone move,
Surely you don’t think that a rubber roll surround is linear?No, it is not a thing. Otherwise quiet parts of music would suffer from it. There are no sliding contact surfaces in a speaker, so no stiction.
Well, except non of this stuff is linear. Time to go off and research and prove me wrong thenNo, it is not practically obvious.
Resistance to speaker movement comes from the spider. With no current the spider is holding the cone in it's central position. Force forwards and backwards is equal. (Like an object held between two stretched springs pulling in opposite directions.
As soon as there is current (any current at any magnitude) that will create a force in the magnetic field that will work with one of the springs and against the other. There will be movement. It will be tiny movement if the current is tiny, but no matter how tiny, there will be movement proportional to the current.
So what makes it a bad quality mic then? Also, you cede that its should have little or no friction, but we are only discussing very small amounts of movements here.If it was a problem, or an audible problem, I'm sure it would be commonly reported on. The thing about low-level distortion is that it's harder to hear... If you can barely hear the signal you aren't going to notice 10% distortion because the distortion is below audibility.
A speaker is more like a spring so it should have little or no friction or stiction.
You can hear sound before a speaker moves enough to see the movement. I don't know about "breathing" but you can use a speaker as a microphone and it will convert sound in the room into electrical signals. (Dynamic microphones are very similar to speakers with a voice coil and diaphragm, and a dynamic mic will put out sound if you feed-in a signal.) A speaker won't make an efficient or good-quality mic, but it will work. Sometimes a speaker is used as a mic for a kick drum.
Non linearity is not the same as discontinuity. Stiction is a discontinuity. It happens with two surfaces sliding together. There are no such surfaces in a speaker.Well, except non of this stuff is linear. Time to go off and research and prove me wrong thenlets start with Klippel and see if we can educate ourselves further.
The reason, IMHO, that this is not widely researched is that the LOUD speaker is designed to produce significant SPL. They are not designed with the use-case of ultra near-field use
The suspension stiffens is usually the lowest in the rest position.Surely you don’t think that a rubber roll surround is linear?
And who says its not moving if you breathe on it? its just not moving a lot.otherwise one could simply breathe on a woofer cone and watch it move!
You are the one making EXTRAORDINARY CLAIMS. Extraordinary claims require extraordinary evidenceWell, except non of this stuff is linear. Time to go off and research and prove me wrong thenlets start with Klippel and see if we can educate ourselves further
Non linearity is not the same as discontinuity. Stiction is a discontinuity. It happens with two surfaces sliding together. There are no such surfaces in a speaker.
And actually - in the region we are discussing - tiny movement: A speaker is effectively linear.
the point is that the spider and surround is lossy. It takes a minimum current to make the cone overcome frictional effects and start to move. You can very easily show that by pressing your finger on the diaphragm and feeling the resistance to motion. Physically, its not possible for it to be frictionless on earth and thus there is a minimum current that is needed to the voice coil to make it move. This is basic physics and I don’t understand why there is any argument about this. I used the extreme example to make this point, that if there were no losses as others seem think, it would freely move, with a faint force like from your breath. Frictional losses within the materials are the main reason why a microphone has a minimum SPL sensitivity and why there is a minimum SPL floor in a loudspeaker driver.The suspension stiffens is usually the lowest in the rest position.
https://www.klippel.de/know-how/mea...rs/transducer-nonlinearities-curve-shape.html
![]()
JL Audio 12W7AE-3
Klippel LSI and Distortion measurements on the JL Audio 12W7AE-3 subwoofer.resonixsoundsolutions.com
And who says its not moving if you breathe on it? its just not moving a lot.